“Orpheus in der Unterwelt” (Orphée aux Enfers), Offenbach’s satirical answer to
Gluck’s “Orfeo”, was premiered in Paris 1858 and portrays society as amoral, the upper class as lax and indifferent to all and public opinion in charge of both.
In the early 1980s legendary director Götz Friedrich created his own contemporary version of the operetta at the Deutsche Oper Berlin, in German, filled with allusions to the contemporary cultural scene and society in general. Starring a large cast of renowned artists – singers and actors – Orpheus’ odyssey to the Olympic Gods and to the Underworld, in order to save his wife, receives a new face – away from Paris in the 19th century and to bourgeois West-Berlin. The performance stars Julia Migenes Johnson, Donald Grobe, Astrid Varnay and George Shirley, to name but a few. Jesús López Cobos has the musical direction in this production.
The Michael Nyman Band live at Studio Halle: Michael Nyman, who is famous for his Oscar nominated film score for Jane Campion’s film “The Piano”, is without doubt one of the great contemporary composers. Fitting the theme of the Handel-Year 2009, Michael Nyman celebrated the German premiere of his newest composition “The Musicologist Scores” in Handel’s hometown Halle. In that piece the composer looks deeply into the subject of Handel’s work. Furthermore, many other of Nyman’s works were performed. All over the world the powerful, energetic playing of The Michael Nyman Band – developed under Nyman‘s leadership over a period of three decades – brings his works to sparkling life and has long since become a characteristic feature of his music.
As a young man, Schumann had got to know Byron’s works through his father’s publishing business. There is no question that the composer recognised his own psyche in Manfred’s rugged soul. But he also responded to the challenge of Byron’s artistic concept of Manfred as “mental theatre”.
In the Düsseldorf production, the audience “becomes” Manfred, experiencing through the eyes of the eponymous hero a projection of the visually alienated world of the Swiss mountains in which the story is set – visualisation by the Austrian media artist Johannes Deutsch.
Marlis Petersen, Michaela Selinger, Elisabeth Kulman, Michael Roider, and Adrian Erod star in this Vienna State Opera production of the Reimann opera conducted by Michale Boder and directed by Marco Arturo Marelli.
Don Quichot – an audience favourite of prestigious companies worldwide – is a dazzling display of high spirits, virtuosity and Spanish temperament. The flamboyant leaps, dizzying pirouettes and crisp pointe work that are standard features of the production give the performers every opportunity to show off their technical prowess. But at the same time, the comic story based on Cervantes’ masterpiece makes strong demands on the dancers’ acting abilities. The leading Russian choreographer Alexei Ratmansky has drawn inspiration for his production from the libretto of the first version of Don Quichot by Marius Petipa, created in 1869. The former artistic director of the Bolshoi Ballet and Artist in Residence of the American Ballet Theatre now has also added his own new elements and choreography to the ballet. The modern designs for the ballet, by the renowned French designer Jérôme Kaplan, refer to the times of Cervantes.
The choreographer Alonzo King, acclaimed as “one of the few, true Ballet Masters of our times” by world-famous William Forsythe, works with his company The Alonzo King LINES Ballet in San Francisco. Before founding LINES Ballet in 1982 King has been working for companies around the world, including the Frankfurt Ballet, the Joffrey Ballet, the
Dance Theatre of Harlem, the Alvin Ailey American Dance Theatre, the Washington Ballet and the Hong Kong Ballet.
its global perspective on dance the LINES Ballet attracts worldwide attention combining modern dance and classical ballet. Alonzo King gives his dancers the chance to get involved into the creative process of the choreography. Critics often comment on the “new language” or
“re-invention of form” arising in King‘s choreographies.”
The choreographer Alonzo King, acclaimed as “one of the few, true Ballet Masters of our times” by world-famous William Forsythe, works with his company The Alonzo King LINES Ballet in San Francisco. Before founding LINES Ballet in 1982 King has been working for companies around the world, including the Frankfurt Ballet, the Joffrey Ballet, the
Dance Theatre of Harlem, the Alvin Ailey American Dance Theatre, the Washington Ballet and the Hong Kong Ballet.
With ist global perspective on dance the LINES Ballet attracts worldwide attention combining modern dance and classical ballet. Alonzo King gives his dancers the chance to get involved into the creative process of the choreography. Critics often comment on the “new language” or
“re-invention of form” arising in King‘s choreographis.
The music of the quintessentially Czech composer Dvorák is, above all, enjoyable and is a perennial favourite in the Romantic repertoire. This series of concerts is performed by the Prague Symphony Orchestra and Chorus and the Prague Philharmonic Choir, with three leading Czech conductors on the podium: Petr Altrichter, Jirí Belohlávek and Libor Pesek. Guest soloists include soprano Lucia Popp, alto Eva Randová, tenor Josef Protschka, bass Peter Mikulás, pianist Igor Ardasev, violinist Ivan Zenaty and cellist Mischa Maisky. VOLUME VI includes the world’s famous Requiem.
