Mozart, who was also an accomplished violinist, wrote all of his five violin concertos in Salzburg in 1775, apparently for his own personal use. Their style can best be described as cosmopolitan and reflects the many musical currents he had been exposed to while on his travels in Italy and elsewhere. Aristocratic, suave, witty, wonderfully melodious, they are dazzling gems that conceal an inner core of challenging material that can be truly mastered only by the very best violinists. The Greek violinist Leonidas Kavakos was born in Athens in 1967 and, thanks to a fellowship of the Onassis Foundation, attended a master class given by Joseph Gingold at the University of Indiana. He has been invited to take part in many chamber music festivals, and presents his own festival in Athens every year. As proven in this recording, he is also a remarkable conductor. He plays the “Falmouth” Stradivarius of 1692. The former “Camerata academica Salzburg” was renamed simply “Camerata Salzburg” in 2001. It was founded in 1951 by Bernhard Paumgartner, who was its head and mentor for many years. From 1978 to 1997 its artistic director was Sándor Végh and in 1997 Roger Norrington was appointed principal conductor of the ensemble. The Camerata Salzburg can be heard every year at the Salzburg Mozartwoche and Salzburg Festival. Alexander Janiczek, who conducts this concert, comes from Salzburg and has been the concertmaster of the Camerata Salzburg since 1991.
Mozart, Violin Concerto in D major, K.211 (Mozartwoche 1999)
Mozart, who was also an accomplished violinist, wrote all of his five violin concertos in Salzburg in 1775, apparently for his own personal use. Their style can best be described as cosmopolitan and reflects the many musical currents he had been exposed to while on his travels in Italy and elsewhere. Aristocratic, suave, witty, wonderfully melodious, they are dazzling gems that conceal an inner core of challenging material that can be truly mastered only by the very best violinists. The Greek violinist Leonidas Kavakos was born in Athens in 1967 and, thanks to a fellowship of the Onassis Foundation, attended a master class given by Joseph Gingold at the University of Indiana. He has been invited to take part in many chamber music festivals, and presents his own festival in Athens every year. As proven in this recording, he is also a remarkable conductor. He plays the “Falmouth” Stradivarius of 1692. The former “Camerata academica Salzburg” was renamed simply “Camerata Salzburg” in 2001. It was founded in 1951 by Bernhard Paumgartner, who was its head and mentor for many years. From 1978 to 1997 its artistic director was Sándor Végh and in 1997 Roger Norrington was appointed principal conductor of the ensemble. The Camerata Salzburg can be heard every year at the Salzburg Mozartwoche and Salzburg Festival. Alexander Janiczek, who conducts this concert, comes from Salzburg and has been the concertmaster of the Camerata Salzburg since 1991.
Haydn, Serenade in D major, MH 86 (Mozartwoche 1999)
The former “Camerata academica Salzburg” was renamed simply “Camerata Salzburg” in 2001. It was founded in 1951 by Bernhard Paumgartner, who was its head and mentor for many years. From 1978 to 1997 its artistic director was Sándor Végh and in 1997 Roger Norrington was appointed principal conductor of the ensemble. The Camerata Salzburg can be heard every year at the Salzburg Mozartwoche and Salzburg Festival. Alexander Janiczek, who conducts this concert, comes from Salzburg and has been the concertmaster of the Camerata Salzburg since 1991.
Haydn, Trio in A major, Hob.XV:18 (Mozartwoche 1999)
The Wiener Klaviertrio was founded in 1988 by the pianist Stefan Mendl, the cellist Marcus Trefny and the violinist Wolfgang Redik. In addition to intensive studies with the Trio di Trieste, the Beaux Arts Trio and the Haydn Trio Wien, the three musicians also worked with Isaac Stern, Joseph Kalichstein and members of the LaSalle and Guarneri Quartets. The ensemble has been undertaking extensive concerto tours throughout Europe, in the United States and Canada since the early 1990s. Moreover, the three musicians regularly appear at many festivals, such as the “Flanders Festival” and the “Schubertiade Feldkirch”. After its successful concert cycle in Vienna’s Konzerthaus with the entire piano trio oeuvre of Ludwig van Beethovens, the Wiener Klaviertrio presented all of Schubert’s piano trios in London’s Wigmore Hall as well as in Vienna’s Musikverein in the 1996/97 season. This concert was recorded in late January 1999 at the Mozartwoche Festival in Salzburg.
Mozart, Trio in E major, K.542 (Mozartwoche 1999)
The Wiener Klaviertrio was founded in 1988 by the pianist Stefan Mendl, the cellist Marcus Trefny and the violinist Wolfgang Redik. In addition to intensive studies with the Trio di Trieste, the Beaux Arts Trio and the Haydn Trio Wien, the three musicians also worked with Isaac Stern, Joseph Kalichstein and members of the LaSalle and Guarneri Quartets. The ensemble has been undertaking extensive concerto tours throughout Europe, in the United States and Canada since the early 1990s. Moreover, the three musicians regularly appear at many festivals, such as the “Flanders Festival” and the “Schubertiade Feldkirch”. After its successful concert cycle in Vienna’s Konzerthaus with the entire piano trio oeuvre of Ludwig van Beethovens, the Wiener Klaviertrio presented all of Schubert’s piano trios in London’s Wigmore Hall as well as in Vienna’s Musikverein in the 1996/97 season. This concert was recorded in late January 1999 at the Mozartwoche Festival in Salzburg.
Beethoven, Trio in B flat major, op.97 (“Erzherzog-Trio”) (Mozartwoche 1999)
The Wiener Klaviertrio was founded in 1988 by the pianist Stefan Mendl, the cellist Marcus Trefny and the violinist Wolfgang Redik. In addition to intensive studies with the Trio di Trieste, the Beaux Arts Trio and the Haydn Trio Wien, the three musicians also worked with Isaac Stern, Joseph Kalichstein and members of the LaSalle and Guarneri Quartets. The ensemble has been undertaking extensive concerto tours throughout Europe, in the United States and Canada since the early 1990s. Moreover, the three musicians regularly appear at many festivals, such as the “Flanders Festival” and the “Schubertiade Feldkirch”. After its successful concert cycle in Vienna’s Konzerthaus with the entire piano trio oeuvre of Ludwig van Beethovens, the Wiener Klaviertrio presented all of Schubert’s piano trios in London’s Wigmore Hall as well as in Vienna’s Musikverein in the 1996/97 season. This concert was recorded in late January 1999 at the Mozartwoche Festival in Salzburg.
Interview with Alexander Mullenbach
Wenzel Fuchs – Clarinetist
Interview with Viktoria Mullova
Leonard Bernstein: Reaching for the Note – In honor of Leonard Bernstein’s 80th birthday.
When Leonard Bernstein died in 1990 at the age of 72, music lovers the world over mourned the loss of one of the 20th century’s artistic giants. In addition to his role as conductor, composer, educator and performing artist, Bernstein was one of the early pioneers in bringing the arts to television. As such, he became one of the most internationally recognized musical personalities in the world. Yet in spite of the existence of vast quantities of visual material, the two-hour film “The Infinite Variety of Leonard Bernstein” is the first full-scale biographical film portrait of the musician. The spine of the film is Bernstein’s own narrative. Supplementing this are recollections from friends, family, artistic collaborators and others who provide a historically critical perspective on his work and career. An equally important element is the integration of Bernstein’s compositions throughout the film. Through his television specials as an educator, as well as through the orchestral works he conducted for television, the film also provides a rich, varied and insightful reflection on Bernstein’s music-making.