Performing all four piano concertos by Sergei Rachmaninoff in just two days – a challenge for the Orchestre de Paris on the Rachmaninoff Weekend at the Philharmonie de Paris. Together with three different pianists young conductor Stanislav Kochanovsky who is considered one of the most outstanding talents in his homeland Russia, performs the concert. For the first concert of the cycle, Russian Rachmaninoff specialist Denis Matsuev takes on the titanic Concerto No. 3 with all his distinctive enthusiasm, before exploring the more modern outline of the less-known Concerto No. 4. A performance which was hailed by the French press as superlative.
Rachmaninoff – The Piano Concertos Nos. 1 & 2
Performing all four piano concertos by Sergei Rachmaninoff in just two days – a challenge for the Orchestre de Paris on the Rachmaninoff Weekend at the Philharmonie de Paris. Together with three different pianists young conductor Stanislav Kochanovsky who is considered one of the most outstanding talents in his homeland Russia, performs the concert. In the second concert Nikolai Lugansky opens with the Piano Concerto No. 1, a work started when the composer was a student at the Moscow Conservatoire. The highlight of the evening is the Piano Concerto No. 2, the most popular of Rachmaninoff‘s four piano concertos, performed by the young Uzbek pianist Behzod Abduraimov “who gave a superb account, ardent but never stretching the musical line too far” (Bachtrack).
Quinte & Sens: Symphony of the Elements
This film by François-René Martin & Gordon combines breathtakingly beautiful images with the magnificent sound of the Orchestre de Paris. It creates a new Symphony representing the four Classical Elements: Fire (Stravinsky’s “Firebird”), Earth (Adoration of the Earth in Stravinsky’s “Rite of Spring”), Water (Debussy’s “La Mer”), Air (Dialogue of the Wind and the Sea in “La Mer”). As a fifth element it adds Olivier Messiaen’s “L’Appel interstellaire” (Interstellar call) from “Des Canyons aux Étoiles” (From the canyons to the stars). The word Quintessence was originally the Latin expression for the fifth element (quinta essentia, literally “fifth being”). According to Aristoteles, there was aether as massless, unchangeable, eternal substance beyond the lunar sphere. This “fifth element” thus had completely different properties than the earthly ones. Filmed inside and outside the stunning Philharmonie de Paris in true Hollywood style this is a new milestone in the creative visualization of music. A fascinating feast for the eyes and ears.
Gardiner conducts Berlioz and Elgar
The Orchestre Philharmonique de Radio France joins forces with conductor Sir John Eliot Gardiner and violist Antoine Tamestit for a concert featuring Italy and putting two composers in the spotlight: Hector Berlioz and Edward Elgar. With Harolde en Italie, Hector Berlioz invokes transalpine landscapes. Shaped by the period when the composer was resident at the Villa Medici, this symphony in four parts gives pride of place to the viola, played here by Antoine Tamestit – “one of the two or three greatest current performers” (Diapason). In the South (Alassio), composed between 1903 and 1904 by Edward Elgar, is still about Italy, pastoral atmosphere and Byronic colours. Brilliantly complex, this work, written in record time, is one of the peaks of romantic music. Let us travel a little deeper into Edward Elgar’s melancholy with his Sospiri. This adagio for strings composed at the dawn of the First World War is captivating in its romanticism and passion.
BR: Mariss Jansons conducts Mahler & Rachmaninov
The Bavarian Radio Symphony Orchestra under the baton of its musical director Mariss Jansons gives ist debut at the Philharmonie de Paris: With Vladimír Sommer’s Antigone, Gustav Mahler’s Kindertotenlieder and Sergei Rachmaninoff’s Symphonic Dances, the evening’s programme revolves around the subjects of death, transcendence and the afterlife. Renowned alto and Mahler expert Gerhild Romberger makes Mahler’s ballads a “special and flawless experience” (Wiener Zeitung). The praised Bavarian Radio Symphony Orchestra shines “bright under their chief conductor Mariss Jansons. Impressive.” (Kurier) PROGRAM Mahler: Kindertotenlieder; Rachmaninoff: Symphonic Dances; Sommer: Antigone
Ensemble Intercontemporain – Celestial Mechanics
In the year of its 40th anniversary, the Ensemble Intercontemporain, famous for its performances of 20th and 21st century music, presented five very special programmes at the Cité de la Musique and the Théâtre de Chaillot in Paris, each one of them dealing with its own particular subject. The single works performed in the 5 concerts are available as 23 individual films. Celestial Mechanics brings together the works of the basque composer Ramon Lazkano and his german colleague Matthias Pintscher, who, as different as their musical style may be, share the penchant of getting inspired by nature, the sky, the wind, and the evanescence of all living things.
Ensemble Intercontemporain – Rothko Chapel
In the year of its 40th anniversary, the Ensemble Intercontemporain, famous for its performances of 20th and 21st century music, presented five very special programmes at the Cité de la Musique and the Théâtre de Chaillot in Paris, each one of them dealing with its own particular subject. The single works performed in the 5 concerts are available as 23 individual films. Rothko Chapel is a musical evening dedicated to the visual arts, which contains reflections not only on the Rothko Chapel in Houston, adorned with 14 paintings by Mark Rothko, but also on works by Markus Lüpertz and Anselm Kiefer.
Ensemble Intercontemporain – Flexible Silence
In the year of its 40th anniversary, the Ensemble Intercontemporain, famous for its performances of 20th and 21st century music, presented five very special programmes at the Cité de la Musique and the Théâtre de Chaillot in Paris, each one of them dealing with its own particular subject. The single works performed in the 5 concerts are available as 23 individual films. In Flexible Silence, performed at the Théâtre de Chaillot, the Ensemble Intercontemporain becomes part of Saburo Teshigawara’s latest creation. The Japanese choreographer combines the works of two leading 20th century composers, Toru Takemitsu and Olivier Messiaen. Dancers and musicians give an approach to this music as “a sculpture which is born on the spot, which keeps moving and disappearing” (S. Teshigawara)
Ensemble Intercontemporain – Genesis
In the year of its 40th anniversary, the Ensemble Intercontemporain, famous for its performances of 20th and 21st century music, presented five very special programmes at the Cité de la Musique and the Théâtre de Chaillot in Paris, each one of them dealing with its own particular subject. The single works performed in the 5 concerts are available as 23 individual films. Genesis has especially been commissioned on the occasion of the Ensemble’s 40th anniversary. Consisting of seven orders to seven composers, each one based on one day from the biblical genesis, it aims to question the concept of creation in various nuances.
Ensemble Intercontemporain – Grand Soir Stravinsky
In the year of its 40th anniversary, the Ensemble Intercontemporain, famous for its performances of 20th and 21st century music, presented five very special programmes at the Cité de la Musique and the Théâtre de Chaillot in Paris, each one of them dealing with its own particular subject. The single works performed in the 5 concerts are available as 23 individual films. The Grand Soir Stravinsky is dedicated to the legendary 20th century composer Igor Stravinsky, featuring his burlesque pocket-size opéra-ballet Renard, written in 1916.