Handel’s Baroque opera Giulio Cesare in Egitto unfolds here as a high-stakes drama of power, passion and survival. Dmitri Tcherniakov’s powerful production strips the story to its psychological core, placing political rivalry and a fiery love story within the claustrophobic setting of an underground bunker. Christophe Dumaux delivers a compelling Cesare, while Olga Kulchynska shines as a “lyrical” Cleopatra in her Salzburg debut. With a superb supporting cast, above all Lucile Richardot as Cornelia “with her smouldering mezzo” (BR Klassik) and Federico Fiorio as Sesto, Emmanuelle Haïm conducts Le Concert d’Astrée from the harpsichord, shaping “a perfect whole” (Kurier) of musical brilliance and electrifying theatre.
Salzburg Festival 2025: Giulio Cesare in Egitto
Handel’s gripping Baroque opera comes to life as a high-stakes drama of power, passion and intrigue. Dmitri Tcherniakov’s “powerful” (Kurier) production sets political rivalry against a fiery love story in the confines of an underground bunker. Christophe Dumaux is a thrilling Cesare, “with his mercurial countertenor and pointed acting” (Der Standard). At his side, Olga Kulchynska gives her Salzburg debut as a “lyrical” Cleopatra: “Bright high notes, precise filigree technique, youthful freshness: she has it all” (Salzburger Nachrichten). The rest of the cast is equally “superb” (Der Standard), above all Lucile Richardot as Cornelia “with her smouldering mezzo” (BR Klassik) and Federico Fiorio as her son Sesto. Baroque specialist Emmanuelle Haïm conducts her orchestra Le Concert d’Astrée from the harpsichord, “completely in her element” (Salzburger
Nachrichten). A scenic and musical collaboration full of intensity, imagination and electrifying theatre.
Monteverdi in Saint-Denis
After speaking with her for one and a half minutes, I knew that I would even sing Heavy Metal for her if she wanted me to,’ gushed Rolando Villazón after meeting French conductor and harpsichordist Emmanuelle Haïm. Devoted to cultivating the works of Monteverdi, Handel, Rameau and Purcell, the vibrant Haïm has become one of the leading lights of the Early Music scene. Trained as a pianist and harpsichordist in Paris, she assisted William Christie before founding her own ensemble ‘Le Concert d’Astrée,’ which performs on historical instruments. Rolando Villazón is better known for his performances as tormented lover and ‘dream’ partner of Anna Netrebko in ‘La Traviata’ and ‘La Bohème’ (both available from UNITEL CLASSICA) than for his accounts of early Baroque music. But in this concert of works by Claudio Monteverdi (1567-1643), the powerhouse tenor proves his allround mastery of italianità. The main work is the ‘Combattimento di Tancredi e Clorinda,’ a descriptive piece for three voices based on a text from Torquato Tasso’s epic poem ‘Gerusalemme liberata.’
A Baroque Celebration
The 19th of December 2011 was an evening of colour, joy and entertainment, as 19 renowned musicians joined forces in the Théâtre des Champs-Elysées, Paris. They were brought together in sound and harmony by the dervish of baroque music, Emmanuelle Haïm. This 10th anniversary of the ‘Le Concert d’Astrée’ was celebrated by Haïm and the musicians in a very special way: an exuberant party of the baroque. The 20 singers and instrumentalists joining the ensemble, having refined their musical collaboration for the past 10 years: Natalie Dessay, Sandrine Piau and Anne Sofie von Otter, as well as Philippe Jaroussky, Patricia Petibon, Rolando Villazon or the Finnish tenor Topi Lehtipuu. —— Arias, Duets, Trios und Quartets from G. F. HANDEL: Il Trionfo del Tempo, Giulio Cesare, The Messiah, Ariodante; H. PURCELL: The Fairy Queen; J. B. LULLY: Le Bourgeois Gentilhomme, C. MONTEVERDI: L’incoronazione di Poppea; J. P. RAMEAU: Dardanus