In 1987, Herbert von Karajan was chosen to conduct Vienna’s prestigious New Year’s concert, an iconic annual event that became particularly patriotic that evening when an Austrian conductor led the Wiener Philharmoniker in an all-Viennese concert program! Waltzes, polkas, and Strauss’s unforgettable Radetzky March shared a program with a scintillating vocal waltz called Springtime Voices sung by the masterful Kathleen Battle—the only vocal soloist ever invited in the history of the New Year’s Concert!
Don Giovanni
In 1987, Herbert von Karajan conducted a historic production of Don Giovanni at the Salzburg Festival featuring an artistic team considered to this day to be one of best to have ever brought the opera to life: Samuel Ramey, Benny Goodman, Gösta Winbergh, Paata Burchuladze, Julia Varady, Ferruccio Furlanetto, Alexander Malta, and Kathleen Battle. The virtuosic soloists are supported by one of the greatest artistic partnerships of the 20th century: maestro Karajan and the Wiener Philharmoniker!
Ein deutsches Requiem
“Rather than a German Requiem, I should have called it a ‘human requiem’.” Brahms’s words reveal much about the universal character of his celebrated work. The Wiener Philharmoniker under the baton of the great Herbert von Karajan presents a performance of appropriate subtlety and timelessness. Brahms’s Requiem is different from the traditional mass for the dead in numerous ways: the words are in German and not in Latin, and the texts—drawn from Martin Luther’s German translation of the Bible—emphasize life’s peaceful conclusion rather than making entreaties on behalf of deceased souls facing the Final Judgement. An incredibly hopeful Requiem whose all-inclusive message resonates through to the present day.