The Bayreuth Festival’s annual new production is one of the most eagerly awaited events of the operatic calendar, and in 2025 Matthias Davids brings his experience as a multi-award-winning director of musical theatre to Wagner’s only mature comedy, Die Meistersinger von Nürnberg. This highly anticipated staging is matched by a superb musical line-up, with Daniele Gatti conducting an international cast including Georg Zeppenfeld as Hans Sachs, Michael Spyres as Walther von Stolzing and the young Swedish soprano Christina Nilsson as Eva. All in all, it promises to be a fresh and revitalizing take on this most inspiring of Wagner’s works, which asks fundamental questions about art, inspiration and what it means to be truly creative.
Max Raabe & Palast Orchester – A Night in Berlin
“Max Raabe & Palast Orchester” are internationally renowned for entertainment at its best. The reason for their success lies in the uniqueness and excellent quality of their performance. The classically trained musicians work as seriously at the interpretation of their music as they would at that of a composition by Beethoven. Max’s drily witty concert announcements provide a humorous counterpoint and a main attraction in the show. Quote: “Because perhaps a woman brings her husband to a concert and he might not like the singer or the music, but he may like the humor of the jokes.”
Yuja Wang & Mahler Chamber Orchestra
“Virtuosic sparks” (klassik.com) As Artistic Partner of the Mahler Chamber Orchestra, piano virtuoso Yuja Wang not only dazzles at the grand piano, but also gives her conducting debut. After an amuse-bouche of Mozart’s “precisely articulated and dynamically shaded” Serenade in E flat major, Wang takes the stage with Stravinsky’s Concerto for piano and wind orchestra and concludes the concert with a striking rendition of Gershwin’s Rhapsody in Blue: “With dreamlike chord accuracy and flawlessly rapid repetitions, she presents the rhythmic finesse of Gershwin’s music and demonstrates an unerring sense of jazzy impetus” (klassik.com). Mozart: Serenade for wind instruments, K. 375; Stravinsky: Concerto for piano and wind instruments; Dvorak: Serenade for wind instruments, cello and double bass in D minor, Op. 44; Gershwin: Rhapsody in Blue (arr. Ferde Grofé); Marquez: Danzón No. 2 (arr. Gómez-Tagle)
Salzburg Festival 2023: Daniil Trifonov
Grammy Award-winning pianist Daniil Trifonov has made a spectac ular ascent of the classical music world. Combining consummate technique with rare sensitivity and depth, his performances are a perpetual source of awe. “He has everything and more, […] tender ness and also the demonic element. I never heard anything like that,” marveled pianist Martha Argerich. In this Salzburg recital, the “keyboard magician” (Salzburger Nachrichten) spans the spectrum between classical and early modern. Works from Mozart, Schumann and Tchaikovsky to Skriabin, Ravel and Rachmaninoff are performed – a “witch’s work of pianistic virtuosity”. (Standard)
Anne-Sophie Mutter & Mutter’s Virtuosi
For years, Anne-Sophie Mutter has been performing together with various scholarship students of her foundation – in order to familiarize them with the life of a professional musician and to introduce them to a broader audience. In spring 2011 she also launched the project Mutter’s Virtuosi: This ensemble under the musical direction of the violinist consists of current and former scholarship holders of the of the Anne-Sophie Mutter Foundation as well as several other young musicians. This concert at Vienna’s Musikverein includes works by J. S. Bach, his Violin Concerto No. 1 and the Brandenburg Concerto No. 3, Vivaldi’s concert for three violins in F major, the Violin Concerto in A major by Joseph Bologne as well as the Nonet by André Previn, a commission for Mutter’s Virtuosi.
Vienna Boys Choir – 525th Anniversary Concert
Boys have been singing at Vienna’s “Hofburgkapelle” since 1296. In 1498, the future Emperor Maximilian I moved his court and court music from various residences to Vienna. In doing so, he had laid the foundation for the Wiener Hofmusikkapelle and eventually also for the Wiener Sängerknaben (The Vienna Boys Choir). In this festive jubilee concert at Vienna’s Musikverein celebrating the 525th anniversary of the choir, the Wiener Sängerknaben and all choirs associated to it, the Chorus Primus, the Wiener Chormädchen, the Chorus Juventus and the “alumni” forming the Chorus Viennensis, are singing works that are all especially related to the choir – by Ludwig Senfl and Josquin Desprez, the Strauss dynasty or also by Mozart, Haydn and Bruckner, some of them recorded for the very first time.
Honeck conducts Beethoven & Schmidt
Young Spanish violinist María Dueñas is currently conquering the concert stages of the world and performing with the most renowned orchestras and conductors of our time. Her technical skills, artistic maturity and interpretations full of character come together in her performances. Winner of several violin competitions, she was selected by BBC Radio 3 as one of the New Generation Artists 2021-23. In this concert with the Vienna Symphony Orchestra conducted by Manfred Honeck, she presents Beethoven’s Violin Concerto with her own cadenzas. “Her mixture of tautness and elasticity, verve and sensitivity was as enchanting as the focused, luminous tone of her violin” (Der Standard). The concert is rounded off with Franz Schmidt’s (1874–1939) Fourth Symphony.
Andris Nelsons conducts Mahler
Mahler’s unusually extended five-movement Symphony No. 7 is one of his most ambiguous and enigmatic and is therefore considered by many performers to be the most difficult. This recording is part of a Mahler cycle that Andris Nelsons, “one of the most celebrated conductors of our time” (Salzburger Nachrichten), and the Wiener Philharmoniker, the orchestra that Gustav Mahler himself conducted many times, have already been working on for a few years now and that will be continued for the next few years. Under Nelsons’ direction, the orchestra “performed magic in the Golden Hall. […] Magnificent strings, fabulous winds, accomplished melodic dialogues were heard in all five movements of the symphony. […] Rarely has one heard this work so finely chiselled, so dynamically balanced. An event.” (Kurier)
Beethoven Piano Concerto Cycle – Jan Lisiecki
Just aged 25, Canadian pianist Jan Lisiecki has won acclaim for his extraordinary interpretive maturity, distinctive sound, and poetic sensibility. The New York Times called him “a pianist who makes every note count”. Lisiecki’s insightful interpretations, refined technique and natural affinity for art give him a musical voice that belies his age. The Academy of St Martin in the Fields is one of the world’s finest chamber orchestras, renowned for fresh, brilliant interpretations of the world’s greatest orchestral music.
The Berlin Concert – Anne-Sophie Mutter & Lang Lang
Celebrating 120 Years of Deutsche Grammophon, The Berlin Concert features performances from DG’s unbeatable roster of artists: Anne-Sophie Mutter, considered one of the greatest violinists of all time and Lang Lang, pioneering pianist and global cultural icon, accompanied by the Staatskapelle Berlin under the direction of Manfred Honeck. Works by W.A. Mozart, L.v. Beethoven and a german premiere of John Williams’ “Markings” are on the program of this highly anticipated concert in Berlin´s famous Philharmonie. PROGRAM L.v. Beethoven: Overture to Fidelio, op. 72; Leonore Overture No. 3, op. 72b, Romance in F for violin and orchestra, op. 50; W.A. Mozart: Piano Concerto in C minor, KV 491; John Williams: Markings for violin, string orchestra and harp