Turandot

Director David Livermore presents a stunning new production of Turandot at Teatro alla Scala, blending modern Asian influences with spiritual and fantastical elements. Soprano Anna Netrebko delivers an “imperial” performance, skillfully handling the demanding role. Yusif Eyvazov as Calaf shows “flawless technique,” while Raul Gimene’s Altoum and Vitalij Kowaljow’s Timur receive praise. Rosa Feola’s portrayal of Liù is emotional, culminating in a poignant death scene illuminated by candles. The opera pauses for a moment of silence for Puccini before resuming with the triumphant finale.

Siegfried

Thielemann/Tcherniakov Ring from Berlin’s Staatsoper Unter den Linden Berlin was a project of truly Wagnerian scale and ambition – one that captured the attention of the opera world and set new standards: “Musically, this ‘Ring’ blew away everything that had gone before – and we are talking about a performance history of more than one hundred years.” (Die Welt) In the third part of his Ring tetralogy, Wagner incorporates fairy-tale motifs into his epic mythological story. The well-known tale of “The Story of the Youth Who Went Forth to Learn Fear” is echoed in ”Siegfried” as well as episodes from the medieval “Nibelungenlied”. “One wishes for such a “Ring” all over the world.” (Kurier)

Die Walküre

Raising the curtain on a work of superlatives: the Staatsoper Unter den Linden represents the ultimate challenge for any opera house, Wagner’s “Der Ring des Nibelungen”. Christian Thielemann conducts the Ring tetralogy, and Dmitri Tcherniakov, highly praised for his psychologically sophisticated productions, led the playful all-star ensemble coherently through the panorama of characters, situations and events that unfolded like a universe and consistently interpreted the sheer vastness and the manifold twists and turns of the Ring cosmos. With the “Walküre” score, composed in the mid-1850s, Wagner reached new heights with his music, giving the orchestra remarkable communicative powers, layers of meaning were thus developed and incorporated into the work. “Enchanting magic of sound” (Die Zeit) / “A triumph for the Staatsoper” (Neue Zürcher Zeitung)

Capriccio

Capriccio by Richard Strauss is an opera about opera as an art form: it describes the creation of a musical drama with wise cheerfulness and full knowledge of this genre of theatre. The “conversation piece with music” is Strauss’s last complete stage work, his farewell as an opera composer, the cultivated conclusion of a well-considered life’s work. The composer worked closely with the Semperoper Dresden for six decades, and nine of his operas were premiered on the Elbe. To this day, the house and its orchestra, the Staatskapelle Dresden, celebrated worldwide as the “Strauss Orchestra”, cultivate his work with a unique intensity and quality. The celebrated Strauss interpreter and principal conductor of the Staatskapelle Dresden, Christian Thielemann, leads a top-class ensemble with star soprano Camilla Nylund as the Countess, Georg Zeppenfeld as La Roche, Daniel Behle as Flamand, Nikolay Borchev as Olivier, Christa Mayer as Clairon and Christoph Pohl as the Count. In Jens-Daniel Herzog’s new production, the plot unfolds in full poetic power and impressive imagery.

War and Peace

This ‘War and Peace’ will go down as a milestone in Jurowski’s tenure at the State Opera, and in Tcherniakov’s often divisive career. They rise to meet the moment, overcoming the work’s near untenability not only to argue for its place in the canon, but also to use it as a vehicle for a passionate statement against Russian nationalism.” (The New York Times) Prokofiev’s opera War and Peace is one of the monumental works in opera history and rarely performed because of its sheer violence and complexity: More than 70 characters are cast for this four-hour opera, which is based on Tolstoy’s masterpiece. With the appropriate preparation time, the Bayerische Staatsoper, one of the world’s top opera houses, has taken on this major work under the baton of its general music director Vladimir Jurowski and staged by Dmitri Tcherniakov, one of the most celebrated directors and born and raised in Russia – at the same time an expert on the subject.

None But the Lonely Heart

24 song compositions by Pyotr Ilyich Tchaikovsky are combined to create an intimate evening of musical theatre that shows five characters and their contradictory emotions: repressed feelings of love are juxtaposed with the search for intoxicating moments; the grief over broken relationships repeatedly leads to withdrawal and loneliness. An interpersonal dynamic develops in which unfulfillable longings, repressed memories and emotional dependencies of the individual characters are revealed. In a poetically dense sequence of images, the production also alludes to motifs from Tchaikovsky’s biography, which is characterised by ambivalences. Christof Loy’s staging includes rarely performed Lieder, interspersed with short works for piano and chamber music. “I don’t know which singer to single out, they were all great.” Opernwelt

Mozart Week 2021: Opening Concert

To let Mozart’s 265th birthday pass uncelebrated just because a pandemic is raging worldwide? That was out of the question for Rolando Villazón, superstar among tenors and artistic director of the Salzburg Mozart Week! To pay tribute to the great composer, he invited the audience to a large, digital celebration concert and did not miss the opportunity to warble a few arias himself. Keri-Lynn Wilson is on the podium of the Mozarteum Orchestra, Luca Pisaroni and Giulia Semenzato bring Italian fire to the stage and sing selected Mozart arias. In addition, the concerto for flute, harp and orchestra resounds in the Mozarteum’s Great Hall. Mathilde Caldérini, principal flute of the Orchestre Philharmonique de Radio France, and Xavier de Maistre on the harp compete in a contest of euphony.

Salzburg Festival 2024: Simon Rattle conducts Mahler 6

The concert is the culmination of the 2024 Salzburg Festival with the BRSO and Simon Rattle taking the stage. Mahler’s Sixth Symphony, known for its tragic and dramatic elements, marks the end of the festival at the Großes Festspielhaus with a symphonic performance that ranges from tranquil countryside depictions to profoundly emotional moments.

Salzburg Festival 2021: Nelsons conducts Mahler No. 3

Praised as an “exuberant, intoxicating conductor” (Boston Globe), Grammy Award-winning Andris Nelsons is one of the most renowned and innovative conductors on the international scene today and his connection with the Vienna Philharmonic is something special: he has developed a physical language with the players whose musical partner he has been since 2010. At the 2021 Salzburg Festival edition, Andris Nelsons and the Vienna Philharmonic Orchestra continue their acclaimed Mahler cycle with the Third Symphony. PROGRAM Mahler: Symphony No. 3