They live two lives. They work to survive, but music is their passion. At night they perform in sold out concert halls, and clean toilets the morning after. They tickle the ivories and sort out the trash in close succession. They interpret Beethoven just before repairing exhaust pipes. They are survival artists. A musician is asked: “Can you make a living?” The reply: “Some can, others cannot.” This story is about the others: Professional musicians who practise their art with great passion and skill, but still have to work on the side. Either just to make ends meet or to maintain a certain quality of life: As a garbage collector, an auto mechanic or doctor.
Birth of a Legend – The Three Tenors
In July 1990, on the eve of the World Cup final in Italy, something happened that would change the world of classical music forever. Luciano Pavarotti, Placido Domingo and José Carreras, the three greatest tenors of their generation, appeared on stage together: the premiere of the legendary all-star formation ‘The 3 Tenors’. This historic concert in the antique Roman Baths of Caracalla marked the beginning of a new era in classical music.The ‘3 Tenors’ were more than just a musical event; they were a cultural phenomenon. Hundreds of thousands of spectators in sold-out stadiums and millions of television viewers around the world were enchanted by these extraordinary voices. The passion, dedication and virtuosity they brought to the stage made people’s hearts beat faster and tears of emotion flow. The 3 tenors changed the image of classical music, overcoming the boundaries between genres and inspiring a wide audience with the beauty and fascination of opera and classical music. This programme shows highlights from the Baths of Caracalla and also from the concerts with which the 3 Tenors celebrated triumphs around the world from 1996 onwards. With impressions from rehearsals and the tour, a variety of insights behind the scenes and statements by Luciano Pavarotti, Placido Domingo, José Carreras and the conductor Zubin Mehta, the film conveys all the magic of this classical music legend.
The Three Tenors – The Birth of a Legend
Excitement after a spectacular open-air concert. At the 1990 Football World Cup, the three tenors, José Carreras, Plácido Domingo and Luciano Pavarotti met the first time together with the conductor Zubin Mehta for an extraordinary musical experience. Six thousand excited live viewers and one billion watching on television. The beginning of a new era of classical music. In the following years, the 3 Tenors held audiences around the world under their spell in over thirty performances. They helped to bring about an unexpected flourishing of classical music. The concert in the Caracalla Baths of Rome was the Birth of a Legend. The programme interweaves performance and background information, including previously unseen material.
Murray Perahia – Live in Warsaw
The Warsaw recital of legendary pianist Murray Perahia, recorded on February 24th 2010. Available in three versions: Version 1: Johann Sebastian Bach: Partita No. 6 in E minor, BWV 830; Ludwig van Beethoven: Piano Sonata No. 30 in E major, Op. 109; Frédéric Chopin: Étude Op. 10, No. 4 (Length: 56 min) // Version 2: Johann Sebastian Bach: Partita No. 6 in E minor, BWV 830; Frédéric Chopin: Ballade No. 3 in A-flat major, Op. 47 / Étude Op. 25, No. 5 / Étude Op. 25, No. 1 / Étude Op. 10, No. 4 / Mazurka Op. 50, No. 3 / Mazurka Op. 59, No. 3 (Length: 56’) // Version 3: Bach, Beethoven, Chopin (Length: 76’)
A Baroque Celebration
The 19th of December 2011 was an evening of colour, joy and entertainment, as 19 renowned musicians joined forces in the Théâtre des Champs-Elysées, Paris. They were brought together in sound and harmony by the dervish of baroque music, Emmanuelle Haïm. This 10th anniversary of the ‘Le Concert d’Astrée’ was celebrated by Haïm and the musicians in a very special way: an exuberant party of the baroque. The 20 singers and instrumentalists joining the ensemble, having refined their musical collaboration for the past 10 years: Natalie Dessay, Sandrine Piau and Anne Sofie von Otter, as well as Philippe Jaroussky, Patricia Petibon, Rolando Villazon or the Finnish tenor Topi Lehtipuu. —— Arias, Duets, Trios und Quartets from G. F. HANDEL: Il Trionfo del Tempo, Giulio Cesare, The Messiah, Ariodante; H. PURCELL: The Fairy Queen; J. B. LULLY: Le Bourgeois Gentilhomme, C. MONTEVERDI: L’incoronazione di Poppea; J. P. RAMEAU: Dardanus
Loud, Hard, Magical – The Sound Of Finland
The film takes the audience on a road trip into the unique Finnish music scene: a mixture of melancholy, metal and humour. Bassist and Sibelius descendent Lauri Porra, and the cello quartet Apocalyptica interpret Finnish’s unofficial national anthem ‘Finlandia’ in their own style and in doing so, delve deep into the culture and psyche of this young nation.
