Magic Moments of Music – Angela Gheorghiu „La Traviata“ at Royal Opera House

It was a uniquely magic moment of music. In what would be the first and only time, the BBC dedicated its prime time weekend schedule to broadcast an opera live to an audience of millions. In place of popular motoring programme Top Gear, the British public were treated to La Traviata by Giuseppe Verdi. Legendary conductor Sir Georg Solti convinced decision-makers at the BBC that it was time to introduce a phenomenal singer and performer to the world: Romanian soprano Angela Gheorghiu. Until this moment, Gheorghiu was a talent known only to a few. Solti himself was at the podium to conduct La Traviata for the first time in his storied career, while the staging was by theatre and feature film director Sir Richard Eyre – likewise working on his very first opera. Eyre agreed on one specific condition. “I wanted a soprano as described by Verdi himself: young, elegant and with a voice full of passion.” Angela Gheorghiu had all of these qualities and more. In an interview she said: “During the broadcast I felt that my time had arrived. I was in no doubt: it was now or never!” Alongside Angela Gheorghiu, who the film accompanies 30 years later to the Royal Opera House in London – the birthplace of her global success – are memories and reflections from tenor Frank Lopardo, who sang the role of Alfredo, opera director Sir Richard Eyre, BBC film director Peter Maniura, French-Danish singer Elsa Dreisig, conductor Marie Jacquot, opera critic Nick-Martin Sternitzke and the writer Salomé Balthus.

Magic Moments of Music – Sergiu Celibidache and the Berliner Philharmoniker

It was only through the request of the then Federal President Richard von Weizsäcker that the concert came about in 1992. The legendary Romanian conductor Sergiu Celibidache and the Berlin Philharmonic were to be reconciled. Celibidache had shaped the orchestra in over 400 concerts between 1945 and 1954 after the end of the Second World War. When, after the death of Wilhelm Furtwängler the orchestra chose Herbert von Karajan as his successor instead of Sergiu Celibidache, a dispute arose, and the two eventually parted ways. Celibidache withdrew, deeply offended, and refused any offer of further collaboration. It took 38 years for Sergiu Celibidache to return to the podium of the Berlin Philharmonic. It went down in music history as the so-called ‘reconciliation concert’. Celibidache made it a condition that he would receive twice as many rehearsals as usual. The program included Anton Bruckner’s 7th Symphony. In addition to rehearsal and concert excerpts, the film features Celibidache’s son, Serge Ioan Celebidachi, contemporary witnesses from the Berlin Philharmonic, the orchestra’s horn player Sarah Willis, the young French conductor Marie Jacquot, his last conducting student Rémy Ballot, and the Romanian conductor Cristian Macelaru. They provide insight into Sergiu Celibidache’s personality, working methods, and understanding of music.