In 1984, Herbert von Karajan and the Berliner Philharmoniker presented an unusual concert program of two contrasting yet complimentary works by Richard Strauss: the early symphonic poem Death and Transfiguration and the mature masterpiece Metamorphoses. Stretching the limits of Romanticism, Death and Transfiguration depicts the final moments of a sick man who reflects back on his life before his death. In the abstract musical exploration Metamorphoses, the composer draws inspiration from previous generations’ compositional approaches to push musical limits, taking counterpoint to new heights with this piece written in 23 independent sections. With their signature sonic intensity, the famed Austrian conductor and the Berliner Philharmoniker give a truly captivating performance.
Berlin 750 Jahre – Opening Concert
Herbert von Karajan and the Berliner Philharmoniker perform Mozart’s captivating Divertimento in D Major—one of many highlights of the 35-year relationship between the conductor and the orchestra! In 1987 as part of the 750th anniversary of Berlin’s founding, this concert kicked off a series of celebrations in the German capital, a festive moment whose preparations in West and East Berlin were a subtle prelude to the events of 1989. With a length and instrumentation reminiscent of the composer’s symphonic works, the Divertimento’s structuring in an extended series of six movements and one-on-a-part texture are typical of the chamber music of the period. A masterpiece composed by the classical genius at the tender age of 16!
New Year‘s Eve Concert 1983
Herbert von Karajan leads the Berliner Philharmoniker in a concert program exploring the idea of homeland. Rossini’s William Tell tells the story of the legendary folk hero whose love for his son led him to confront the menacing Hapsburg invaders. The opera’s overture counts among classical music’s greatest hits. Next Smetana’s unforgettable melodies bring the beautiful Bohemian countryside near the banks of the Moldau river to life in his symphonic cycle “My Homeland” (Má vlast). Finnish composer Jean Sibelius’s Valse triste was originally written as incidental music for his brother-in-law’s play Kuolema (Death). The famed maestro presents an exquisite reading of these works before closing the program with two typically brilliant waltzes by the great Austrian waltz-master Johann Strauss: Delirien and the Overture to Der Zigeunerbaron.
New Year‘s Eve Concert 1984
Johann Sebastian Bach is one of the few baroque composers whose works Herbert von Karajan recorded, with the conductor specializing primarily in Classical and Romantic repertoire. This rare footage of the 1984 New Year’s concert features the Berliner Philharmoniker and Karajan in a two-part program. First they perform Bach’s Violin Concerto in E Major with the brilliant Anne-Sophie Mutter as soloist. Then they present Bach’s Magnificat in D Major for soloists, choir, and orchestra, a true audience favorite.
New Year’s Eve Concert 1985
Is there such a thing as a Karajan “sound”? Beginning toward the end of his career, Herbert von Karajan began to attract criticism for having pushed his particular obsession clarity of an orchestra’s sound to the extreme. This New Year’s concert with the Berliner Philharmoniker is typical of his later interpretive approach: Karajan draws a particular sound out of the orchestra, but he and his musicians still take care to modulate that sound according to the repertoire they are playing. Their clear and precise performance of Weber’s brilliant Freischütz Overture is followed by their hypnotic string sound in Puccini and Leoncavallo’s two Intermezzi, culminating in the progressive and determined build-up of Ravel’s Boléro.
Also sprach Zarathustra
In 1968, 2001: A Space Odyssey’s unforgettable opening scene made Richard Strauss’s symphonic poem Also sprach Zarathustra (“Thus spoke Zarathustra”) one of the best-known pieces of classical music ever. Filmmaker Stanley Kubrick chose the recording of Karajan with the Wiener Philharmoniker, but this performance from 1987—part of the 750th anniversary celebration of Berlin’s founding—features Karajan’s other preferred artistic partner, the Berliner Philharmoniker. Monumental and lyric, the magnificent symphonic poem pays tribute to Nietzsche’s eponymous work that explores human nature and existence.
Karajan conducts Bruckner 9
A passionate enthusiast for new technologies and new concert formats, Herbert von Karajan was a pioneer in the translation of the symphonic concert experience to film. One of the first to grasp the importance of film and CDs, would immortalize numerous works of the classical canon using these two mediums over the course of his career. Never satisfied with confining himself to musical direction, Karajan was heavily involved in the technical side of his recordings, going so far as to to dictate the placement of individual cameras. In this performance of Bruckner’s unfinished Symphony No. 9, Karajan’s talents as both music director and filmmaker are palatable: an exceptional testimony to both the maestro and this essential masterpiece of the pivotal transitional period between Romanticism and Modernism.