“Everything in this world is a joke,” says Falstaff, and these words are truly given weight by Ambrogio Maestri, one of the finest Falstaffs of our time. The Italian baritone brings a powerful, versatile voice to his role, but also brings to his character a hilarious buffo quality. Daniele Gatti, one of the most acclaimed opera conductors working today, leads a stunning cast of singers, including Barbara Frittoli as Alice Ford. Genuinely warm italianità in all of the music-making, combined with a boisterous production by stage director Sven-Eric Bechtolf, turns Verdi’s commedia lirica into a fireworks display of high spirits as well as what the Neue Zürcher Zeitung called “musically and dramaturgically a feast of life and of love of life”.
Nina
Crazy in love: Mozart was a fan of the operas of Giovanni Paisiello and in the years after its premiere in 1789, Nina took Europe by storm. Its blend of melody, playfulness and pathos is just as potent today, and in 2002 this stylish new staging by Cesare Lievi for the Zurich Opera brought Paisiello a new generation of admirers. Conductor Adam Fischer brings out all its freshness and emotion, and with a cast that includes Cecilia Bartoli at the height of her powers as the lovelorn Nina, as well a young Jonas Kaufmann, Paisiello has never sounded more compelling.
Simon Boccanegra
Intrigue, family tragedies, power struggles – these words aptly describe Giuseppe Verdi’s opera “Simon Boccanegra”. And the opera is somehow frighteningly topical: in this piece with only one female role, the men write history and the women are the victims. The world premiere flopped, but almost 25 years later the opera received thunderous applause at a new performance in Milan’s La Scala. Andreas Homoki has staged this second and revised version at the Zurich Opera House. Its premiere was one of the last conducted by outgoing music director Fabio Luisi and Christian Gerhaher’s much-lauded role debut as Simon Boccanegra.
Götterdämmerung
The Zurich Opera’s production of Götterdämmerung, directed by Andreas Homoki and conducted by Gianandrea Noseda, concludes Wagner’s Ring Cycle with a powerful narrative of betrayal and downfall. The opera emphasizes Siegfried’s tragic conflicts, his betrayal of Brünnhilde, and his demise at Hagen’s hands. Performances by Klaus Florian Vogt as Siegfried and Camilla Nylund as Brünnhilde highlight the depth of their doomed love, while David Leigh’s portrayal of Hagen intensifies the drama surrounding Siegfried’s death. The production culminates in a gripping climax that explores themes of fate and redemption, leaving a lasting impact on the audience.