For his tone poem ‘Scheherazade’ Nikolai Rimsky-Korsakov chose four episodes from the famous 1001 nights tales collection to set, using glowing instrumental colors and exotically tinged ornaments. Andris Nelsons, the young and charismatic star conductor from Latvia, will be sure to inspire a veritable sonic intoxication with the wonderful
Concertgebouw Orchestra. In contrast, the first part of the concert will strike a heroic note when Yefim Bronfman, whose virtuosity knows no limits, plays Beethoven’s Fifth Piano Concerto.
Dmitri Shostakovich’s Eighth Symphony, which was written in the pivotal months after the Battle of Stalingrad, follows the principle of triumph through adversity – ‘per aspera ad astra’ – not just musically, but also conceptually: Everything that is dark and shameful will perish; everything that is beautiful will triumph.’ This ‘triumph,’ though, is restrained. The Eighth is a large-scale work that ends in something like a pastoral mood, played pianissimo; poses of jubilation were not in Shostakovich’s nature. The concert opens with the delightful, lively Overture to ‘Rienzi.’ And the ‘Dance of the Seven Veils’ from ‘Salome’ shows the fin-de-siècle’s enigmatic penchant for decadence.
