From the Rossini Festival in Pesaro comes the first staged performance since 1825 of “Adelaide di Borgogna”. Set in medieval times, the libretto relates the tale of a king’s widow who is used as a pawn in diplomatic and amorous intrigues. “Adelaide” stars sought-after mezzo Daniela Barcellona as Ottone, and, in the role of Adelaide, young Australian soprano Jessica Pratt, who possesses a natural-born bel-canto voice. Director Pier’ Alli ha devised a modern, stylish look for his production, which interweaves medieval aspects with ironically used elements from the time of the opera’s genesis.
Mosè in Egitto
From the prestigious Rossini Festival in Pesaro comes a thought-provoking interpretation of Rossini’s azione tragico-sacra “Mosè in Egitto”. Topping the cast of high-caliber vocalists are Sonia Ganassi and Dmitry Korchak as two lovers drawn into the political turmoil of their time. Director Graham Vick’s interpretation centers on a condemnation of all religious fundamentalism. Designed by Stuart Nunn, the set evokes a bombed-out edifice and provides a chilling setting for Rossini’s haunting melodies. With the gifted Roberto Abbado on the podium, “the music is free to carry its timeless message” (La Stampa).
Demetrio e Polibio
Rossini’s very first opera, written when he was a teenager, was premiered i Rome in 1812 and revived at the Rossini Opera Festival in Pesaro in 2010. Young stage director Davide Livermore, heading a production of the Accademia di Belle Arti di Urbino, turns the libretto into a ghost story, setting the action at night, behind the stage of an opera house. Thanks to various “phantasmagorical” tricks, Livermore creates an enchanting atmosphere that is musically rendered by the Orchestra Sinfonica Rossini under Corrado Rovaris. Each giving outstanding performances are the four young soloists Maria José Moreno, Victoria Zaytseva, Yijie Shi and Mirco Palazzi, “stars of the highest international order” (Süddeutsche Zeitung).