Many composers dedicate their works to important people or quite often to the musicians premiering them. In his Violin Concerto No° 4, Alfred Schnittke not only prefaced the piece with the dedication to the premiering soloist Gidon Kremer. He also put this dedication into music and placed it at the very beginning of the concerto, known as the “Kremer theme”. Kremer, who turns 75 in February 2022, performed this concerto for the first time at the Leipzig Gewandhaus under the baton of fellow Latvian Andris Nelsons. Nelsons and the Gewandhausorchester also performed Tchaikovsky’s Symphony No. 1, Winter Dreams. PROGRAM: Weinberg: Jüdische Rhapsodie; Schnittke: Concerto for Violin and Orchestra No. 4; Tchaikovsky: Symphony No. 1
Music for Eternity – Bach’s Brandenburg Concertos
The Brandenburg Concertos by Johann Sebastian Bach are, together with Vivaldi’s “Four Seasons”, the most famous concerts in the history of early music. They are true “evergreens” with an exciting genesis, brilliantly orchestrated and extremely varied. The flautist Ana de la Vega is one of the dazzling personalities of a young generation of musicians. On the occasion of the 300th anniversary of the Brandenburg Concertos, she embarks on a journey into the history and musical characteristics of the works. Fascinated by Bach and his music, she searches for traces in Leipzig, Weimar, Köthen and Berlin: How did the concerts come about? What makes them so unique? And what is the truth of the claim that they were a secret application of Bach?
Carnival of the Animals – A music piece tells the story
The “Carnival of the Animals” is his best known work. Camille Saint-Saëns never wanted to publish it during his lifetime. On the 100th anniversary of the composer’s death in December 2021, the music piece itself tells us how the dwindling act of birth occurred in the composer’s mind. It is the notes that tell us of its suffering and of its triumph on the great stages of the musical world. According to the will of its creator, “Carnival of the Animals” was to be performed only once, in March 1886, on Shrove Tuesday. And now this piece has stolen the show from Camille Saint-Saëns’ other works for a hundred years. Directors have brought Saint-Saëns’ music to Hollywood. At the Cannes International Film Festival, “The Aquarium” is the signature tune. The film shows that “Carnival” is more than the musical characterization and exaggeration of various species. The role of the narrator was taken over by German actor Sebastian Koch. An orchestra specially assembled for the film lets the music of the “Carnival of the Animals” resound.
Hope for Prague
A special concert in a stunning setting: British violinist Daniel Hope, who studied under the legendary Yehudi Menuhin, performs Max Richter’s iconic composition “Vivaldi Recomposed”, a re-imagining of the Four Seasons, with the Epoque Orchestra on a floating stage on the Vltava against the backdrop of Prague Castle and overlooked by the imposing National Theatre complex. The concert also features the world premiere of a new version of Czech composer Bedrich Smetana’s “Vltava”, which is named after the river.
Musicverse – Mogli
Filmed at the Zeiss planetarium in Berlin, Musicverse features concerts accompanied by AI-generated projections in real time. Mogli, a versatile artist from Berlin, plunges the audience into a surprising psychedelic world.
Musicverse – Ásgeir
The Zeiss Planetarium in Berlin is the host for Musicverse, a series of concerts enhanced by AI-generated visual elements. Ásgeir, an Icelandic musician with a penchant for dream pop, rains down nebulous particles in waves reminiscent of the northern lights.
Musicverse – orbit
The Zeiss Planetarium in Berlin is the host for Musicverse, a series of concerts enhanced by AI-generated visual elements. Orbit, the band of Marcel Heym, uses morphing to create half-artificial, half-realistic worlds populated by mushrooms and goldfish.
Premieres Revisited – Haydn’s Daytime Symphonies at Schloss Esterházy
Il Giardino Armonico, conducted by Giovanni Antonini, performs the three Daytime Symphonies two and a half centuries after their premiere at their original concert venue, the magnificent Haydn Hall at Esterházy Palace. Premieres Revisited provides insight into the three works and combines their background with interviews and a passionate and virtuoso performance to convey an impression of the premiere at that time.
Sol & Lise
Lise Cristiani, born in the gutters of Paris, was the first cellist to dare to perform on stage in 1844. A woman with a cello! Obscene! A taboo. Until then, the instrument had only been played by men. With her Stradivarius, Lise Cristiani conquered the concert halls of Europe. On an adventurous journey, she even took her music to the farthest corner of Siberia, as Lise wrote, ‘to places where no artist had ever gone before.’ Sol Gabetta, virtuoso cellist of today, traced the history of her predecessor, searched for Lise’s repertoire, and wanted to create her own concert. The solo cellist found herself in roles entirely new to her. Like Lise once did, she also became a dramaturge and concert presenter. Lise Cristiani’s adventurous life is interwoven into the musical creation of the concert and her first performance.
The Nutcracker – A ballet by John Neumeier
Ballet master Drosselmeier takes Marie to the court theater, where she dances in new pointe shoes with cadet Günther—who gives her a mysterious nutcracker. John Neumeier’s touching choreography tells the story of saying goodbye to childhood. John Neumeier’s choreography tells the story of saying goodbye to childhood and growing up. In the course of the piece, the childlike Marie not only discovers the world of theater for herself, but also falls in love for the first time and matures into a young woman. John Neumeier’s unique version of this classic is a coming-of-age story and at the same time a tribute to the legendary ballet master and choreographer Marius Petipa, who brought classical ballet to perfection in the 19th century. The Hamburg Ballet dazzles with virtuoso elegance and opulent imagery – a Christmas fairy tale that gets under your skin.