The former “Camerata academica Salzburg” was renamed simply “Camerata Salzburg” in 2001. It was founded in 1951 by Bernhard Paumgartner, who was its head and mentor for many years. From 1978 to 1997 its artistic director was Sándor Végh and in 1997 Roger Norrington was appointed principal conductor of the ensemble. The Camerata Salzburg can be heard every year at the Salzburg Mozartwoche and Salzburg Festival. Alexander Janiczek, who conducts this concert, comes from Salzburg and has been the concertmaster of the Camerata Salzburg since 1991. The soloist is Paul Gulda. This work, together with its fellow pieces K. 450 and 451, marks the beginning of an entirely new concerto concept, one that made great demands on the performer and whose aim was the synthesis of the traditional concerto form and the symphony. This is brilliantly illustrated in K. 453 by the totally new importance given to the orchestra. It no longer merely accompanies the solo part and highlights the formal contours, but develops its own unique and colorful personality, characterized above all by the poignant use of the woodwinds. The solo part becomes more and more the soul of the composer, expressing his innermost feelings and rejecting technical brilliancy for its own sake. Mozart thus clears the way for the intensely personal concerto form of the 19th century, which, incidentally, will make it practically impossible for the soloist to conduct at the keyboard, as he had until then.
Mozart, Serenade in D major, K.100 with March K.62 (Mozartwoche 1999)
The former “Camerata academica Salzburg” was renamed simply “Camerata Salzburg” in 2001. It was founded in 1951 by Bernhard Paumgartner, who was its head and mentor for many years. From 1978 to 1997 its artistic director was Sándor Végh and in 1997 Roger Norrington was appointed principal conductor of the ensemble. The Camerata Salzburg can be heard every year at the Salzburg Mozartwoche and Salzburg Festival. Alexander Janiczek, who conducts this concert, comes from Salzburg and has been the concertmaster of the Camerata Salzburg since 1991. The soloists in the Serenade are Clara Dent (oboe) and Josef Sterlinger (horn).
Kozeluch, Bassoon Concerto in C major (Mozartwoche 1998)
The Camerata Academica Salzburg was founded in 1951 by Bernhard Paumgartner, who was the ensemble’s mentor for many years and secured its extraordinary reputation. Sándor Végh was the artistic director of the chamber orchestra from 1978 to 1997, and since then the ensemble has been in the hands of Sir Roger Norrington. The bassoonist Milan Turkovic is one of the few internationally known bassoon soloists. He was solo bassoonist of the Vienna Symphony until 1984 and has since been devoting himself exclusively to his solo activity. This recording was made in January 1998 during the Mozartwoche in Salzburg.
Mozart, Serenade in D major, K. 185 “Antretter Serenade” and March K. 189 (Mozartwoche 1998)
The Camerata Academica Salzburg was founded in 1951 by Bernhard Paumgartner, who was the ensemble’s mentor for many years and secured its extraordinary reputation. Sándor Végh was the artistic director of the chamber orchestra from 1978 to 1997, and since then the ensemble has been in the hands of Sir Roger Norrington. Alexander Janiczek, who conducts this concert and plays the solo violin, was born in Salzburg and has been the concertmaster of the Camerata Academica Salzburg since 1991. This recording was made in January 1998 during the 1998 Mozartwoche in Salzburg.
Mullenbach, “An die Königin der Nacht” for Orchestra (Mozartwoche 1998)
“An die Königin der Nacht” was commissioned by the International Mozarteum Foundation and written in 1997. It was given its world premiere on 23 January 1998 at the opening concert of the 1998 Salzburg “Mozartwoche” by the Mozarteum Orchestra of Salzburg under Hubert Soudant. Alexander Mullenbach was born in Luxembourg in 1949. As with so many composers of today, the composer’s work catalogue mirrors a strong interest in the music of earlier eras. The relationship to the past is clearly evoked in the titles of pieces such as the violin works “Für Orlando di Lasso” (1993) and “Capriccio per Niccolò Paganini” (1994), for example. In other pieces, one notices a strong affinity to Johann Sebastian Bach, Romantic music and the French impressionists.
Mozart, Piano Concerto No.23 in A major, K. 488 (Mozartwoche 1998)
The Mozarteum Orchester Salzburg was originally founded in 1841 as the “Dom-Musik-Verein und Mozarteum.” Since 1958 it has been Salzburg’s municipal and state orchestra, and concertizes regularly at both the Salzburg Festival and the Mozartwoche. The principal conductor of the orchestra as well as the conductor of this recording is the Dutch maestro Hubert Soudant. He led the Nouvel Orchestre Philharmonique de France in Paris from 1981 to 1983 and the Utrecht Symphony Orchestra in Holland from 1983 to 1986. The pianist Till Fellner was born in Vienna and studied with Alfred Brendel and Oleg Maisenberg, among others.
Mozart, Symphony No.25 in G minor, K. 183 (Mozartwoche 1998)
The Mozarteum Orchester Salzburg was originally founded in 1841 as the “Dom-Musik-Verein und Mozarteum.” Since 1958 it has been Salzburg’s municipal and state orchestra, and concertizes regularly at both the Salzburg Festival and the Mozartwoche. The principal conductor of the orchestra as well as the conductor of this recording is the Dutch maestro Hubert Soudant. He led the Nouvel Orchestre Philharmonique de France in Paris from 1981 to 1983 and the Utrecht Symphony Orchestra in Holland from 1983 to 1986.
Mozart, Divertimento in D major, K. 205 (Mozartwoche 1998)
The Camerata Academica Salzburg was founded in 1951 by Bernhard Paumgartner, who was the ensemble’s mentor for many years and secured its extraordinary reputation. Sándor Végh was the artistic director of the chamber orchestra from 1978 to 1997, and since then the ensemble has been in the hands of Sir Roger Norrington. Alexander Janiczek, who conducts this concert and plays the solo violin, was born in Salzburg and has been the concertmaster of the Camerata Academica Salzburg since 1991. This recording was made in January 1998 during the 1998 Mozartwoche in Salzburg.
Haydn, Symphony No.79 in F major
Christopher Hogwood founded the Academy of Ancient Music in 1973 and is one of the pioneers of historical performance practice as a harpsichordist and conductor. His interpretations of the Baroque and classical opera and concert literature have brought him international acclaim. The Academy of Ancient Music has taken as its goal the performance of the works of the Baroque and Classical eras on historic instruments. The ensemble, which has a varying amount of performers, boasts a number of outstanding specialists for historical performance practice. The performance of this Haydn symphony took place in Salzburg on 2 February 1997 during the “Mozart Weeks”.
Mozart, Piano Concerto in B flat major, K. 450
Christopher Hogwood founded the Academy of Ancient Music in 1973 and is one of the pioneers of historical performance practice as a harpsichordist and conductor. His interpretations of the Baroque and classical opera and concert literature have brought him international acclaim. The Academy of Ancient Music has taken as its goal the performance of the works of the Baroque and Classical eras on historic instruments. The ensemble, which has a varying amount of performers, boasts a number of outstanding specialists for historical performance practice. The performance of this Mozart concerto with Robert Levin at the fortepiano took place in Salzburg on 2 February 1997 during the “Mozart Weeks”.