Le Donne di Puccini
Monteverdi in Saint-Denis
After speaking with her for one and a half minutes, I knew that I would even sing Heavy Metal for her if she wanted me to,’ gushed Rolando Villazón after meeting French conductor and harpsichordist Emmanuelle Haïm. Devoted to cultivating the works of Monteverdi, Handel, Rameau and Purcell, the vibrant Haïm has become one of the leading lights of the Early Music scene. Trained as a pianist and harpsichordist in Paris, she assisted William Christie before founding her own ensemble ‘Le Concert d’Astrée,’ which performs on historical instruments. Rolando Villazón is better known for his performances as tormented lover and ‘dream’ partner of Anna Netrebko in ‘La Traviata’ and ‘La Bohème’ (both available from UNITEL CLASSICA) than for his accounts of early Baroque music. But in this concert of works by Claudio Monteverdi (1567-1643), the powerhouse tenor proves his allround mastery of italianità. The main work is the ‘Combattimento di Tancredi e Clorinda,’ a descriptive piece for three voices based on a text from Torquato Tasso’s epic poem ‘Gerusalemme liberata.’
Bizet, Les pêcheurs de perles
Set in ancient times on the island of Ceylon, Bizet’s oper about two men’s vow of eternal friendship threatened by their love for the same woman, is a magificent example of Bizet’s gifts for melody and evocative instrumentation. This prodution from the stunning Teatro San Carlo was celebrated enthusiastically by audience and critics: “I have rarely seen a production as beautiful and faithful to the music.” (Paolo Isotta, Corriere della Sera)