Bregenz Festival 2009: Aida

Stage director Graham Vick and set designer Paul Brown conjure up an ‘open-air spectacle of superlatives’ (Die Zeit) that throws a bridge between ancient Egypt and today’s U.S. Under Carlo Rizzi, the Wiener Symphoniker brilliantly support the chorus and soloists, among whom Iano Tamar (Amneris) and Tatiana Serjan (Aida) stand out.

King Roger

“It’s hard to believe that this ‘Król Roger’ had been neglected for so long!” The prestigious “Opernwelt” was not alone in welcoming the belated rediscovery of Polish composer Karol Szymanowski’s (1882-1937) masterpiece of 1926, which resonates with echoes of Late-Romanticism and Expressionism, Richard Strauss and Richard Wagner. Presented at the Festival Hall of the Bregenz Festival in a production by festival director David Pountney, the musical rarity, a combination of opera, oratorio and mystery play, tells the story of 12th-century Sicilian King Roger, who is led astray by a mysterious shepherd who preaches a life of unrestrained hedonism. Director David Pountney delivers an uncommonly riveting production by staging the clash of virtue and immorality in a simple, archaic, yet wondrously luminous set reminiscent of an ancient Greek theater.