Within the 2014/2015 season, Andris Nelsons is leading the RCO in three programmes, all featuring symphonies by Dmitry Shostakovich. The Fifth Symphony was presented as a public penance in 1937, when the composer had been rebuked by the Communist regime for producing music that failed to reflect Soviet ideals. Juxtaposed with Shostakovich’s dramatic symphony is the Oboe Concerto by Richard Strauss, who was born 150 years ago. This melodic work is dominated by nostalgia for a world that was lost forever, Strauss having written it towards the end of his life shortly after the Second World War. With the Nocturne by Marius Flothuis, the Royal Concertgebouw Orchestra is commemorating not only a composer – Flothuis also served as the orchestra’s artistic director for many years.
Andris Nelsons conducts Shostakovich – Symphony No. 4 & Strauss, Flothuis
Andris Nelsons continues his Shostakovich series with the Royal Concertgebouw Orchestra with the Fourth Symphony. This complex symphony of gigantic proportions was written during the period when Dmitry Shostakovich had been relegated from the status of a national hero to that of a potential enemy of the state by Stalin. When rehearsals for the Fourth proved disastrous, Shostakovich decided to withdraw the work. Even today, though, the Fourth Symphony is performed relatively rarely, perhaps because of the great challenge it poses to both conductor and orchestra. Before the interval, the RCO’s very own principal violinist Liviu Prunaru and its principal cellist Gregor Horsch excelled in Brahms’s Double Concerto, his final orchestral work.
RCO: Mariss Jansons and Yuja Wang: Rossini, Shostakovich, Prokofieff
The Chinese pianist Yuja Wang made her first appearance with the RCO in September 2010 in a performance of Sergey Prokofiev’s Third Piano Concerto. Then 2003, Yuja Wang ‘commanded full attention with her cross-border pianism and the magic of her imagination. Wang left the audience dumbfounded, scored a triumph and stole every heart,’ wrote the Dutch newspaper NRC Handelsblad. She now returns with another Russian piano concerto in her fingers. Shostakovich wrote his First Piano Concerto at what was still a carefree time in his life, and this can clearly be heard in the piece. Particularly distinctive are the Haydn and Beethoven quotations. It is no accident that the concerto is preceded on this programme by Rossini’s equally cheerful overture to La gazza ladra (The Thieving Magpie). The overture forms a sharp contrast to Prokofiev’s monumental Symphony No. 5, which he wrote during the Second World War and which, according to the composer, expresses the ‘greatness of the human spirit’. But Prokofiev would hardly be Prokofiev if a touch of irony didn’t follow the heartbreaking Allegro.
RCO: Nelsons conducts Sibelius with Anne-Sophie Mutter
“Stradivari on eight cylinders” was the headline for the rich cornucopia of sound that Anne-Sophie Mutter poured out with the Sibelius Violin Concerto. “Her Stradivari lets her sing the arches of melody with warm vibrato and lends real fire to her double-stopping; she stages great leaps as soaring stairways to heaven or headlong descents to hell”, reports the Süddeutsche Zeitung with admiration. “It can be played differently, but not better.” (Westdeutsche Allgemeine Zeitung) Mutter’s violin concerto is wonderfully complemented by Shostakovich’s 10th, in which Nelsons truly triumphs: “World-class, these exponents from Amsterdam” (Süddeutsche Zeitung)
Mariss Jansons – The Farewell Concert
For one last time, Mariss Jansons – who will bear the title of conductor emeritus as of now – descends down the red carpeted stairs of the Great Hall as Principal Conductor of the Royal Concertgebouw Orchestra. After his resignation, this concert turnes out to be his last in this capacity. The final performance assisted by Thomas Hampson is part of the AAA Festival based on the theme “Origins – Folk Art as Inspiration”, an adventurous series exploring composers inspired by folk music. PROGRAM Mahler: “Des Knaben Wunderhorn”; Copland: “Old American Songs”; Bartók: Concerto for Orchestra; Padding: Ick seg adieu (World premiere)
Gatti conducts Shostakovich, Tschaikovsky & Stravinsky
