The rising American soprano Emily Pogorelc is considered one of the most gifted singers of her generation, and is celebrated for her captivating stage presence. Under the baton of the new appointed conductor of the Mozarteum Orchestra Salzburg, Roberto González-Monjas, an entire Mozart program is presented to the audience of Salzburg Festival. Program: W. A. Mozart, Ballet music to the opera Idomeneo K. 367 (extracts); Se il padre perdei, Ilia’s aria from the oprera Idomeneo K. 366; Solitudini amiche — Zeffiretti lusinghieri, Ilia’s recitative and aria from the oprea Idomeneo K. 366;Entr’actes to the drama Thamos, König in Ägypten K. 345 (336a,; Schon lacht der holde Frühling, Aria for soprano and orchestra K. 580; Voi avete un cor fedele, Aria for soprano and orchestra K. 217; Bella mia fiamma, addio — Resta, o cara, Recitative and aria for soprano and orchestra K. 528
Der Rosenkavalier
When Strauss and Hofmannsthal wrote «Der Rosenkavalier» – setting it in an imaginary Rococo Vienna and yet closely linked to the decadent fin de siècle – they created a profound social comedy. It is not without melancholy that the Marschallin lets her young lover Octavian go when he falls head over heels with Sophie, who hails from Faninal’s bourgeois household. As voluptuous as Strauss’ score is, it contains tender moments of dream and melancholy. Director Lydia Steier stages Strauss’ opera according to an aesthetic concept by Austrian artist Gottfried Helnwein. Diana Damrau sings the Marschallin. Joana Mallwitz conducts the Orchester der Oper Zürich.