It is George Enescu’s only opera: the Romanian composer struggled for years with the greatest of all tragedies, the myth of Oedipus, who kills his father and marries his mother because the gods have predestined it so. The new Bregenz production of the work is directed by the internationally renowned director Andreas Kriegenburg, who, together with set designer Harald B. Thor and costume designer Tanja Hofmann, dedicates each of the four independently narrated acts to an element: fire, water, air and earth, combined with archaic materials such as wood, clay and simple fabric, but also bare skin. Finnish star conductor Hannu Lintu, who will be appearing at the Bregenz Festival for the first time, will conduct the music. “Gorgeous, stately, incandescent” (Los Angeles Times)
Macelaru conducts La Damnation de Faust
90 years of the Orchestre National de France – that’s something to celebrate! To mark this special occasion, chief conductor Cristian Macelaru has decided to perform a work by the great Hector Berlioz. And what could be more suitable for this anniversary concert than La Damnation de Faust?
Berlioz himself described the work at the interface between symphony and opera as a “dramatic legend”. It achieved great popularity, not least due to the famous Rákóczi March, and enjoys cult status among many music lovers.
To present Berlioz’s work in all its glory, the Orchestre National de Fe is supported by the Chœur de Radio France as well as tenor John Irvin (Faust), mezzo-soprano Stéphanie d’Oustrac (Margarethe) and the two basses Paul Gay (Mephisto) and Frédéric Caton (Brander). The performance is further enhanced by the magnificent Art Deco décor of the Théâtre des Champs Elysées.