Leaving Home – Orchestral Music in the Twentieth Century

Written and presented by Sir Simon Rattle, the foremost British conductor of our day, this series forms a fascinating introduction to, and overview of, the music of the twentieth century. Each of the seven programmes feature over thirty minutes of specially-shot music in performance, with Rattle conducting the City of Birmingham Symphony Orchestra.

Simon Rattle leads viewers on an exhilarating journey through the music of our time, explaining the chief musical developments from Mahler to the present day. Each programme is illustrated with evocative imagery, archive film and photographs and the featured music is set within the broader context of artistic and social change.

Why “Leaving Home”? The story of twentieth-century music is one of leave-takings in many ways. As a wealth of talented composers searched for new creative responses to the world around them, many made departures from the solid ‘home’ foundations of eighteenth- and nineteenth-century music – tonal harmony, melody, regular rhythm and metre. Many had to literally leave home, displaced by political uphevals. A remarkable diversity of expression developed – not all of the difficult or discordant variety commonly associated with modern music. The range is wide and this series samples the work of over thirty composers, discovering new and challenging sounds as well as some unexpectedly familiar music. It presents an extraordinary kaleidoscope of orchestral images, full of contrasts and surprises.

The first episode in the series describes a great musical culture in decline in turn-of-the-nineteenth-century Vienna. From that decline erupted a musical revolution whose reverberations have continued to this day. The names of Schönberg, Webern and Berg still strike terror into the hearts of many concert-goers, but with Simon Rattle we hear in this music’s brooding power not only the collapse of the old Austro-German order and the rise of Facism, but also the portents of the music to come in the second half of the twentieth century.

Oramo conducts Rautavaara, Prokofiev & Sibelius – with Olli Mustonen

With its opening sunrise and vaulting “Swan Hymn”, Sibelius’s Fifth Symphony is one of the defining masterpieces of Finnish music, and it’s been at the centre of Sakari Oramo’s repertoire since the start of his conducting career. This concert finds him on tour in 2000 as music director of the City of Birmingham Symphony Orchestra – an ensemble with a long Sibelius tradition of its own – and striking sparks off his young compatriot Olli Mustonen in Prokofiev’s dazzling Piano Concerto No. 3. Oramo opens with the haunting Lintukoto by the late Einojuhani Rautavaara: one of the undisputed masters of Finnish music in the generation since Sibelius.

BBC Proms 2023: Bollywood Legend – Lata Mangheshkar

Don’t miss this Prom’s tribute to the Nightingale of India: ‘Queen of Melody’ Lata Mangheshkar, whose voice was the soundtrack for generations of cinema-goers. The legendary Bollywood playback singer died in 2022, aged 92. For this concert, her legacy is celebrated by the City of Birmingham Symphony Orchestra. The orchestra plays under the direction of Michael Seal, Indian singer Palak Muchhal and her younger brother Palash are doing the vocal parts. Together, they mark the immense career and catalogue of an extraordinary, era-defining artist. “Celebrate the musical legacy of Hindi cinema!” (The Daily Telegraph)

BBC Proms 2019: Mirga Gražinyte-Tyla conducts Elgar and Weinberg

The CBSO and Music Director Mirga Gražinyte-Tyla celebrate the centenary of Mieczyslaw Weinberg the man Shostakovich hailed as ‘one of the most outstanding composers’ of his day – with a rare performance of his Symphony No. 3, a work that combines folk melodies and dances with confessional urgency. That intensity is shared by Elgar’s passionate Cello Concerto, performed here by 2016 BBC Young Musician winner Sheku Kanneh-Mason. The concert opens with Dorothy Howell’s radiant tone-poem Lamia (first performed, like Elgar’s concerto, 100 years ago) and also includes The Way to Castle Yonder, a suite from the much-missed Oliver Knussen’s opera Higglety Pigglety Pop! “A performance of surpassing delicacy and refinement” (The Telegraph) PROGRAM Weinberg: Symphony No. 3; Elgar: Cello Concerto; Dorothy Howell: Lamia; Knussen: The Way to Castle Yonde

BBC Proms 2021: Mirga Gražinyte-Tyla conducts the CBSO

The works that the CBSO commissioned to celebrate its centenary last year are finally getting performed. Thomas Adès’s The Exterminating Angel Symphony, based on material from his 2016 opera, was one of them; its London premiere is framed here by two more symphonies, Ruth Gipps’s Second and Brahms’s Third. The City of Birmingham Symphony Orchestra and Music Director Mirga Gražinyte-Tyla champion the music of a too-long neglected composer. PROGRAM: Gipps: Symphony No. 2; Adès: The Exterminating Angel Symphony; Brahms: Symphony No. 3

BBC Proms 2017: Mirga Gražinyte-Tyla conducts Beethoven, Stravinsky, Barry

Rising star conductor Mirga Gražinyte-Tyla returns with the City of Birmingham Symphony Orchestra to the Royal Albert Hall, setting Beethoven’s Fifth Symphony against a world premiere by Gerald Barry. Leila Josefowicz excels as the soloist in Stravinsky’s Violin Concerto. Mirga Gražinyte-Tyla is the youngest female conductor to take over one of the world’s leading orchestras: Together with the CBSO, the Music Director from Lithuania – “on the podium a combination of flamboyance and steely poise” (Financial Times) – explores the theme of political and artistic freedom in their concert: Beethoven’s Overture “Leonore” No. 3 celebrates the triumph of truth over tyranny in music of radiant beauty while his Fifth rewrites the rules for the Classical symphony. Allan Clayton’s rendition of Canada, composed by Gerald Barry, completes the programme. “Irresistible!” (The Guardian) PROGRAM Beethoven: Overture ‘Leonore’ No. 3, Symphony No. 5; Stravinsky: Violin Concerto; Barry: Canada

BBC Proms 2016: Mirga Gražinyte-Tyla conducts Mozart & Tchaikovsky

The City of Birmingham Symphony Orchestra presents its new Music Director Mirga Gražinyte-Tyla at the BBC Proms. Gražinyte-Tyla is not only the successor of Sir Simon Rattle and Andris Nelsons at the CBSO, but also the first female conductor to take over one of the world’s leading orchestras. Her talent and musicality shine bright in the concert’s centre piece, the “spellbinding and bewitching” (The Guardian) song cycle Let me tell you by Hans Abrahamsen, performed by no less than Barbara Hannigan, for whom the piece was written in the first place. In the second half of the concert, Gražinyte-Tyla and the CBSO explore Tchaikovsky’s dramatic Fourth Symphony – “technically impeccable and just that bit more vivid than usual” (The Guardian). PROGRAM: Mozart: Overture Die Zauberflöte; Abrahamsen: Let me tell you; Tchaikovsky: Symphony No. 4