Maria Stuarda is the most popular work in Gaetano Donizetti´s triology of bel canto operas on Tudor queens, a triology that also includes Anna Bolena and Roberto Devereux. The production of Venice´s beautiful Teatro La Fenice, which was gloriously rebuilt after the fire of 1996, shows Queen Mary and her embittered foe Elizabeth both as prisoners of passion for the same man, trapped in a labyrinth that is the central set-element in Italian-based Franco-Tunisian director Denis Krief´s staging. “To conjure up… hatred and jealousy, you don´t need a stage setting, just two splendid prima donnas: Sonia Ganassi and Fiorenza Cedolins.” (Frankfurter Allgemeine Zeitung)
Maria Stuarda
‘Maria Stuarda’, the tragedy of the Stuart Queen Mary and her embittered foe Elizabeth, is the most popular work in Donizetti’s trilogy of bel canto operas on Tudor queens (next to ‘Anna Bolena’ and ‘Roberto Devereux’). The production of Venice’s Teatro La Fenice shows Maria and Elisabetta both as prisoners, trapped in a labyrinth that is the central set element in Italian-based Franco-Tunisian director Denis Krief’s staging. With his sharp and lively conducting, Fabrizio Maria Carminati puts the Orchestra of the Teatro La Fenice entirely at the service of three exceptional singers, Sonia Ganassi (‘an extraordinary performance,’ Opera Today) as Elisabetta, Fiorenza Cedolins (‘colorful, nuanced, highly dramatic heroine,’ Frankfurter Allgemeine Zeitung) as Maria Stuarda, and José Bros as a passionate Leicester. The recording was made at Venice’s beautiful Teatro La Fenice, rebuilt after the fire that destroyed it in 1996.