“Renowned soprano Anja Harteros demonstrated she had ample vocal power to rise above the orchestra.” She “was able to colour her production of the text with a range of autumnal shades together with such impeccable diction”. “Maestro Thielemann with the world class Staatskapelle Dresden sets such a consistently high standard of performance and attending one of its concerts is a joy to treasure.” (Seen and Heard International) —– Program: Richard STRAUSS: Four Last Songs, Malven / Wolfgang RIHM: Ernster Gesang (Serious Songs) / Richard STRAUSS: An Alpine Symphony.
Season Opening Concert: Christian Thielemann & Staatskapelle Dresden
Hanns Eisler believed that “if you wish to possess the future you must first conquer the past”. And so it is with his “Ernste Gesänge” (Serious Songs), which are not only concerned with memory, but also with the hope of future happiness. 50 years after the Dresden premiere, Christian Thielemann and Thomas Hampson perform this final work by Eisler at the Season Opening Concert 2013/2014 of the Staatskapelle Dresden. Not untypically for Bruckner, his Fifth Symphony is a confrontation with the past, in this case resulting in a “polyphonal masterpiece”. —– PROGRAM: Hans Eisler: Ernste Gesänge for Baritone and String Orchestra / Anton Bruckner: Symphony No. 5 in B flat major, WAB 105
Wagner Anniversary Gala
PROGRAM: Wagner: Ouvertüre zu »Der fliegende Holländer«, »Eine Faust-Ouvertüre« d-Moll (Fassung 1855), Gebet des Rienzi »Allmächt´ger Vater«, Ouvertüre zu »Rienzi«, Vorspiel zu »Lohengrin«, »Gralserzählung« des Lohengrin »In fernem Land«; Henze: “Fraternité”. Air pour Orchestre (1999); Wagner: »Rom-Erzählung« des Tannhäuser »Inbrunst im Herzen«, Ouvertüre zu »Tannhäuser«
Christian Thielemann – Brahms Cycle: Symphony No. 4 & Violin Concerto
Christian Thielemann and Lisa Batiashvili performing Brahms in Dresden. The concert is part of Christian Thielemann’s Brahms-Cycle with the Staatskapelle Dresden. On the program: Brahms, Academic Festival Overture in C minor, Op. 80, the Violin Concerto D major, Op. 77 and the Symphony No. 4 in E minor, Op. 98.
Thielemann Brahms Cycle: Symphony No. 4 in E minor, Violin Concerto D major, Op. 77
Third Part of Christian Thielemann’s Brahms Cycle with the Staatskapelle Dresden. On the program: BRAHMS’ Academic Festival Overture in C minor, Op. 80, the Violin Concerto D major, Op. 77 (with Lisa Batashvili as soloist) and the Symphony No. 4 in E minor, Op. 98.
Christian Thielemann – Brahms Cycle: Symphony No. 2 and Piano Concerto No. 2 with Maurizio Pollini
The third part of Christian Thielemann’s Brahms Cycle with the Staatskapelle Dresden. On the program: BRAHMS’ piano concerto no. 2 B major op.83, with Maurizio Pollini as soloist, and Brahms’ symphony no. 2 D major. The evening is completed by Ferruccio Busoni’s: “Lustspiel-Ouvertüre” op. 38
A Chinese Night – Classical Music Open Air in Dresden
For their Chinese Night, staged in the open air by the Staatskapelle Dresden in the city’s central park, the long-established German orchestra – one of the oldest in the world – called upon the services of three artists from the land of Cathay: the young pianist Yuja Wang already hailed as a world star, the Paganini Competition prizewinner Mengla Huang and the world-class Chinese-American conductor Xian Zhang. The main work of the evening is RACHMANINOFF’s Third Piano Concerto, other pieces are RIMSKY-KORSAKOV’s Capriccio Espagnol, PROKOFIEV’s March from The Love For Three Oranges and also excerpts from the Butterfly Lovers’ Violin Concerto by the Chinese composers CHEN GANG and HE ZHANHAO, one of the best known works of contemporary Chinese music. —– Program: Chen GANG/He ZHANHAO: Parts from “The Butterfly Lovers’ Violin Concerto“; Nikolai RIMSKY-KORSAKOV: Capriccio Espagnol, Op. 34; Sergei RACHMANINOFF: Piano Concerto No. 3 in D minor, Op. 30; Vladimir HOROWITZ: Variations on a theme from Georges Bizet’s “Carmen“; Sergey PROKOFIEV: March from “The Love For Three Oranges“
Wolf, Songs for Soprano and Orchestra & Bruckner, Symphony No. 7
When conductor Christian Thielemann, master interpreter of the romantic repertoire, and Renée Fleming, late-romantic specialist par excellence, weave their talents into the orchestral tapestry unfolded by the Sächsische Staatskapelle Dresden, one of the oldest and most revered orchestras in the world, they create, as put by the Süddeutsche Zeitung, “romantic music as magic for the ears”. For this special concert, the first concert of Christian Thielemann as the principal conductor of the Staatskapelle Dresden, they chose the orchestral songs by the Austrian composer HUGO WOLF and ANTON BRUCKNER’s Symphony No. 7.
Pollini and Thielemann perform Brahms and Reger
Legendary pianist Maurizio Pollini and star conductor Christian Thielemann team up with the Staatskapelle Dresden for an exceptional concert of late-romantic music. For his first concert with the Staatskapelle in nearly 25 years, Pollini plays Brahms’ mighty First Piano Concerto. Thielemann harnesses the orchestra’s dynamic power and melds it with Pollini’s vitality. Also on the program are Brahms’ ‘Tragic Overture’ and Reger’s ‘Romantic Suite’. Reger’s charming, colorfully orchestrated work, premiered with the Staatskapelle in 1912, is a valuable addition to the romantic repertoire.
Festive Gala at the Semperoper Dresden: Beethoven Symphony No. 9
“Everyone loves Beethoven’s ‘Ninth’,” says Christian Thielemann. Performing it with the Sächsische Staatskapelle was “one of the most beautiful things that has happened to me in my life”. For many it is the soundtrack for New Year’s Eve ever since Arthur Nikisch conducted this landmark in symphonic history over the turn of the year 1918/19 and established a tradition that has spread worldwide. New Year’s Eve was also the occasion for this concert performed in the festively lit Semperoper. Camilla Nylund, Christa Mayer, Klaus Florian Vogt and Georg Zeppenfeld form the vocal quartet of this performance, Christian Thielemann conducts the Staatskapelle Dresden and the Sächsischer Staatsopernchor Dresden. “Thielemann led the orchestra with composure […], made the music […] a sound speech, celebrated the melody in the slow movement. [The finale] culminated in a veritable thundering of joy.“ (Sächsiche Zeitung)