Jirí Belohlávek and his Czech Philharmonic embarked on the ambitious project of recording the complete Martinu symphonies at the visually and acoustically spectacular Rudolfinum Prague, starting with Nos. 1 and 4. After the death of Belohlávek, his pupil Jakub Hruša took over the project, continuing the cycle with Symphonies Nos. 2, 3 and 6. Praised for his “passionate, thrilling” way of conducting his ‘all-Czech’ BBC Proms concert by the NYT, Hruša is uniquely qualified to face the task of performing the works of Martinu, who is deemed the greatest Czech composer of his generation.
Thomas Guggeis conducts Smetana
The Prague Spring Festival opens annually with Bedrich Smet ana’s cycle Má vlast (My Fatherland), always on 12 May, the anniversary of the composer’s death. It is one of the national monuments of Czech music: a musical foray through the world of the Czech mythical character Šárka, through the history and landscape of the Bohemian Basin in the heart of Europe and the old Prague castle of Vyšehrad. The most famous movement, “Vltava” describes the river Moldau and its course through the country. It is therefore a special honour to be invited to play the opening concert. Only the best orchestras are asked, but for probably no other orchestra the theme of Má vlast has such significance as for the West-Eastern Divan Orchestra. At the rostrum is Thomas Guggeis, a former assistant of Daniel Barenboim, who has – as many scholars of the great maestro before – made his own career and has been appointed general music director of the Frankfurt Opera.
Prague Sounds – Concert for Europe with Semyon Bychkov & the Czech Philharmonic
For this special concert, the Vltava river in Prague turned into a unique concert venue. Floating stages were built especially for this concert. To celebrate Czech Presidency of the Council of the European Union, the Czech Philharmonic perform some of the most iconic pieces of Czech classical music. The concert opens with the anthem of the European Union, Beethoven’s “Ode to Joy”, and is completed by Smetana’s Vltava (The Moldau), Dvorák’s Carnival Overture and – as the main piece of the evening – Janácek’s monumental Glagolitic Mass, one of the most powerful sacred compositions ever. It is the perfect piece to celebrate Europe: “the ancient classical meets the spontaneously avant-garde in a special and optimal way.” (Lidové noviny) PROGRAM: Beethoven: ”Ode to Joy” Finale of Symphony No. 9, Op. 125; Dvorák: Carnival overture op. 92; Smetana: Vltava, a symphonic poem from the cycle ‘My Country.’ Janácek: Glagolitic Mass
Pretty Yende in Prague
Young South-African soprano Pretty Yende first came to international attention in 2010 when she was the first artist in the history of the Belvedere Competition to win First Prize in every category. In this concert at the stunning Smetana Hall in Prague she is performing works by Meyerbeer, Donizetti, Arditi, Mozart, Bellini, Delibes Suppé and Bernstein.
Má vlast
Is there any more evocative piece of national music than “Ma Vlast” or “My Country”? Smetana’s six orchestral poems – the most famous of which is “Vltava” with its instantly recognizable melody and evocation of this great river – tell of Bohemia’s lands and legends. It is performed here by the orchestra so strongly associated with Czech identity and an institution that continues to represent Czech culture on the international stage.
My life with Bohuslav Martinu
Bohuslav Martinu (1890-1959) was born in a small town in Bohemia and spent his life in France, USA, Switzerland, and Italy. As one of the few composers of his time, he experienced great success and fame during his life. The film contains shots of authentic remembrances – newspaper critics, programme books, pictures, buildings, places where Martinu lived, his autographs, archive film shots of the places where he composed. The baseline of the movie is formed by a stream of sorted thoughts of Martinu’s French wife Charlotte. The music sounds like a soundtrack and corresponds to the chronologically narrated content.
Messiah
n the middle of the historic baroque garden in Ceský Krumlov, a UNESCO World Heritage Site located in the South Bohemian Region of the Czech Republic, Messiah comes alive in a magical atmosphere of light and dark. The production, which subtly links the biblical story of Jesus Christ with the life of Josef Adam, born in 1722, Duke of Krumlov and Prince of Schwarzenberg, is effec-tively staged as a baroque feast, with top-class early music soloists and one hundred and fifty choristers performing in replicas of baroque costumes. The performances take place at a unique spot: The theatre with revolving auditorium in Ceský Krumlov is one of only two theatres of this type in Europe. Located in front of the
rococo Bellarie Palace in the Baroque garden of the chateau, it was first put into operation in 1958 and, after several reconstructions, currently holds almost 650 spectators. With 56,000 tickets sold, the performances are the most attended summer cultural event in the entire Czech Republic and are thus the focus of interest among domestic and foreign spectators.
Hope for Prague
A special concert in a stunning setting: British violinist Daniel Hope, who studied under the legendary Yehudi Menuhin, performs Max Richter’s iconic composition “Vivaldi Recomposed”, a re-imagining of the Four Seasons, with the Epoque Orchestra on a floating stage on the Vltava against the backdrop of Prague Castle and overlooked by the imposing National Theatre complex. The concert also features the world premiere of a new version of Czech composer Bedrich Smetana’s “Vltava”, which is named after the river.