Salzburg Festival 2021: Thielemann conducts Mahler & Bruckner

After a truly magnificent performance of the Fourth Symphony in 2020, the stellar conductor returns to the Salzburg Festival with the Seventh Symphony, one of Bruckner’s most popular works. In the first part of the concert, Christian Thielemann joins forces with Latvian star soprano Elina Garanca for Mahler’s Lieder. “Expressive but without false pathos, he shapes the Rückert Lieder – audibly inspired by the magnificent Elina Garanca, whose perfectly focused voice sounds wonderfully sensual. A haunting evening”, hailed br-klassik.de. PROGRAM Mahler: Rückert-Lieder; Bruckner: Symphony No. 7

Salzburg Festival 2021: Barenboim & West-Eastern Divan Orchestra

Ever since its first performances in 2007, the concerts of Daniel Barenboim’s West-Eastern Divan Orchestra have been among the first to be sold out at the Salzburg Festival. In 2021, the orchestra presents a program including works by Beethoven, Brahms and Franck with Michael Barenboim and Kian Soltani, both members of the orchestra, as soloists. PROGRAM: Beethoven: Overture to the ballet “Die Geschöpfe des Prometheus”; Brahms: Concerto for violin, cello and orchestra; Franck: Symphony in D minor

Mozart’s own Violin

Christoph Koncz brings Mozart’s violin back to life: together with Les Musiciens du Louvre, the esteemed violinist plays the Violin concertos Nos. 4 & 5. Christoph Koncz plays on Mozart’s original Salzburg concert violin, made available by the International Mozarteum Foundation Salzburg. This was the violin on which Mozart had played as concertmaster in the Salzburg Hofkapelle.

Salzburg Festival 2020: Thielemann conducts Wagner & Bruckner

“Ignited monumental chamber music: Together with an orchestra that breathes with her, Garanca proved that she currently represents the non plus ultra in the mezzosoprano

category. Grandiose the fusion of intensity and noble sound” Der Standard. PROGRAM Wagner: Five Poems for female voice and piano “Wesendonck Lieder”; Bruckner: Symphony No. 4 “Romantic”

Salzburg Festival 2020: Mozarteum Orchestra & Fischer

“One of the most important Mozart interpreters of our days provided great excitement at the final matinee on Sunday: Ádám Fischer at the podium inspired the musicians to remarkable performances” Die Presse. PROGRAM Mozart: Symphony No. 1, K. 16; Serenade, K. 203 – “Colloredo”; Symphony No. 41, K. 551 – “Jupiter”

Salzburg Festival 2020: Camerata Salzburg & Honeck

“Rarely has the warmth that this miraculous movement evokes in people been so intense as in the matinee of the Camerata Salzburg on Sunday. Ottensamer’s interaction with the orchestra brought about another, for many, last unforgettable moment of this festival summer” Salzburger Nachrichten. PROGRAM: PÄRT: Cantus in memoriam Benjamin; MOZART: Concerto for Clarinet and Orchestra K. 622; STRAUSS: Metamorphosen for 23 solo strings

Salzburg Festival 2020: Barenboim conducts the West-Eastern Divan Orchestra

“Fluid, but without hectic, Barenboim let the endless melody blossom, strength and tenderness were no opposites. Emmanuel Pahud from the Berliner Philharmoniker played the flute […] and was not the only celebrity in the orchestra: in addition to Barenboim’s son Michael as concertmaster and Kian Soltani as solo cellist, the conductor and pianist Lahav Shani, the successor of Zubin Mehta at the head of the Israel Philharmonic Orchestra, was on the double bass” Die Presse. PROGRAM Wagner: Siegfried Idyll for Chamber Orchestra; Schönberg: Chamber Symphony No. 1, Op. 9; Boulez: Mémoriale (…explosante-fixe… Originel) for solo flute and eight instruments; Beethoven: Große Fuge, Op. 133 (Version by Daniel Barenboim, 2020)

Salzburg Festival 2020: Mozarteum Orchestra & Bolton

“An unearthly melody characterized the Mozart Matinee on Sunday” Salzburger Nachrichten. PROGRAM Mozart: Mass in C minor, K. 139 – “Waisenhaus”; Adagio and Fugue for Strings, K. 546; Vesperae solennes de Confessore, K. 339

Salzburg Festival 2020: Mozarteum Orchestra & Manze

“Perhaps the most delightful surprise was the all-Mozart matinee conducted by British conductor Andrew Manze, who established an easy rapport with the Mozarteumorchester”

The Times. PROGRAM Mozart: Symphony, K. 385 – “Haffner”; Concerto for Horn and Orchestra, K. 417; Serenade, K. 525 – “Eine kleine Nachtmusik”; Concerto for Piano and Orchestra, K. 537 – “Coronation Concerto”; Sonata for Piano No. 18, K. 576 – II. Adagio