Award-winning Icelandic pianist Víkingur Ólafsson makes his much-anticipated Proms debut, as soloist in both Bach’s Keyboard Concerto in F minor, whose energised outer movements frame a ravishing central Adagio, and Mozart’s pioneering Piano Concerto K491, a rare minor-key work whose stormy, richly orchestrated music climaxes in a relentless dance. The Philharmonia Orchestra under the baton of Paavo Järvi frame the concert with two symphonies: Prokofiev’s playful ‘Classical’ Symphony, with its clever juxtaposition of traditional forms and contemporary colours, and the more loaded irony of Shostakovich’s compact Symphony No. 9. PROGRAM Prokofiev: Symphony No.1; Bach: Keyboard Concerto; Mozart: Piano Concerto No. 24; Shostakovich: Symphony No. 9
Víkingur Ólafsson – My Favourite Melodies
Acclaimed pianist Víkingur Ólafsson shares his deep connection with music, from Icelandic songs to the works of Bach, Mozart, Rameau, and Philip Glass. He explores how these pieces shaped him and how his feelings differ when performing works like the Goldberg Variations or Bartok’s Folk Song. Ólafsson invites us into his world where musical knowledge, Nordic roots, and creativity merge in his interpretations.
RCO Opening Night 2022: Alain Altinoglu & Vikingur Olafsson and Martin Fröst
The Concertgebouw Orchestra celebrates the new concert season in Westerpark with conductor Alain Altinoglu, clarinettist Martin Fröst, pianist Víkingur Ólafsson and music by Adams, Grieg and Bernstein. The evening gets off to an energetic start with John Adams’s Short Ride in a Fast Machine. The programme continues with Edvard Grieg’s Piano Concerto, followed by a selection of dances for clarinet and orchestra, in which clarinet virtuoso Martin Fröst can truly shine. The evening concludes with Bernstein’s popular Symphonic Dances from West Side Story.
RCO: Järvi conducts Mozart & Schumann
Víkingur Ólafsson is making his debut with the Concertgebouworkest. Over the past few years, he has attracted attention with his interpretation of music by Bach, Glass and contemporary music. That’s why it’s certainly be interesting to hear his interpretation of Mozart’s Piano Concerto No. 24, a work of unrivalled beauty anticipating the romantic era with its dramatic opening and its dark undercurrents. Paavo Järvi has made several impressive guest appearances with the Concertgebouworkest. He now shines his light on Schumann’s Third Symphony (‘Rhenish’), the culmination of Schumann’s efforts to prove himself as an orchestral composer. Inspired by the beautiful landscape of the Rhineland, he wanted this symphony to sound like folk music. But the work also sometimes has a solemn, spiritual intensity, the result of the deep impression that the then newly built Cologne Cathedral made on him. PROGRAM Mozart: Piano Concerto No. 24; Schumann: Symphony No.3