Wiener Philharmoniker: Tugan Sokhiev & Martha Argerich

“Glaring drama and bizarre comedy, lyrical poetry and gripping, vivid theatricality: Argerich demonstrated this par excellence in Prokofiev” (Der Standard). Under Tugan Sokhiev, the Wiener Philharmoniker presents two masterpieces of the early 20th century: Classical icon Martha Argerich interprets Sergei Prokofiev’s Third Piano Concerto with “great dexterity and fire” (Die Presse), “Thunderous cheers and bravos!” (Kronenzeitung). Igor Stravinsky’s ballet music “Petrushka” (1911 version) was transformed by Sokhiev “into a furious sound theatre” (Kurier). PROGRAM Prokofiev: Piano Concerto No. 3; Scarlatti: Sonata, K.141; Stravinsky: Petrushka – Suite

Wiener Philharmoniker: Jakub Hrusa conducts Kodaly, Bartok, Dvorak

This edition of the exclusive Vienna Phil subscription concerts, conducted by young conducting superstar Jakub Hrusa, features a carefully and beautifully selected programme of Czech and Hungarian music: Hrusa seizes every opportunity to derive additional bursts of energy from the rhythm and tension of the music, savours melodic developments and spurs the Philharmonic on to soloistic high-wire acts. Kodaly’s brilliance, Bartok’s fascinating motor skills, Dvorak’s picturesque fairy-tale sounds, Janacek’s austere grandeur: an opulent and haunting combination” (Die Presse). PROGRAM Kodaly: Dances Of Galanta; Bartok: The Miraculous Mandarin; Dvorak: The Wild Dove; Janacek: Taras Bulba (Rhapsody)

Wiener Philharmoniker: Yannick Nezet-Seguin conducts Beethoven & Strauss

Yannick Nézet-Séguin gives his successful debut at the renowned, highly exclusive subscription concerts of the Wiener Philharmoniker. Joining him is piano legend Yefim Bronfman, who lives up to his reputation: “It was gratifying to hear how, in Beethoven’s Third Piano Concerto, a relaxed, silky-smooth beauty of sound repeatedly gave way to wiry accents of tension” (Der Standard). Bronfman proved an “ideal partner” (Kronenzeitung) for Nézet-Séguin and the Philharmoniker, who were “entirely in harmony with the soloist” (Die Presse). In the second half of the concert, “Richard Strauss’ Ein Heldenleben was given a refreshingly invigorating shake-up” (Der Standard). Program: Beethoven: Piano Concerto No. 3; Strauss: Ein Heldenleben; Debussy: Images II, III. Poissons d’or

Wiener Philharmoniker: Thielemann conducts Brahms

Continuing their ongoing Brahms cycle, Thielemann and the Wiener Philharmoniker bring a “combination of magnificent sound and deep meaning” (Kurier) to their interpretation of the Fourth Symphony. Gautier Capuçon and Augustin Hadelich “enchanted” (Der Standard) with the Double Concerto for violin and cello. “Thieleman, Capuçon, Hadelich – the very best for Brahms” (Kurier) Program: Brahms: Concerto for Violin and Violoncello in A Minor, op. 102, Hungarian Dance No. 5, arranged for Cello and Violin, Symphony No. 4

125 Years Wiener Symphoniker – The Anniversary Concert

The Wiener Symphoniker celebrate their anniversary at the Wiener Musikverein, the very place where their inaugural concert took place 125 years ago. The concert looks back to the orchestra’s very first program in 1900 with Wagner’s rarely performed Faust Overture. It also celebrates two landmark premieres: In Alban Berg’s Seven Early Songs, “the orchestra provided Hanna-Elisabeth Müller with a soundscape reminiscent of an Art Nouveau painting” (Kurier); Anna Vinnitskaya’s performance of Ravel’s Piano Concerto for the Left Hand was “gripping and full of energy” (Der Standard) The evening concludes with Mozart’s Jupiter Symphony, performed an extraordinary 282 times over the orchestra’s 125-year history. PROGRAM Wagner: Faust Overture; Berg: Sieben Frühe Lieder (Seven Early Songs); Ravel: Piano Concerto for the Left Hand; Mozart: Symphony No. 41

Salzburg Festival 2025: Andris Nelsons conducts Mahler & Shostakovich

Years into their joint Mahler symphony cycle, Andris Nelsons has proven time and time again that he is at home with Mahler at the podium of the Wiener Philharmoniker: “Under Andris Nelsons, the Tenth Symphony becomes an event.” (Salzburger Nachrichten). Symphonies Nos. 2-7 & 9 of this cycle are also available. “Nelsons is completely in his element” (BR Klassik) “Rich in colour and dynamics, and full of gripping suspense” (Kurier) PROGRAM: Mahler- Adagio from the Symphony No. 10; Shostakovich: Symphony No. 10

Salzburg Festival 2025: Mozart Matinee with Kyohei Sorita

“It’s all there in this Mozart adventure” (Kronenzeitung): Making his debut at the Salzburg Festival, Japanese pianist and conductor Kyohei Sorita (“a breath of fresh air” – Drehpunktkultur) performs two important piano concertos by Wolfgang Amadeus Mozart alongside the Mozarteum Orchestra Salzburg as part of the traditional Mozart

Matinees in the Great Hall of the Mozarteum Foundation. PROGRAM: Symphony in G major K. 318, Piano concerto in E-flat major K. 271 ‘Jeunehomme’, Overture from Le nozze di Figaro K. 492; Piano concerto in D major K. 537 ‘Coronation’; Alla Turca (Allegretto) from the Piano Sonata in A, K. 331 (encore)

Wiener Philharmoniker: Ivan Fischer conducts Mahler & Haydn

Leading the Wiener Philharmoniker in a traditional subscription concert for the very first time, conductor Ivan Fischer presents Haydn’s rarely heard Sturm und Drang symphony “with great sensitivity, encouraging the Philharmonic to play with transparency and delicacy” (Die Presse), before delving into Mahler’s Lied von der Erde with renowned soloists Tanja Ariane Baumgartner and Daniel Behle. PROGRAM Haydn: Symphony No. 52: Mahler: Das Lied von der Erde