Born in Halle an der Saale in 1685, George Frideric Handel became the court music director of Prince Elector Georg Ludwig in Hanover in 1710. When his master was crowned King George I of England, Handel moved to London and remained there until his death in 1759. Handel wrote more than 30 operas there and was an initiator of the Royal Academy of Music, founded in 1720, which pursued the goal of popularizing Italian opera in London. “Giulio Cesare in Egitto” is Handel’s fifth work for this institution and was given its first performance with resounding success in 1724 at the theater on the Haymarket. After Handel’s death, “Julius Caesar” fell into oblivion like his other operas, but was rediscovered in the 20th century through several successful and often unconventional stagings. Next to “Serse,” it is now considered as the most popular Handel opera of our time. For some, Peter Sellars is an enfant terrible of the opera; for others, the most imaginative of directors, who takes unconventional paths in his work. What distinguishes his stagings from the often belabored modernizations of other directors is that he brings out the timelessness and topicality of the works with convincing naturalness.