The Finns nurture an eclectic mixture of musical styles, they do so with a dark and anarchistic humour, as well as a deeply felt melancholy. The breadth of musical style ranges from Finnish Tango to deafening heavy metal, from all male choirs that shout to a long line of successful Finnish conductors.
Magic Moments of Music – Maria Callas & Tosca
The beginning of 1964 held a great surprise for the music world: Maria Callas returns to the opera stage as prima donna. Her “Tosca” at the Royal Opera House becomes a sensation. Not even the Beatles received more press coverage. All this, for an artist whose glorious career was said to be over, with the singer herself passing over to legend. It is no longer her performances, but her scandals that, are dominating the headlines. Unlucky in love with her billionaire boyfriend Aristotle Onassis, Maria Callas wants to show them all that the title of ”Primadonna assoluta” is still rightfully hers. On condition that famed stage director Franco Zeffirelli takes on the production, the exceptional vocalist is prepared to take on the role of Tosca. Her fans queue outside the Royal Opera House in London’s Covent Garden for four, even five nights. To get their hands on the sought after tickets, they spend the freezing winter nights in sleeping bags and on fold up chairs. A British broadcaster has recorded the opera’s second act. It is one of the most dramatic acts in opera history – to save the artist Cavaradossi from his torturer; Tosca ends up murdering the chief of police Scarpia. The film recording is one of the few opportunities to see Maria Callas on stage and witness her emotional dramatics and vocal competence.
Truls Mørk plays Chopin and Dvorák
Truls Mørk was the first Scandinavian ever to win the Moscow Tchaikovsky competition, a triumph that marked the start of his musical career. The film visits the Norwegian cellist Truls Mørk at his Scandinavian holiday home, accompanying him on his boat out at sea and on walks along the coast. The cello concerto by Anton Dvorák with the Bamberg Symphony Orchestra and the Chopin interpretations are focal points of the story.
Magic Moments of Music – Arturo Benedetti Michelangeli plays Ravel
The name Arturo Benedetti Michelangeli (1920-1995) is still inextricably linked with Maurice Ravel’s Piano Concerto in G major. The way Benedetti Michelangeli articulates the trill chains, for example, is considered unique. At the same time, Benedetti Michelangeli is a great mystery: he was notorious for his numerous cancellations. The smallest discrepancies on the instrument, a small change in the room climate from rehearsal to concert were enough to cancel a performance. His reputation, as one of the greatest of his guild, is undisputed. Pianist Krystian Zimerman remembers his artistic exchange with Benedetti Michelangeli. For Pierre-Laurent Aimard, the Italian pianist is a declared source of inspiration as a magician of acoustics. Serge Celibidache, the son of Sergiu Celibidache, provides insights into the special artistic friendship of the two perfectionists. While Marina Baranova goes in search of Benedetti Michelangeli’s grand piano in Bavaria, Cord Garben, his producer, remembers the not always easy collaboration. Jazz musician Stefano Bollani, an admirer of Benedetti Michelangeli, explains how the composer Ravel was inspired by jazz music.
Magic Moments of Music – The Wrath of Nina Simone
It is a special moment in the life of the world-famous singer and pianist. She has just become a mother and has joined the protests of the civil rights movement in America against racism and discrimination against the black population. She predominantly writes and sings protest songs, risking her career because her lyrics are considered controversial in America and are even boycotted in some cases. In Europe, she sees the opportunity to express herself freely and tell the stories of the oppression of black people from her homeland. Through television concerts like this one, she reaches an audience of millions. The film tells of Simone’s beginnings in music, how she transitioned from classical to jazz, and her courage and relentless fight for equality and freedom. “Tomorrow is my turn, no more doubts, no more fears,” Simone sings in a mix of resignation and defiant hope. She hopes that her voice can be part of the change in the situation of the black population in the USA in the 1960s. Pianist Gabriela Montero and singer Angélique Kidjo explain how music can be an instrument of resistance. Jazz singer Lizz Wright’s work is still strongly influenced by Nina Simone to this day. Opera singer Victoria Randem explains how important Nina Simone was for the generations after her. They all show how important civil courage, authenticity, and emotionality are on stage and how Nina Simone’s legacy continues to have an impact today.