This remarkable concert led by designated Chief Conductor Daniele Gatti marks the return of master cellist Yo-Yo Ma’s (after twenty years) to the Concertgebouw Orchestra. In this season opening night they perform Shostakovich’s intense First Cello Concerto, which bears witness to the strained relationship between the composer and the Soviet authorities. Maestro Gatti juxtaposes the concerto with two successful works from the great Russian dance tradition: The three-part suite from Tchaikovsky’s ballet “The Nutcracker” being enormously popular, partly as a result of the Disney film “Fantasia” and Stravinsky’s “Firebird”, which, with his phenomenal orchestration, is evoking an exotic and often brooding atmosphere. “After twenty years, this is a unique opportunity to work together with the wonderful RCO again – very special indeed!” (Yo-Yo Ma)
Nelsons conducts Shostakovich & Bartók
In this concert evening the Royal Concertgebouw Orchestra and Andris Nelsons turn their attention to the Seventh Symphony of Shostakovich. The work, which Shostakovich wrote during the Germans’ siege of Leningrad, is a symbol of resistance against the Nazi regime and a musical testament to the millions of Soviet citizens who died during the Great Patriotic War. Furthermore, star violinist Janine Jansen performs Bartók’s Violin Concerto No. 1, a work which had to wait fifty years after it was written, in 1958, for its first performance.
RCO: John Adams conducts John Adams
European premiere of his new “dramatic symphony for violin and orchestra”, Scheherazade.2, with the Royal Concertgebouw Orchestra and Leila Josefowicz as soloist. Composer–conductor John Adams is known the world over as a pioneering composer of operas based on current and recent historical events. Adams has distilled a turbulent symphony from his opera Doctor Atomic, in which Robert Oppenheimer, the ‘father of the atomic bomb’, filled with excitement and doubt, anticipates the very first atomic bomb test in 1945. He also draws inspiration from current events in his instrumental works, as in his new violin concerto Scheherazade.2, written for Leila Josefowicz. Moved by TV footage of oppressed and abused women, Adams juxtaposes the masculine power of the orchestra with a strong woman, an empowered Scheherazade: ‘This one hits back!’ Tromba Lontana is a short, gentle fanfare marking the 150th anniversary of the declaration of independence with which Texas seceded from Mexico in 1836.
Scythian Suite Op.20
The energy and excitement of performances under the baton of maestro Valéry Gergiev are thrilling. This concert, with the Rotterdam Philharmonic Orchestra, was recorded live at the city’s Doelen Hall. The programme includes Debussy’s Fragments Symphoniques for D’Annunzio’s mystery play Le Martyre de St Sébastien, Prokofiev’s Scythian Suite, Stravinsky’s Fireworks and his Piano Concerto. The soloist for the concerto is the Georgian virtuoso Alexander Toradze, a singularly imposing figure at the keyboard.
Star-studded Anniversary: 125 Years of the Concertgebouw and the Royal Concertgebouw Orchestra
Th e Concertgebouw was officially inaugurated on 11 April 1888. Public interest was so great that Amsterdam experienced its very first traffic jam (of carriages). Now, 125 years later, the RCO and the Concertgebouw are organising an anniversary concert together. Under the baton of its chief conductor Mariss Jansons, the orchestra is welcoming three popular guest soloists: Janine Jansen, Thomas Hampson and Lang Lang. This festive programme features Mahler and Strauss, both of whom conducted the orchestra on several occasions. Musicians from the RCO, the Vienna and the Berlin Philharmonic Orchestras are joining forces for a performance of the Elégie from Tchaikovsky’s Serenade for Strings. —— WAGNER: Prelude to ‘Die Meistersinger von Nürnberg’ // MAHLER: ‘Ging heut’ morgens über Feld’, ‘Rheinlegendchen’, ‘Lob des hohen Verstandes’ // PROKOFIEV: Piano concerto Nr 3 in C major, op. 26, 3rd movement // TCHAIKOVSKY: Serenade for strings: Élégie // SAINT-SAËNS: Introduction et Rondo capriccioso // R. STRAUSS: Suite from ‘Der Rosenkavalier’. (75′ / 90′ / 102′) (A865500020000)