300 Years Giovanni Batista Pergolesi – The complete Operas: Adriano in Siria, Il Flaminio, Il Prigionier superbo

In 2010, the music world celebrated the 300th birthday of Giovanni Battista Pergolesi, one of the most important and fascinating composers of the early 18th century. C Major Entertainment and UNITEL honour the composer, violinist and organist by presenting his complete stage entertainments recorded at the famous Pergolesi Festival in the composer’s home town, Jesi. Performed by singers and musicians specialising in the music of the 18th century. The cycle includes: ‘Adriano in Siria’ + ‘Livetta e Tracollo’ (193’), ‘L’Olimpiade’ (approx. 210’), ‘Salustia’ (approx. 170’), ‘Il Prigionier superbo’ (124’), ‘Lo Frate ‘nnamorato’ (approx. 200’), ‘Il Flaminio’ (183’) and ‘La Serva Padrona’ (approx. 50’).

Irrfahrten I: La Finta Semplice (Mozart 22)

The Irrfahrten (Odysseys) trilogy comprises three independent, self-contained performances that are motivically interwoven into a compelling whole through a great variety of references. Various artistic genres – music, theater, dance and video – are fused into an original form of music theater that could very well point to the future. The trilogy was conceived by Joachim Schlömer, a noted dancer, choreographer and director. He sees his project as the “odyssey of an artist from external control to self-determination.” (Schlömer) This concerns not only Mozart himself, but also the artist in general, and, by extension, everyone who has overcome a crisis in their life to achieve their personal freedom. At the beginning of the trilogy is the twelve-year-old Mozart’s first opera buffa, “La finta semplice” (The Make-Believe Simpleton), a full-length opera with commedia dell’arte-style characters. “The music,” says Schlömer, “tells of wanting something – even if the characters still don’t really know what they want.” The second Odyssey, “Abendempfindung” (Evening Sensation), a pasticcio of Mozart arias, songs, instrumental pieces (including some for the rare and evocative glass harmonica) and letters. The great Ann Murray is the featured performer here. The third Odyssey, “Rex tremendus” presents a thought-provoking combination of two opera buffa fragments, “Lo sposo deluso” and “L’oca del Cairo,” along with various unfinished pieces and fragments from Mozart’s last work, the Requiem. It represents the artist’s ultimate liberation from the restrictions and conventions of society, his farewell from the world, in total darkness… Schlömer on his Odysseys: “It is about the path the artist follows from his entrance into adult life to a period of artistic crisis, comparable to the midlife crisis we all go through, and on to a fragmentation and liberation from all interpretation of the artist’s activity.” Irrfahrten / Odysseys is one of the most illuminating productions of the Mozart 22 cycle, one that makes Mozart’s genius shine in all of its facets.

Tutto Pergolesi – Adriano in Siria

For the 300th anniversary of the birth of Giovanni Battista Pergolesi (1710–1736), the ‘Italian Mozart’, whose music is practically unknown today, the Fondazione Pergolesi Spontini, which has been devoting itself to the research and performance of Pergolesi’s music for years now, joined forces with UNITEL CLASSICA to record all eight of the master’s stage works on video in HD and 5.1 Surround Sound. A landmark project that will provide many impulses for the rediscovery of this composer’s epoch-making works.

Tutto Pergolesi – Il prigionier superbo

For the 300th anniversary of the birth of Giovanni Battista Pergolesi (1710–1736), the ‘Italian Mozart’, whose music is practically unknown today, the Fondazione Pergolesi Spontini, which has been devoting itself to the research and performance of Pergolesi’s music for years now, joined forces with UNITEL CLASSICA to record all eight of the master’s stage works on video in HD and 5.1 Surround Sound. A landmark project that will provide many impulses for the rediscovery of this composer’s epoch-making works.