“Too operatic and too long!” – one opinion of Bach’s music, on his appointment to his last, longest and most famous post as Cantor of Leipzig’s Thomasschule. Brian Cox portrays Bach (1685-1750) in a film based on the records of his employers, the City Council – the story of his fight to defend position, status and, above all else, his music. Performances, in authentic style, are directed by Sir Roger Norrington.
The music content of the film includes excerpts from: The Art of Fugue, the St. Matthew Passion, Fugue in C Minor for Organ, Cantatas No. 131, 71 and 123, Passacaglia in C Minor for Organ, Sonata for Violin and Harpsichord in E Minor, Brandenburg Concerto No. 4, Invention for Harpsichord No. 5 in E Flat, Sonata No. 1, the St. John Passion, The Wedding Cantata, Mass in B Minor and The Musical Offering.
French composer Olivier Messiaen (1908-1992) is a key figure in the evolution of twentieth-century classical music. In this definitive profile, made when he was nearly eighty, Messiaen talks about his life, his music and the mainsprings of his work – a deep love of nature and a fervent Christian faith. He is seen improvising on the organ at the St. Trinité church in Paris, and the programme includes specially-recorded extracts from several of his major works.
The Planets by Gustav Holst is one of the best-loved pieces of twentieth-century music. Ken Russell has taken a brilliant recording of this work, with Eugene Ormandy conducting the Philadelphia Orchestra, and illustrated the music with passages from a mass of documentary material. In true Russell style, his view of The Planets is provocative, entertaining and wonderfully watchable.
The Hungarian piano virtuoso Liszt (1811-86) led an illustrious life between Paris, his base as a performer, Weimar, where he was court musical director, composer and champion of new music, and Rome, where he took minor holy orders, entitling him to be called Abbé. Focusing on the end of his life and his last compositions, in particular La Lugubre Gondola, this film shows that he was not just one of the last great Romantics, but that his final compositions range harmonically far into the future.
The legendary Cuban pianist, one of the last representatives of the grand tradition of Romantic piano playing, died in 1990. This masterclass series, made just a few years before his death, starts with a programme in which he talks about his life and work on the concert platforms of the world, illustrating his reminiscences at the keyboard. In three following programmes, Bolet works with up-and-coming young pianists on the movements of Rachmaninov’s formidable Piano Concerto No. 3 in D minor Op. 30. The series concludes with Bolet giving a concert performance of the piece with the BBC Scottish Symphony Orchestra, conducted by Bryden Thomson.
In this series, the highly-acclaimed King’s Singers vocal ensemble travels through
Germany, Spain, France, England and Italy to perform a varied selection of madrigals in the
settings which first inspired their composition in the Golden Age of the sixteenth century. An
introductory programme looks at the origins of the madrigal in Italy and traces its development
throughout Europe to become the musical rage of the High Renaissance.
This portrait of the great Swiss conductor, Ernest Ansermet (1883-1969), draws on a wealth of archive material and the reminiscences of his colleagues and family. As founder and life-long director of the Orchestre de la Suisse Romande, he was instrumental in making the French and Russian repertoire of the twentieth century known to music lovers around the some of Ansermet’s favourite music, played by the orchestra, under Armin Jordan, including pieces by Stravinsky, Debussy and Chabrier. Archive film of Ansermet at work includes footage of him rehearsing and conducting Haydn’s Symphony No. 88 in G, de Falla’s Harpsichord Concerto, Ravel’s La Valse, Rimsky-Korsakov’s Sheherazade and Schumann’s Manfred Overture.
Piano virtuoso Ivo Pogorelich stepped into the limelight when he was dropped from the finals of the 1980 Warsaw Chopin Competition amid a controversy about his unsuitable dress and unconventional interpretation. Pogorelich has remained in demand on the concert platform and fuelled his reputation as an enfant terrible by marrying his teacher, Alice Kezeradse – twenty years his senior. This programme shows them together, working on Ravel’s Gaspard de la nuit and talking in interview.
Peter Schaufuss presents a four-part series which puts the male dancer centre-stage, dispelling the shadow so often cast by his female partner. The programmes focus on the dancer as athletic virtuoso and as partner, and survey his role in the established repertoire, as well as in new work created by modern choreographers. Each film makes extensive use of specially shot dance extracts, featuring some of the world’s greatest dancers, companies and choreographers.
The story of Carlo Gesualdo (1560-1613) is one of the most famous and most blood-curdling in musical history: it tells of a crime of passion involving a great composer who was also a prince. This dramatised film takes the form of a mystery – Gesualdo’s terrible secret surfaces slowly until the events that shattered his life and set a dark tone to his music are revealed. Peter Eyre is Gesualdo and the Schütz Consort, directed by Sir Roger Norrington, plays his music.
