Barcelona’s Palau de la Música Catalana, world heritage site and one of the world’s most beautiful concert halls, hosted Gustavo Dudamel and the Münchner Philharmoniker with an unforgettable performance of Mahler’s Symphony No. 2 „The Resurrection.“ The composer emphasizes life and death in all its terrible and stunning splendour in this overwhelming opus: “There is nothing except the complete substance of my whole life”, he remarked on his all-embracing oeuvre. Gustavo Dudamel, who said it was „a privilege to conduct this work in this unique venue“, and his ensemble were celebrated with more than then minutes of applause. American mezzo-soprano Tamara Mumford and Israeli soprano Chen Reiss as well as the seemingly weightless choirs of Orfeó Català and Cor de Cambra del Palau de la Música Catalana perform “a mark-shattering finale with goosebumps” (Münchner Merkur). “The dynamic range is enormous. But most fascinating are the moments of absolute silence, in which you can feel how the dramaturgy of the evening comes together: An audience holds its breath” (Süddeutsche Zeitung). „Really an event … a phantastic conjunction of stars … a memorable interpretation“. (El Periódico)
Dudamel conducts Mahler No. 2
Charismatic Venezuelan conductor Gustavo Dudamel returns to Palau de la Música Catalana, world heritage site and one of the most beautiful concert halls in the world, conducting Mahler’s existential Second Symphony with the outstanding Münchner Philharmoniker. Mahler was keen to emphasize life and death in all its terrible and stunning splendour in this overwhelming opus, also referred to as “Resurrection Symphony”: “In my two symphonies there is nothing except the complete substance of my whole life” he remarked on his all-embracing oeuvre American mezzo-soprano Tamara Mumford and Israeli soprano Chen Reiss as well as the seemingly weightless choirs of Orfeó Català and
Cor de Cambra del Palau de la Música Catalana perform “a mark-shattering finale with goosebumps” (Münchner Merkur). “The dynamic range is enormous. But most fascinating are the moments of absolute silence, in which you can feel how the dramaturgy of the evening comes together: An audience holds its breath” (Süddeutsche Zeitung).
The Mendelssohn Family – Fanny Hensel and Felix Mendelssohn
Together with the Israeli soprano Chen Reiss, the JCOM, conducted by Daniel Grossmann, discovers works by the fascinating composer Fanny Hensel and her famous brother Felix Mendelssohn. The congenial siblings Felix and Fanny Mendelssohn took very different paths. While Fanny’s musical talent, according to her father, could only be “an adornment, never the basic bass of your being and doing”, Felix’s father, himself the son of the famous Jewish Enlightenment philosopher Moses Mendelssohn, paved the way for a career as a musician. Fanny was only allowed to compose and perform her works in private. Only in recent years have many of Fanny Hensel’s works been rediscovered. ” Soprano Chen Reiss agrees on this point, and brings her own beguiling brand of elegant, operatic flair to a new album.” (The Opera Queen)
Stars of Tomorrow presented by Rolando Villazón – Episode 2
PROGRAM: Wolfgang Amadeus Mozart: Overture from Die Entführung aus dem Serail // Johannes Brahms: Hungarian Dance No. 3 // Wolfgang Amadeus Mozart: Eine kleine Nachtmusik // Johann Strauß: “Mein Herr Marquis” from Die Fledermaus (Soloist: Chen Reiss) // Franz Liszt: Rigoletto Paraphrase (Soloist: Benyamin Nuss) // Nobuo Uematso: Final Fantasy VI (Soloist: Benyamin Nuss) // Claude Debussy: Danse profane (Soloist: Teresa Zimmermann) // Robert Schumann: Der Nussbaum (Soloists: Chen Reiss & Teresa Zimmermann) // Camille Saint-Saëns: Romance for cello and orchestra (Soloist: Maximilian Hornung) Johann Sebastian Bach: Bourrée I & II
(Soloist: Maximilian Hornung) // Jules Massenet: “Ouvre tes yeux bleus” (Soloists: Rolando Villazón & Benyamin Nuss)
150th Anniversary Wiener Staatsoper – Open Air Gala
The Vienna State Opera celebrates its 150th birthday with a glamorous open-air gala, gathering an extraordinary summit of operatic superstars like Bulgarian soprano Sonya Yoncheva, Swedish soprano Nina Stemme, French tenor Roberto Alagna, Uruguayan baritone Erwin Schrott or Italian bass Feruccio Furlanetto to name only a few. Together with soloists of the new generation of the house like sopranos Valentina Nafornita or Olga Bezsmertna – “a triumph for the ensemble” (Die Presse) – they present a firework of famous opera arias, accompanied by the Orchestra and Choir of the Wiener Staatsoper under the rousing baton of Maestro Marco Armiliato, a regular and appreciated guest at the Vienna State Opera. Nestled in the beautiful city centre, the State Opera is one of the most prestigous opera houses in the world with a long and significant history, a Mecca for international opera fans. Praised by critics as “mega event”, about 10,000 spectators came to witness this jubilee concert and celebrate musical passion in a fantastic atmosphere,
a feast for the ears and for the eyes.
The Cunning Little Vixen
After quarter of a century, legendary director Otto Schenk returns to the Wiener Staatsoper to stage Leoš Janácek’s musical fairy tale The Cunning Little Vixen, conducted by Tomáš Netopil. Although the opera premiered in 1924, it took more than 90 years for The Cunning Little Vixen to enter the stage of the magnificent Wiener Staatsoper. To celebrate the fact that the work is heard at the house on the Ring for the very first time, none other than Austrian theatre luminary Otto Schenk devotes himself to staging the adventures of the clever fox and accompanying wildlife. Otto Schenk’s take on Janácek’s opera leaves nothing to be desired: “A triumph!” (Kronen Zeitung). “Tremendous applause for Schenk, the living legend!” (Wiener Zeitung).
La Calisto
With David MacVicar’s production of La Calisto, the Cavalli renaissance has finally arrived at La Scala in Milan. In the pit, Christophe Rousset provides a musical moment of glory.
RCO: Christmas Matinee with Klaus Mäkelä
Klaus Mäkelä conducts the Concertgebouw Orchestra’s Christmas Matinee. This festive tradition has been a landmark of the Concertgebouw Orchestra’s season for almost fifty years. The Concertgebouw Orchestra’s future chief conductor conducts Beethoven’s magnificent ‘Eroica’ and works by no less than two Mendelssohns, Felix Mendelssohn and Fanny Hensel-Mendelssohn: PROGRAM Beethoven: Symphony No. 3; Felix Mendelssohn: The Hebrides, Infelice, Scherzo from ‘A Midsummer Night’s Dream’; Fanny Hensel-Mendelssohn: Hero und Leander