4 great symphonies that have all played a special role in the close collaboration between Danish National Symphony Orchestra and conductor Thomas Dausgaard. The symphonies are recorded in the beautiful concert hall Koncerthuset in Copenhagen, designed by architect Jean Nouvel and acoustician Toyota Yasuhisa. Bonus material In a series of exclusive interviews Thomas Dausgaard explains about his close collaboration with the orchestra, the concerts and about the four great yet altogether very different master pieces by Brahms, Dvorák, Sibelius and Nielsen.
Danish National Symphony Orchestra Nielsen – Dvorak – Brahms – Sibelius
The opening of Copenhagen’s new concert hall, the spectacular Koncerthuset, was celebrated with a very special project: to present their new home to a broad public the Danish National Symphony Orchestra and its chief conductor Thomas Dausgaard performed four popular works within the classical symphonic tradition, Nielsen’s Symphony No. 3 (Length: 39’), Dvorak’s Symphony No. 9 (Length: 45’), Brahms’ Symphony No. 1 (Length: 49’) and Sibelius’ Symphony No. 5 (Length: 35’). Additionally, the performances were filmed on highest standards and with an extensive setup of cameras.
The Carl Nielsen Gala
Carl Nielsen was unquestionably Denmark’s most important composer, commanding great respect already during his lifetime in Denmark and throughout Scandinavia. The Koncerthuset in Copenhagen marked the composer’s 150th anniversary with a grand gala under the musical direction of Juanjo Mena, in the presence of Queen Margarethe herself. The programme features the Clarinet Concerto, Nielsen’s last and one of his most famous orchestra works, which soloist Olli Leppäniemi executes with verve and virtuosity, his Fourth Symphony, “The Inextinguishable”, and also “Hymnus amoris”.