In celebration of the 150th anniversary of Tristan & Isolde this production was premiered on 25 July 2015 and marked the high-point of the Bayreuth Festival. An important and highly-anticipated new production of Wagner’s take on this ultimate, immortal tale of love and longing by the composer’s great-granddaughter Katharina Wagner. Enjoy some of today’s most prominent vocalists and Christian Thielemann, arguably the most important Wagner conductor of our day and age. “… a sensationally good musical realisation.” BBC Music
Messa da Requiem – Verdi’s Requiem Choreographed by Christian Spuck
With the Messa da Requiem, Christian Spuck brought one of Verdi’s key works on performing stage in his first audiovisual recording since taking his position as Ballet Director at Opernhaus Zurich. In a large-scale co-production by the Ballet and Opera Zurich, Spuck ventured to portray a profound interpretation of Verdi’s funeral mass. He focuses on people who, in their vulnerability and helplessness, are in the search for comfort. Spuck is not at all concerned with a purely dance-like illustration of Verdi’s music, but instead in the contentual-scenic link of the dancers with the soloists and choristers. They act on stage together and take part in ritualized movements and sequences. With Fabio Luisi leading the Philharmonia Zurich, the Opera Choir, and the soloists Krassimira Stoyanova, Veronica Simeoni, Francesco Meli and Georg Zeppenfeld, there is a musical interpretation of some of the most acknowledged artists of our times.
Chailly conducts Mahler – Symphony No. 8
Mahler’s Eighth Symphony is agruably the grandest and most ambitious piece of symphonic music ever written. The composer himself regarded it as his ‘opus summum’, and an incredible number of partipicians at the hugely successful Munich premiere in 1910 earned it the nickname ‘Symphony of a Thousand’. At Leipzig’s International Mahler Festival 2011, Riccardo Chailly commanded almost 500 musicians. The perfomance celebrated overwhelming success by audience and critics.
Bayreuth Festival 2022: Die Walküre
This new production of Wagner’s Der Ring des Nibelungen at the Bayreuth Festival was the opera event of the 2022 festival season. Young director Valentin Schwarz reimagines the mythical story in the present day and tells a gripping family saga in the world of the rich and powerful. The musical direction is in the hands of Cornelius Meister. In the second part of the tetralogy, Schwarz delves in particular into the relationship between Wotan, the father of the gods, and his “favorite daughter” Brünnhilde, showing it as especially unhappy and traumatic. Lise Davidsen and Klaus Florian Vogt prove themselves audience favourites for their portrayal of the siblings and lovers Sieglinde and Siegmund.
Nabucco
Under the direction of Andreas Homoki, this new production features a first-class cast: Catherine Naglestad and Michael Volle debut in the roles of Abigaille and Nabucco respectively, while the German bass Georg Zeppenfeld portrays Zaccaria. Music Director Fabio Luisi conducts the Philharmonia Zürich.
Bayreuth Festival 2018: Lohengrin
From the 2018 Bayreuth Festival, the acclaimed new production by American director Yuval Sharon, “one of the most interesting arrivals on the musical landscape” (Opernwelt). The New York Times praised “the outstanding Piotr Beczala” as Lohengrin, “Anja Harteros [making] her impressive Bayreuth debut” as Elsa, and Ortrud “played with dominant presence by the incomparable Waltraud Meier”. The distinguished artists Neo Rauch and Rosa Loy created “breathtaking visuals”, and the whole performance was guided with “enthralling musicality” by conductor Christian Thielemann.
Bayreuth Festival 2023: Parsifal
Any new production of Parsifal at the Bayreuth Festival – in the theatre for which Wagner conceived his “Bühnenweihfestspiel” – is a major operatic event. But US director Jay Scheib’s new staging for the 2023 Festival, which employs Augmented Reality, is likely to break new boundaries in terms of technological innovation – even for a theatre whose history is bound up with revolutionary theatrical ideas. Pablo Heras-Casado, making his Bayreuth debut, conducts a superb cast, with tenor Andreas Schager and mezzo Elina Garanca – also making a highly anticipated Bayreuth debut as Kundry – leading the line-up alongside Georg Zeppenfeld’s seasoned Gurnemanz.