The phenomenal Edita Gruberova, the world’s undisputed Queen of bel canto, proves once again why she deserves this title: following he tumultuously applauded concert debut as Lucrezia Borgia in Barcelona, her mesmerizing role debut in a staged version of this work took place at the Bavarian State Opera and was acclaimed just as frenetically, and rightly so. Her performance, noted ‘Opera Magazine’, ‘vindicated the Munich audience’s near-idolization of her’. With ‘Lucrezia Borgia’, Gruberova follows up her recent triumphs in ‘Roberto Devereux’ and ‘Norma’ with another bel canto masterwork.
Maria Stuarda
‘Maria Stuarda’, the tragedy of the Stuart Queen Mary and her embittered foe Elizabeth, is the most popular work in Donizetti’s trilogy of bel canto operas on Tudor queens (next to ‘Anna Bolena’ and ‘Roberto Devereux’). The production of Venice’s Teatro La Fenice shows Maria and Elisabetta both as prisoners, trapped in a labyrinth that is the central set element in Italian-based Franco-Tunisian director Denis Krief’s staging. With his sharp and lively conducting, Fabrizio Maria Carminati puts the Orchestra of the Teatro La Fenice entirely at the service of three exceptional singers, Sonia Ganassi (‘an extraordinary performance,’ Opera Today) as Elisabetta, Fiorenza Cedolins (‘colorful, nuanced, highly dramatic heroine,’ Frankfurter Allgemeine Zeitung) as Maria Stuarda, and José Bros as a passionate Leicester. The recording was made at Venice’s beautiful Teatro La Fenice, rebuilt after the fire that destroyed it in 1996.