Salzburg Festival 2021: Blomstedt conducts Honegger & Brahms

Now in his nineties, Herbert Blomstedt, former conductor of the Leipzig Gewandhaus Orchestra and the San Francisco Symphony Orchestra, is still a powerful interpreter of the symphonic repertoire. His programme with the Vienna Philharmonic is straightforward: it begins with Honegger’s brilliant Third Symphony and ends with Brahms’ Fourth. The eminent maestro, one of the orchestra’s favourites since his debut at the 2011 Salzburg Mozart Week, continues to enchant audiences with his enormous presence, verve and artistic drive. “At the end, standing ovations and boundless cheers.” (br-klassik.de) PROGRAM Honegger: Symphony No. 3 “Liturgique”; Brahms: Symphony No. 4

Thielemann conducts Bruckner “Study Symphony” & “Nullte”

To mark Anton Bruckner’s bicentenary in 2024, Christian Thielemann, the Wiener Philharmoniker and Unitel are recording the first Bruckner cycle with a single conductor in the orchestra’s history. “Two premieres: With the Study Symphony and the and the ‘Nullte’, the Wiener Philharmoniker under Christian Thielemann continued their Bruckner cycle in the empty Musikverein. For orchestra and conductor, these were first encounters. The result can already be said to be of great caliber.” Kronen Zeitung. PROGRAM Bruckner: Symphony in F minor, WAB 99 (Study Symphony), Symphony in D minor, WAB 100 (Nullte)

Salzburg Festival 2021: Thielemann conducts Mahler & Bruckner

After a truly magnificent performance of the Fourth Symphony in 2020, the stellar conductor returns to the Salzburg Festival with the Seventh Symphony, one of Bruckner’s most popular works. In the first part of the concert, Christian Thielemann joins forces with Latvian star soprano Elina Garanca for Mahler’s Lieder. “Expressive but without false pathos, he shapes the Rückert Lieder – audibly inspired by the magnificent Elina Garanca, whose perfectly focused voice sounds wonderfully sensual. A haunting evening”, hailed br-klassik.de. PROGRAM Mahler: Rückert-Lieder; Bruckner: Symphony No. 7

Mozart Week 2021: Barenboim & Bartoli

La Bartoli – wherever she performs, the audience goes wild. Usually. Thanks to Covid-19, this time the Great Hall of the Mozarteum Salzburg is empty when Cecilia Bartoli, accompanied by one of the residence orchestras of the acclaimed Mozartwoche, the Vienna Philharmonic, under the baton of Daniel Barenboim sings “Ch’io mi scordi di te”. Of course always with her own technical perfection, heartfelt warmth and at the same time great gesture. No one masters playing on stage like she does, even if it is a stage in front of an empty hall. Further on the program: Mozart’s famous “Prague Symphony” as well as conductor Daniel Barenboim slipping into the role of the pianist playing the Piano Concerto in C minor K. 491. PROGRAM “Ch’io mi scordi di te?” – “Non temer, amato bene”, K. 505; “Vedrai, carino” from Don Giovanni; Piano Concerto No. 24, Symphony No. 38 “Prague Symphony”

Salzburg Festival 2020: Thielemann conducts Wagner & Bruckner

“Ignited monumental chamber music: Together with an orchestra that breathes with her, Garanca proved that she currently represents the non plus ultra in the mezzosoprano

category. Grandiose the fusion of intensity and noble sound” Der Standard. PROGRAM Wagner: Five Poems for female voice and piano “Wesendonck Lieder”; Bruckner: Symphony No. 4 “Romantic”

Salzburg Festival 2019: Haitink conducts Bruckner & Beethoven

To end his active conducting career after 65 years, maestro Bernard Haitink together with the Wiener Philharmoniker gives a farewell concert at the Grosses Festspielhaus, leaving no doubt of being one of the best Bruckner interpreters ever. The Dutch conductor, who was appointed honorary member of the Wiener Philharmoniker shortly before the concert, is joined by star pianist Emanuel Ax in Beethoven’s Piano Concerto No. 4. The concert ends with Bruckner’s monumental Symphony No. 7: “No more Bruckner under Haitink, that’s a cut in the history of interpretation” (Wiener Zeitung). PROGRAM Bruckner: Symphony No 7; Beethoven: Piano Concerto No 4

Salzburg Festival 2018: Nelsons conducts Mahler and Zimmermann

The notion of passion, in music, initially referred to accounts of the suffering and death of Jesus. But would any form of art be conceivable without ardent passion and that kind of suffering which mobilizes creative forces as starting point for new artistic endeavours? Andris Nelsons presents a concert night which concentrates every conceivable passion: Bernd Alois Zimmermann’s Trumpet Concerto, entitled “Nobody knows the trouble I see” – a protest against racism – and Mahler’s Second, ‘Resurrection’ Symphony. PROGRAM Zimmermann: Nobody knows de trouble I see – Concerto for trumpet and orchestra; Mahler: Symphony No.2 (Resurrection). A passionate rendition of Mahler’s Resurrection Symphony, “oscillating between dream and grotesque, between idyll and Hellmouth” (Wiener Zeitung).

Muti conducts Brahms and Tchaikovsky – with Anne-Sophie Mutter

One thing you can rely on is the Salzburg Festival always offering compelling couplings of artistic personalities: in this case star violinist Anne-Sophie Mutter and Maestro Riccardo Muti. Exactly 30 years to the day since Mutter first performed Tchaikovsky’s Violin Concerto at the festival, Tchaikovsky’s masterpiece is back on the programme. Mutter’s playing is stupendous, she succeeds in a way that draws astonishment. In Brahms’s Symphony No. 2, the veteran conductor Muti “lets the string and wind groups demonstrate in exemplary manner how it can sound when all the musicians are in perfect harmony with one another.” (Salzburger Nachrichten)

Salzburg Festival: Dudamel conducts Strauss

Richard Strauss year 2014 at Salzburg Festival: Gustavo Dudamel, winner of the Leonard Bernstein Award 2014, conducts the Vienna Philharmonic. On the program Strauss’ tone poems “Tod & Verklärung” and “Also sprach Zarathustra”. The evening is rounded up with a work by René Staar, who is also one of the Philharmonic’s violinists.