20 years after its very first performance, which took place at Teatro Regio di Torino, La Bohème returns to the tradition-steeped Italian opera house. With director Àlex Ollé from La Fura dels Baus and music director Gianandrea Noseda the Teatro Regio presents a spectacular, up-to-date anniversary production. For Àlex Ollé, directing the opera for the first time, “La Bohème allows the young generation to get rid of everything that prevents them from flying, feeding only on their own vitality; the real hunger of the protagonists is the hunger for life. My production is set in a modern city outskirt. It is there where, in my opinion, the intellectual matrix of the future happens; in ugly, disreputable and poor places which are authentic. In this kind of environment, where life and art – as they did in Romanticism – belong to the survivors.” “A triumphant youthful Bohème”, in which the singers excel due to their naturalness. Giorgio Berrugi sings his Rodolfo “with a luminous timbre, in refined nuances” (La Stampa), perfectly matching “Irina Lungu’s full-bodied Mimì” (The London Times). All in all, “this is theatre, this is life, this is passion” (Corriere della sera).
La Bohème
120 years after its very first performance, which took place at Teatro Regio di Torino, La Bohème returns to the tradition-steeped Italian opera house. With director Àlex Ollé from La Fura dels Baus and music director Gianandrea Noseda the Teatro Regio presents a spectacular, up-to-date anniversary production featuring a young, lively and high-quality cast. “A triumphant youthful Bohème”, in which the singers excel due to their naturalness. Giorgio Berrugi sings his Rodolfo “with a luminous timbre, in refined nuances” (La Stampa), perfectly matching “Irina Lungu’s full-bodied Mimì” (The London Times). All in all, “this is theatre, this is life, this is passion” (Corriere della sera).
RCO: Mäkelä conducts Mahler 8
Performances of Mahler’s Eighth Symphony are not so common, especially on the anniversary of Mahler’s death. Led by their Chief Conductor Designate Klaus Mäkelä, Mahler’s ‘Symphony of a Thousand’ was the Royal Concertgebouw Orchestra’s final contribution to the Concertgebouw’s Mahler Festival 2025. With four choirs—the Dutch National Radio Choir, the Laurens Symfonisch, Le Chœur de l’Orchestre de Paris, and the Dutch National Children’s Choir— this huge choral ensemble demonstrated immense energy and power. Seven international soloists, sopranos Golda Schultz and Miriam Kutrowatz, altos Jennifer Johnston and Okka von der Damerau, tenor Giorgio Berrugi, bariton Michael Nagy, and bass Tareq Nazmi, were all formidable. “A monumental Eighth from Klaus Mäkelä and the Royal Concertgebouw Orchestra” (Bachtrack)