Since the death of Herbert von Karajan in 1989, the prestigious Vienna Philharmonic Orchestra’s concerts around Ascension Day (15 August) have firmly been in the hands of Riccardo Muti. Always sold out, they are among the highlights of every festival summer. For this year’s concert and on occasion of his 80th birthday, the maestro was acclaimed for his interpretation of Beethoven’s Missa solemnis, a piece he has never conducted before. “Muti is a master in conveying extremes: monumentality, where it is compositionally intended, and highest internalization alternate with each other in a dense interplay.” FAZ // “Muti mastered the work and presented it as stringently as perhaps no one else can do it today.” Die Presse
L’Italiana in Algeri
“The role of Isabella is sung to perfection by Cecilia Bartoli – a clever, independent woman with an adventurous streak” (New York Times). Bartoli’s superb performance in Gioachino Rossini’s L’Italiana in Algeri (The Italian Girl in Algiers) at Salzburg Festival, directed by the BAFTA-winning stage director duo Moshe Leiser and Patrice Caurier, is a highlight among the Rossini celebrations on the occasion of the 150th anniversary of the composer’s death. The DVD captures Bartoli’s excellent performance in a rare audiovisual recording of the Italian superstar, who is one of the most successful opera singers of our time. In this vibrant comedy, every look, every hand gesture brings Isabella to life: Bartoli presents the spirited Italian woman with fire, finesse and extraordinary acting abilities – “a Rossini masterclass” (Bachtrack). Her Isabella is a strong, independent woman who has no intentions of accepting the advances of the powerful Mustafà. In the staging by Leiser/Caurier, which plays with preconceived notions about clashing cultures, Mustafà is no longer an Ottoman bey, but a kind of local gangster who smuggles electronics at the port of modern-day Algiers. In the colourful sets of Christian Fenouillat, Ildar Abdrazakov sings the leering macho, looking for a love affair with the beautiful Italian, with delight and “great comic talent” (Salzburger Nachrichten). Edgardo Rocha’s bright tenor climbs up without effort, making his performance as Isabella’s lover Lindoro flowing and highly emotional. The conductor Jean-Christophe Spinosi, showing sensitivity to the intricacies and sparkle of Rossini’s score, leads the excellent Ensemble Matheus in a “beguiling performance” (The New York Times).
Il barbiere di Siviglia
Rossini´s masterpiece Il barbiere di Siviglia is a fast-paced, thrilling opera featuring a lot of popular arias. Staged by Herbert Fritsch as a colourful, turbulent, diversely choreographed piece it is extraordinary musical theater: “A feast for the ears against a colourful backdrop.” (DLF Kultur) “With largely sensational musical performances” (Kurier). Juan Diego Floréz “fulfils all expectations of a Rossini singer in a class of his own” (BR Klassik), “witty and vocally profound is Ildar Abdrazakov as Basilio” (Der Standard) while Vasilisa Berzhanskaya “is convincing in her house debut as Rosina.” (DLF Kultur)
Faust
Premiered in Paris in 1859, Gounod’s Faust was an instant success and even today remains one of the most popular of all French operas. Its libretto was based on Michel Carré’s adaptation of his own stage play Faust et Marguerite, which in turn was loosely fashioned after Goethe’s two-part tragedy. “The staging was entrusted to a visionary director, Stefano Poda” (La Stampa). “A triumph that will long remain in the annals as one of the most brilliant stagings not only in this theatre but in any of today’s opera houses … An extraordinary spectacle” (ResMusica).
Red Ribbon Celebration Concert 2014
In 2012, the Red Ribbon Celebration Concert presented by successfully premièred at the Burgtheater Vienna, Austria. By its third edition, the gala concert has established itself and has become the fixed beginning of the charitable Life Ball weekend.On May 30, 2014 a number of world-famous artists embraced the good cause once again at the Red Ribbon Celebration Concert 2014: Piotr Beczala, Thomas Hampson, Yusif Eyvazov, Luca Pisaroni, Ildar Abdrazakov, Vesselina Kasarova and Jennifer O’Loughlin lent their unique voices to the motto “United in difference”.
Il barbiere di Siviglia
“Il barbiere di Siviglia” is commonly considered as Gioachino Rossini’s masterpiece. It premiered in Rome in 1816, ever since it has been one of the most popular and successful works in the world of opera. For his new production at the Vienna State Opera, the director Herbert Fritsch has created a colourful slapstick party” (Der Standard) and assembled a gifted and dedicated ensemble of excellent vocal quality and marvelous acting skills, with Bel canto star Juan Diego Flórez as Conte Almaviva, Vasilisa Berzhanskaya as Rosina and Étienne Dupuis as Figaro. Rossini specialist Michele Mariotti sweeps the Orchester der Wiener Staatsoper into lusty playing.
Salzburg Festival 2021: Muti conducts Missa solemnis
Since the death of Herbert von Karajan in 1989, the prestigious Vienna Philharmonic Orchestra’s concerts around Ascension Day (15 August) have firmly been in the hands of Riccardo Muti. Always sold out, they are among the highlights of every festival summer. For this year’s concert and on occasion of his 80th birthday, the maestro was acclaimed for his interpretation of Beethoven’s Missa solemnis, a piece he has never conducted before. “Muti is a master in conveying extremes: monumentality, where it is compositionally intended, and highest internalization alternate with each other in a dense interplay.” FAZ
Salzburg Festival 2018: L’Italiana in Algeri
What happens when a powerful man makes moves on a strong, independent woman who has no intention of accepting his advances? And how are things further complicated if he is Middle Eastern and she is Western and their cultures fundamentally clash? Find the answers in Moshe Leiser’s & Patrice Caurier’s colourful production of “L’Italiana in Algeri” with Cecilia Bartoli in the title role of the spirited Isabella.”The role of Isabella is sung to perfection by Cecilia Bartoli – a clever, independent woman with an adventurous streak”. (The New York Times)
Salzburg Festival 2016: Faust
Gounod’s Faust was once one of the most famous and most performed of all operas and is still cherished today: surprisingly enough it has never been performed at the Salzburg Festival until 2016! This premiere featured a stunning production by Reinhard von der Thannen, award winning stage director and designer, and a supreme cast, where Ildar Abdrazakov embodies a seductive and demonic Mephistophélès and Italian soprano Maria Agresta stars as Marguerite, who struggles to resist temptation and gain salvatio. But “the crown deserves Piotr Beczala (Faust), a perfect cast” (Abendzeitung). The production was led by young Argentinian conductor Alejo Pérez.
Faust
By placing a giant black ring centre-stage that casts an ominous shadow over the singers and dominates the action, director, set and costume designer Stefano Poda has moved the storyline of the restless searcher Faust, to an abstract, seemingly futuristic hall, thereby ensuring that the most fascinating stage moments are not due only to sophisticated lighting. Thanks to the excellent and enthusiastic cast, Poda deftly guides the opera to triumph. Charles Castronovo in the title role is especially convincing, with his brilliant acting and mellifluous singing. Russian bass Ildar Abdrazakov – a regular in all major opera houses around the world – stars as the demonic Méphistophélès. As the innocent young girl Marguerite we see Moldovan soprano Irina Lungu, who demonstrates her ability with crystal-clear timbre.