Weinberg’s final opera, based on Dostoevsky’s novel, condenses the plot without losing its psychological depth. Prince Myshkin, mentally ill yet believing in goodness, meets merchant Rogózhin on a train, sparking a tale of dependence, madness, and murder. The opera, rediscovered in the last decade, presents the composer Weinberg as Shostakovich’s equal. The Idiot, composed in 1986-1989, now staged in Salzburg, directed by Krzysztof Warlikowski and conducted by Mirga Gražinyte-Tyla, brings the world of literature to the opera stage. The excellent cast of singers contributes to make the production a great success. Bogdan Volkov “expressive lyrical tenor touches intimately in the piano and yet remains able to cope with all orchestral storms” (BR Klassik) “(…) absolutely deserves a place in the repertoire” (New York Times) An absolute masterpiece” Gidon Kremer; “So good it hurts” (Financial Times) “This Idiot has the whole of Salzburg on the edge of its seat.” (Die Presse)