This concert shows the magic that happens when a master of his craft meets the most masterfully crafted instrument: On the occasion of his 80th birthday, world-famous organist Ton Koopman plays the pipe organ at the Salamanca Hall in Gifu, Japan for an exclusive recording. The largest work of Tsuji Hiroshi, a pioneering organ builder in Japan, the instrument incorporates the features of the organ at the Salamanca Cathedral in Spain and is unique for its blend of Spanish and German styles. Giving thought to the unending flow of time, Koopman draws out the appeal of the organ to its fullest, playing Spanish Batalha, Frescobaldi, Buxtehude, and Bach.
Filippo Gorini in Japan
Experience the enchanting fusion of classical music and traditional Japanese culture as acclaimed Italian pianist Filippo Gorini performs a captivating recital featuring works by Franz Schubert at the serene Hokokuji Temple. Filippo Gorini, a rising star in the classical music world, has been captivating audiences worldwide since winning the First Prize and Audience Prize at the Telekom-Beethoven Competition in Bonn in 2015. PROGRAM Kurtag: A Ligatura for Màrta; Schubert: Sonata No. 21; Bach/Petri: Schafe können sicher weiden, BWV 208, No. 9
Silla
Handel’s opera Silla is probably the most enigmatic and unknown of all his operas. The production at the Kanagawa Prefectural Music Hall, however, is not only a rare occasion, but also the world premiere of the full-stage version. Tadashi Miroku’s production is inspired by traditional Kabuki theatre, known for its highly stylised performances and often glamorous costumes and make-up. Fabio Biondi conducts “his” Europa Galante, an internationally renowned and award-winning ensemble for baroque music, performing together with a magnificent cast of singers representing the world of early music, such as Vivica Genaux and Roberta Invernizzi. “More than a common orchestra, Europa Galante looks like a guitar or multi-register harp struck by Biondi’s master hand”. (Amadeus)
Die schweigsame Frau
Die schweigsame Frau (The Silent Woman), the first and only joint work by Richard Strauss and Stefan Zweig, was performed for the first time at the Staatsoper Unter den Linden. The opera embodies comic opera in a new and unexpected way, starting with the genre name, which Strauss used here for the first and only time in his career. Compositionally, it is his most progressive work. With his new production of Richard Strauss’ opera, director Jan Philipp Gloger places social issues such as loneliness and housing shortages at the centre of the opera. The superb cast brings his ideas to life with “energetic performance and balanced vocal power” (Süddeutsche Zeitung). “What Thielemann conjures up from the orchestra pit is classical cinema at its finest.” (BZ)
John Cranko’s The Taming of the Shrew
John Cranko’s The Taming of the Shrew is one of the greatest ballet comedies of the 20th century. Inspired by William Shakespeare’s world-famous play, Cranko brings to vivid life the story of the shrewish Katherina whom no one wants to marry and the dashing and clever Petruchio who makes her his wife and “tames” her. Set to cheerful and boisterous music by Kurt-Heinz Stolze after Domenico Scarlatti and with colourful costumes and a charming set by Elisabeth Dalton, The Taming of the Shrew evokes the sunlit streets and gardens of Italy. The perfect ballet for the whole family, danced by the Stuttgart Ballet. “This company is world class.” (Tanznetz) / “Cranko’s adaption of Shakespeare’s comedy is an artistic gem.” (FAZ)
Salzburg Festival 2025: Mozart Matinee with Kyohei Sorita
“It’s all there in this Mozart adventure” (Kronenzeitung): Making his debut at the Salzburg Festival, Japanese pianist and conductor Kyohei Sorita (“a breath of fresh air” – Drehpunktkultur) performs two important piano concertos by Wolfgang Amadeus Mozart alongside the Mozarteum Orchestra Salzburg as part of the traditional Mozart
Matinees in the Great Hall of the Mozarteum Foundation. PROGRAM: Symphony in G major K. 318, Piano concerto in E-flat major K. 271 ‘Jeunehomme’, Overture from Le nozze di Figaro K. 492; Piano concerto in D major K. 537 ‘Coronation’; Alla Turca (Allegretto) from the Piano Sonata in A, K. 331 (encore)
Fazil Say at Mozartwoche
The singular pianist Fazil Say centers this recital during Salzburg’s Mozart Week around Bach’s monumental Goldberg Variations. Although the late Bach is cornerstone of piano music and a milestone for many pianists, Say’s unique performance manages to make even this well-known and often played work a journey of discovery for the audience: “Time and again, the listener has the sudden impression that Fazil Say has just joyfully discovered something completely new in the piece and is letting everyone share in it
with his smiling gaze” (Opera Online). Say follows up the Goldberg Variations wit Mozart’s Fantasy No. 3 and his own piano sonata “Yeni hayat” (New Life), which he composed in 2021 during the pandemic. PROGRAM Bach: Goldberg Variations; Mozart: Fantasy No. 3, K. 397, Piano Sonata No. 11; Say: Piano Sonata “Yeni hayat”
Salzburg Festival 2023: Renaud Capuçon & Alexandre Kantorow
French violinist Renaud Capuçon and French pianist Alexandre Kantorow, each of them a star in his own right and winners of many international awards, teamed up to play all three sonatas of Johannes Brahms for violin and piano. In the Great Hall of the Mozarteum Foundation, ideally suited for the performance of chamber music, “Kantorow and Capuçon unfold this music in a joyful and in every moment attentive liveliness, finding a symbiosis of listening and playing individuals, each with the peculiarity of his instrument.” (Salzburger Nachrichten). With this concert, Alexandre Kantorow is giving his debut at the Salzburg Festival.
Salzburg Festival 2019: Haitink conducts Bruckner & Beethoven
To end his active conducting career after 65 years, maestro Bernard Haitink together with the Wiener Philharmoniker gives a farewell concert at the Grosses Festspielhaus, leaving no doubt of being one of the best Bruckner interpreters ever. The Dutch conductor, who was appointed honorary member of the Wiener Philharmoniker shortly before the concert, is joined by star pianist Emanuel Ax in Beethoven’s Piano Concerto No. 4. The concert ends with Bruckner’s monumental Symphony No. 7: “No more Bruckner under Haitink, that’s a cut in the history of interpretation” (Wiener Zeitung). PROGRAM Bruckner: Symphony No 7; Beethoven: Piano Concerto No 4
Salzburg Festival 2025: L’Histoire du Soldat
“A stroke of genius” (FAZ): The Salzburg Festival has pulled off a sensational coup with The Soldier’s Tale at the Salzburg Marionette Theatre, founded in 1913 and a World Heritage Site. World-renowned painter and sculptor Georg Baselitz designed the puppets for Stravinsky’s fairy tale about a poor soldier who makes a pact with the devil. Dominique Horwitz as narrator, the magnificent chamber ensemble led by violin luminary Isabelle Faust, and the expressiveness of the marionettes make this a “musical and theatrical masterpiece” (Süddeutsche Zeitung).