The Wiener Staatsballett is one of the great companies in the world. Yet never before had Rudolf Nureyev’s world-famous choreography of The Nutcracker been performed in Vienna. The present production remedies this omission by presenting Nureyev’s final, 1985 Paris version with two magnificent young soloists and the splendid Vienna corps de ballet. Nureyev’s version enjoys a particular standing in the history of this well-known ballet in that it was the first to incorporate the psychology of E. T. A Hoffman’s fairy tale on which Tchaikovsky’s ballet is based. The critic Clive Barnes set the tone by remarking: “No version of The Nutcracker that we have ever seen has been more potently dramatic; few have displayed so sharp an imprint of personal style. “Elegant, romantic, delightful” (Die Presse) · “Outstanding soloists” (Der Standard)
Capriccio
Richard Strauss’s last stage work is an opera about opera as an art form, depicting the creation of a music drama in a wise and witty way. Which came first – words or music? That is the question that Strauss and his librettist Clemens Krauss address through the story of a Countess torn between a composer and a poet. “Renée Fleming is a world-class Countess, moving and intense … All around her there is luxury casting: Bo Skovhus as the Count, Michael Schade as Flamand, Markus Eiche as Olivier, Kurt Rydl as the theatre director La Roche, the wonderful Angelika Kirchschlager as Clairon – all strike exactly the right note, as do the singers in the smaller roles, turning this Capriccio into an event of the first importance.” (Der Kurier, Vienna)