Mozart Week 2021: Quatuor Van Kuijk

The Quatuor Van Kuijk was founded only 6 years ago and already they have won all the prizes that can be won: the Wigmore Hall International Chamber Music Competition, the Aix-en-Provence Festival Academy, they are BBC New Generation Artists… just to name a few. The young Viennese pianist, Maximilian Kromer, joins this exciting ensemble – what emerges is a ravishingly youthful Mozart sound. “accomplished Mozart interpreters on stage” (APA) PROGRAMM Mozart: Divertimento K. 136; Divertimento, K. 137; Piano Quartet, K. 478

Salzburg Festival 2020: Daniel Barenboim plays Beethoven

“The states of mind that are incomprehensible in words, as Beethoven set them in music tragically, sadly, comically, lonely, solemnly, cheerfully, wrathfully, pathetically, or parodistically in the Diabelli Variations, Daniel Barenboim conveys in manifold elegance” Salzburger Nachrichten. PROGRAM Beethoven: Sonata for Piano No. 31; 33 Variations on a Waltz by Anton Diabelli – “Diabelli Variations”

Salzburg Festival 2020: Martha Argerich and Renaud Capuçon

“The manual skills, the virtuosic and differentiated use of the pedal and the relaxed arm position and sound quality of 79-year-old Argerich are simply unique. A great moment of chamber music” BR Klassik. PROGRAM Beethoven: Sonata for Piano and Violin No. 8; Prokofiev: Sonata for Violin and Piano No. 2; Franck: Sonata for Violin and Piano in A major

Salzburg Festival 2020: András Schiff plays Schubert and Janácek

“The virtuosic and at the same time musical brilliance made the audience hold its breath. An experience” Der Standard. PROGRAM Schubert: Four Impromptus, D. 935 . Piano Sonata, D. 840, Impromptu No. 3, D. 899, Moment musical No. 3, D. 780; Janácek: In the Mists (V mlhách), Piano Sonata 1. X. 1905, Dobrou noc! (Good Night!); Bartók: Kanásztánc (Swine-herd‘s Dance) from For Children

Salzburg Festival 2020: Martin Grubinger and The Percussive Planet Ensemble

“The performances of the Salzburg percussion star with the Percussive Planet Ensemble always have something sporty and relaxed about them. How these breathtakingly virtuoso patterns finally culminated in three-four time techno touched even younger generations. An elementary concert event” Salzburger Nachrichten. PROGRAM Rihm: Tutuguri VI (Kreuze), Music after a poem by Antonin Artaud; Xenakis: Pléïades; Reich: Drumming (Part One)

Salzburg Festival 2020: The Belcea Quartet

“As gripping as the Belcea Quartet performed this listening adventure, no question marks remained at the end” Salzburger Nachrichten. PROGRAM Beethoven; String Quartets Nos 7 & 9; Webern: Slow Movement for String Quartet

Salzburg Festival 2020: The Minguet Quartet

The search goes into silence, occurs above all in the many intervals between the quietest and softest string sounds” FAZ. PROGRAM Works by Beethoven, Verdi, Ockeghem and Nono

A Musical Journey through Grafenegg

A special Grafenegg soirée – the festival’s artistic director, pianist Rudolf Buchbinder meets various voice leaders of the Tonkünstler orchestra in the middle of the impressive park for a musical get together. Well-known works by Mozart, Schubert, Chopin, Haydn and Beethoven can be heard at various locations on the festival site, for example the Wolkenturm, outside the castle, the auditorium, the garden pavilion and the park’s idyllic biotope.

Beethoven – The complete Sonatas for Piano

Beethoven’s opus of 32 piano sonatas, known as “the New Testament of piano music”, is a landmark in piano literature. Spanning Beethoven’s entire life, the sonatas reflect his whole development as a human being and a musician, moving from one century into the next, from one epoch in music in to another. Now, for the first time in its history the complete cycle was performed at the Salzburg Festival. For this challenge the Festival asked no less than the world-renowned and influential Beethoven expert and pianist Rudolf Buchbinder. Buchbinder’s performance is “that of a real master, effortless changing between lightning fast, technically challenging moments and tender lyrical passages. Where others can pride themselves in getting through without any accidents, Buchbinder is a poet, precise in every arpeggio touching in every keystroke” (Kurier).