Mezzo-soprano Cecilia Bartoli, one of the most successful classical artists of her time, is a passionate musical explorer who regularly uncovers thrilling but little-known chapters of music history. This time her in-depth research takes her on a fascinating expedition into the world of castrato singers. The legendary art of the castratos continues to exert a strong fascination today, and, despite the great human sacrifice it exacted, this extraordinary period justifies the new assessment that she delivers.
Giovanni Antonini conducts Haydn’s Daytime Symphonies
More than 250 years after their premiere, conductor Giovanni Antonini and his ensemble Il Giardino Armonico are bringing Joseph Haydn’s three symphonies based on the times of day back to their place of origin, the magnificent Haydn Hall at Esterházy Palace in Austria. A musical journey through the day, in which the location, the work, and the musicians form a magical connection. Historical and very contemporary.
“The Morning.” “The Noon.” “The Evening.” Not just three times of day, but also three symphonies composed by Joseph Haydn, with which he probably celebrated his debut at the magnificent court of Prince Esterházy in 1761. More than 250 years later, Il Giardino Armonico, conducted by Giovanni Antonini, once again perform the cycle in the historic setting of its premiere: in the magnificent Haydn Hall of Esterházy Palace in Eisenstadt in Burgenland, Austria. Long Version includes additionally Haydn: Arianna a Naxos with Kate Lindsey
Premieres Revisited – Haydn’s Daytime Symphonies at Schloss Esterházy
Il Giardino Armonico, conducted by Giovanni Antonini, performs the three Daytime Symphonies two and a half centuries after their premiere at their original concert venue, the magnificent Haydn Hall at Esterházy Palace. Premieres Revisited provides insight into the three works and combines their background with interviews and a passionate and virtuoso performance to convey an impression of the premiere at that time.