This programme explores the British Choral tradition – the choirs, the composers and the reasons why the British love to sing together. With the help of many choirs and choral societies – from Westminster Abbey to Watford football ground – the programme traces one thousand years of British Choral music. The guide is Simon Preston, organist and master of the choristers at Westminster Abbey.
In Rehearsal: Valery Gergiev
Featuring some of today’s leading conductors in rehearsal, the “In Rehearsal” series gives a unique insight into the process of creating great music. The conductors’ very different styles and methods; the dialogue between an orchestra and an inspired interpreter; the intensity of the preparations for a concert performance; and the struggle towards perfection are captured in these revealing audio-visual records. Most episodes include a full run-through of the work rehearsed. All include interviews with the conductor who is seen at work. Valéry Gergiev works with the Rotterdam Philharmonic Orchestra on Prokofiev’s Scythian Suite Op. 20. Directed by Rob van den Berg 59′
William Forsythe at Work
As director of the Frankfurt Ballet, American choreographer William Forsythe leaped to prominence, shaping an international troupe of dancers into the brilliant instrument of his choreographic and theatrical imagination. This programme shows Forsythe working with the company on Impressing the Tsar, and introducing dancers of the New York City Ballet to his rigorous methods, as he prepares Behind the China Dogs.
The Nature of Music
Every society throughout the world – and throughout history – has had a place for music. It has been used in sacred rituals and worship, for celebration and entertainment, for healing, and for protest. This three-part series considers how and why music has developed such an important role. Jeremy Marre filmed phenomena as diverse as the spirit cults of Madagascar, the trance rituals of Bali, the throat-songs of the Inuit Eskimos, flamenco in Cordoba, Wagner in Bayreuth, a therapy group in Ireland, duetting birds in Panama, samba in Brazil and an exorcism in old Cairo for this exploration of the nature of music.
Ermanno Wolf-Ferrari
The German-Italian composer Wolf-Ferrari (1876-1948) is best remembered for the many light operas he based on the comedies of Goldoni. In this portrait, extracts from his work, including I quattro rusteghi, Il campiello and Il segreto di Susanna, are seen in rehearsal and performance. His music is interspersed with comments from directors, composers and conductors, who, together with his nephew, tell the story of his life.
Richard Strauss – Romanticism and Resignation
At the end of his life, Richard Strauss (1864-1949) occupied an ambiguous role in the Third Reich – a successful public figure, but one whose cultural ideals clashed with those enforced by Hitler’s regime. This film explores the compromises of his old age, telling the story of the doyen of the late-Romantic style as he became increasingly embittered with his political masters. It includes rare footage from his family’s archive and extracts from a film about him made in 1949.
Confidencen – The Ulriksdal Theatre
Built in 1753, the Ulriksdal Theatre, also known as Confidencen, is the oldest preserved palace theatre in Sweden. The empty theatre provides a setting for a charming musical harlequinade, set to pieces by Gluck, in which a band of commedia dell’arte actors takes over Ulriksdal and banishes the malevolent spirits and demons who have allowed the theatre to fall into decay.
Patrick Dupond
This portrait documents a star’s effort to be, and to stay, the best. The cameras follow Patrick Dupond to Tokyo, Paris and Milan and show him training, rehearsing, performing and talking about his career. He is seen dancing Coppelia with the National Ballet of Marseille, working on Daniel Ezralow’s Soon and Alwin Nikolais’s Arc en ciel, performing in the Salome choreographed for him by Maurice Béjart, and rehearsing Giselle with Carta Fracci.
John Neumeier at Work
The American dancer and choreographer John Neumeier is renowned for his work with the Hamburg Ballet. He was filmed with the company over a busy six-month period, which encompassed rehearsals for Artus Sage, the creation of The Magnificat, and performances in Hamburg, Paris and Avignon of works including his acclaimed St Matthew Passion. Throughout the programme Neumeier talks about his methods and his creative influences.
Sir Georg Solti
At the age of seventy-five, fifty years after he was forced to leave Hungary because of its anti-semitic regime, maestro Solti (1912-97) went back to conduct his country’s State Symphony Orchestra for the very first time. This film records his emotional return to his homeland. It centres on a searching interview about his early life, accompanies him to landmarks of his youth, such as the Franz Liszt Music Academy where he studied, and shows rehearsals for the triumphant concert he gave.