Pianist Hélène Grimaud has been called “a renaissance woman”, and her painterly, passionate sensibility makes everything she plays glow with colour. She’s never more fully herself than when playing chamber music, and this beautifully filmed concert from 2001 captures that collaborative spirit in the round. Grimaud joins colleagues from the Orchestre de Paris at Paris’s Cité de la Musique to perform Schumann’s Piano Quintet and two gloriously poetic sets of miniatures. Together, they’re near-ideal interpreters of Schumann: a pianist-composer whose own imagination was never more potent than when (as here) the piano is merely first among equals in a world of high-Romantic emotion.
Madama Butterfly
An acclaimed cinematic adaptation of Puccini’s popular opera about the tragic love affair between a naive geisha and the American naval officer who deserts her and their young child. Like the finest of film scores with its fluid beauty and succession of intensely romantic tunes, Madame Butterfly has a surprisingly cinematic feel. In 1995 director Frederic Mitterand exploited this quality of the story, exposing a young woman’s disillusionment against a backdrop of cultural chasms. Shot on location, with Tunisia doubling convincingly as a turn of the century Nagasaki, this Butterfly shines with fragile beauty. The house becomes a brilliantly used set; airy and full of the scent of flowers and at the same time a cage for the trapped woman. Archive footage of bygone Nagasaki is used skillfully to underline the distance between the 15-year-old bride and Pinkerton. Featuring Chinese soprano Ying Huang and American tenor Richard Troxell.