Salonen conducts Sibelius and Grieg

This concert by the Symphonieorchester des Bayerischen Rundunks has an entirely Scandinavian theme. Under the aegis of Finnish-born Esa-Pekka Salonen the orchestra begins the recital with “Eleven Gates”, a work of soundpainting by the contemporary Swedish composer Anders Hillborg. Alice Sara Ott provides the focal point of the evening, with the Piano Concerto by the Norwegian Edvard Grieg. The orchestra rises to the challenge with the impressive final work, the great Fifth Symphony by Finnish composer Jean Sibelius, a performance marking his 150th birthday “that no one who was present will ever forget.” (Süddeutsche Zeitung)

Le Concert de Paris 2022

It is now a well-established tradition: every year, on July 14, the Orchestre National de France welcomes the summer with a large musical gathering at the foot of the Eiffel Tower with stunning fireworks! Conducted by Cristian Macelaru, and accompanied by the Chorus of Radio France, the orchestra invites the audience around the world and thousands of people on the spot, to experience great arias and famous concert pieces in the company of prestigious soloists like Alice Sara Ott, Nadine Sierra, Lea Desandre, Stanislas de Barbeyrac, Gautier Capuçon Erwin Schrott and Leonidas Kavakos.

For Elise – Beethoven’s Besteller

It’s one of the most popular pieces of classical music in the world. A catchy tune that won’t let go. It’s in every stack of piano music. It’s been used in music scores for Hollywood films like “Rosemarys Baby” or “Inglorious Basterds”. “For Elise” can be heard tinkling from mobile ringtones, telephone waiting loops, Fabergé eggs and toy pianos. The American rapper Nas based his hit “I can” on the melody of “For Elise”. How could this piece of music, just 928 notes in length, ever achieve such international distribution and celebrity? Within this documentary famous Pianists such as Alice Sara Ott, Gabriela Montero, Kit Armstrong, Richard Clayderman, composer Detlev Glanert and others give their interpretations of “For Elise”. The film sets off in search of the meaning and merit of “For Elise”. Prominent classical music experts and historians in Berlin, Vienna and Bonn work out the secrets of the magic that this best known and most frequently played of Beethoven’s pieces sparks anew in every generation around the world.

LSO: Alexandre Bloch & Alice Sara Ott

A starburst of musical colour for the new year. Debussy’s Prélude à l’après-midi d’un faune opened new worlds of sonic sensuality, while Lutoslawski’s Concerto for Orchestra launched dazzling sonic fireworks into the grey skies of postwar Poland. The LSO and conductor Alexandre Bloch present the two masterpieces to bookend a performance by pianist Alice Sara Ott – a regular guest of this orchestra, and a firm favourite of the Barbican audience. She plays the sunlit, jazz-flavoured G major Concerto by Maurice Ravel – and the concert ends with Ravel, too: his unforgettable evocation of a world dancing on the edge, La Valse. Music to thrill the ears and intoxicate the spirit. PROGRAM Debussy: Prélude à l’après-midi d’un faune; Ravel: Piano Concerto in G, La valse; Lutoslawski: Concerto for Orchestra

LSO: Pappano conducts Strauss, Liszt and Kendall

A blast of trumpets, a pounding of timpani: the opening of Richard Strauss’ Also sprach Zarathustra heralds the rise of the sun. Stanley Kubrick used it to grab viewers’ attention in his film 2001: A Space Odyssey.But for Strauss, this is the dawn of an age full of questions: what does it mean to be alive? Joining the debate, Liszt’s Totentanz is a ferocious vision of mortality, complete with ghoulish jangling bones. And there’s a new work by Hannah Kendall, a composer whose music, in Pappano’s own words, ‘has an amazing ability to really grip the listener’. PROGRAM Kendall: O flower of fire (world premiere); Franz Liszt: Totentanz; Richard Strauss: Also sprach Zarathustra

LSO: Nathalie Stutzmann conducts Brahms & Beethoven

Nathalie Stutzmann dives deep into the dark heart of 19th century music, with storm-swept thrillers by Beethoven, Brahms and Franck. The stars shine most brightly when the night is at its darkest. Brahms stares tragedy in the face in his final symphony: music that wrestles beauty and hope from a lifetime of sorrow. Beethoven finds poetry among the shadows, in his moody Third Piano Concerto. And César Franck gallops through the night in a wild, supernatural sonic thriller. We’re going to hell and back – hold on tight! Nathalie Stutzmann’s concerts with the LSO always bring out the drama and emotion of romantic music, repertoire that she lives and breathes. In her own words, to inspire people, “you have to be the incarnation of the music you have in your heart.” PROGRAM Franck: Le chasseur maudit; Beethoven: Piano Concerto No. 3; Brahms: Symphony No. 4