Two giants of British music, two blistering orchestral works from the early 20th century, as Sir Antonio Pappano begins his first season as Chief Conductor of the LSO. Elgar’s lyrical Violin Concerto was inscribed with the mysterious phrase, ‘Herein is enshrined the soul of ….’. Norwegian violinist Vilde Frang joins forces with Sir Pappano for “a concerto performance to treasure” (bachtrack). The whole ensemble glows across three emotionally wide-ranging movements – at times tempestuous, at others heartbreakingly tender. Completed in 1917, Holst’s The Planets can still surprise us. From ‘Mars’ – the piece that inspired countless film soundtracks – to the atmospheric fade-out of ‘Neptune’, this is composition on a cosmic scale.
LSO: Rattle conducts Tippett, Turnage and Vaughan Williams
An all-British programme of Tippett, Turnage and Vaughan Williams inspired by opera and jazz – including an unmissable world premiere, to celebrate Sir Simon Rattle’s 70th birthday. Rattle leads the LSO players across a glorious range of orchestral colours and styles, joined by the legendary John Scofield for a brand new Guitar Concerto. In Rattle’s own words, ‘Who better to be playing this extraordinary British music than the London Symphony Orchestra?’ PROGRAM Tippett: Ritual Dances from Midsummer Marriage; Turnage: Sco – Guitar Concerto (world premiere); Vaughan Williams: Symphony No 5
LSO: Pappano conducts Elgar and Vaughan Williams
At the time of his last symphony, Vaughan Williams had seen the damage of two world wars. The Ninth is a magnificent final statement, balancing dark with warmth, and dread with hope. Reminiscent, ruminating and spiralling: Elgar’s Cello Concerto is unlike his early works and yet remains one of his most popular, from its unforgettable opening gesture, voiced by the cello, to its haunting themes. Bax’s symphonic poem paints Tintagel Castle on a ‘sunny but not windless day’, evoking the characters who once inhabited it.
LSO: Michael Tilson Thomas conducts Brahms
“In an all-Brahms programme, Christian Tetzlaff brought momentum and shape to the Violin Concerto, and Tilson Thomas made every note glow” (The Guardian) There is a sense that every concert the London Symphony Orchestra gets to give with its conductor laureate, Michael Tilson Thomas, is now a gift – this evening of Brahms came a little over a year after the announcement that he was being treated for an aggressive form of brain cancer. Yet if Tilson Thomas’s own dynamic energy now needs to be husbanded to some extent, this did not translate into any loss of momentum or intensity in the orchestra’s performance: small gestures – a lean towards the cellos here, a shimmy of the fingers to fade out the brass there – were enough to shape the music into the kind of long, elastic lines that make Brahms’s notes glow. PROGRAM Brahms: Violin Concerto, Serenade No. 1
LSO: Haitink conducts Mozart & Bruckner
The London Symphony Orchestra celebrates a milestone birthday of one of the greats of the conducting world, Bernard Haitink. Bernard Haitink is revered alike by the musicians of the orchestras he conducts and the music-lovers in the audience. A week after his 90th birthday, the London Symphony Orchestra – with which he has a particularly special partnership – celebrates this milestone with the conductor himself. Soloist Till Fellner – who describes Haitink as ‘a very noble man and musician’ – plays Mozart, before Haitink turns to Bruckner, a composer whose majestic symphonies have been at the centre of his career over the decades. PROGRAM Mozart: Piano Concerto No 22; Bruckner: Symphony No 4
LSO Opening Night 2021: Rattle conducts 100 years of British music
Tradition is about the present – and the future – as well as the past. Sir Simon Rattle opens the new season with a concert that spans 100 years of British music. When Ralph Vaughan Williams conceived his Pastoral Symphony, it wasn’t the misty fields of an imaginary England that inspired him. He was in France, on the Western Front – where the sound of a distant trumpet unlocked a vision vast enough to transcend the noise (if not the anguish) of the First World War. But then, British music has never conformed to easy stereotypes. In this opening concert of the new season, Judith Weir reads ancient Taoist poetry, and finds ideas of radical simplicity. Peter Maxwell Davies attends an all-night party (and finds a bracing hangover cure) on his adopted home of Orkney. And because music never stands still, Sir Simon Rattle introduces the world premiere of two movements from a new choral work by Julian Anderson, inspired by the poetry of exile. Not what you might expect … PROGRAM Purcell: Remember not, Lord, our offences; Tippett: Praeludium; Julian Anderson: Two movements from ‘Exiles’ (world premiere); Judith Weir: Natural History; Vaughan Williams: A Pastoral Symphony (Symphony No 3); Maxwell Davies: An Orkney Wedding, with Sunrise
LSO: Harry Christophers conducts Haydn’s Creation
Haydn’s The Creation conducted by Harry Christophers with the London Symphony Chorus and Orchestra and an all-star team of soloists in a performance sung in English to mark the 40th anniversary of the Barbican Centre. Out of chaos comes wonder; from darkness, light. Haydn’s oratorio The Creation is more than just a gloriously tuneful retelling of the Book of Genesis. Inspired by Haydn’s visits to London and the optimism of the Enlightenment, it’s a celebration of the act of creativity itself, overflowing with majesty, humour and the joy of life. With its famous depictions of Chaos through the dawning of light to a tawny lion, a flexible tiger and a nimble stag and the great chorus, ‘The Heavens are telling’, the work has been a favourite since its first performance some 224 years ago.
LSO: Noseda conducts Tchaikovsky and Prokofiev
Gianandrea Noseda conducts Prokofiev’s ‘symphony of the greatness of the human spirit’, and Janine Jansen is the soloist in Tchaikovsky’s hugely popular Violin Concerto. Put aside all thoughts of turmoil and angst; Tchaikovsky wrote his Violin Concerto by the shores of Lake Geneva, surrounded by people he loved – and you can tell. Simone Lamsma is a most welcome guest and Gianandrea Noseda follows her performance in grand style, with a truly epic Russian symphony. In fact, it’s said that at the Moscow premiere in 1945, Prokofiev couldn’t begin his Fifth Symphony until an artillery barrage had fallen silent. This is music of iron and steel, and LSO Principal Guest Conductor Gianandrea Noseda is passionate about it. First, though, he puts down a marker for the future, with a new, Russian-inspired orchestral work by George Stevenson – a rising star of the LSO’s Panufnik Composers Scheme. PROGRAM Tchaikovsky: Violin Concerto; Prokofiev: Symphony No 5; Stevenson: Vanishing City.
LSO: Rattle conducts Sibelius & Bruckner
Sir Simon Rattle conducts music in which vast landscapes merge with the human soul: Sibelius’ tone poems and Bruckner’s radiant Seventh Symphony. Bruckner said that the beginning of his Seventh Symphony came to him in a dream, played by an angel. This huge, glowing mountain-range of sound is basically soul music by any other name. Far away in Finland, meanwhile, Sibelius was thinking big too. Whether it’s the sun dancing on the Mediterranean sea, or the forests of the far north, you can practically feel the freshness in the air. Sir Simon Rattle has been conducting Sibelius since he was a teenager, making him an unrivalled guide through this untamed musical landscape. PROGRAM Sibelius: The Oceanides, Tapiola; Bruckner: Symphony No. 7
LSO: Gergiev conducts Brahms: German Requiem
Conductor Valery Gergiev and the London Symphony Orchestra present Johannes Brahms’ greatest choral work, the German Requiem, featuring soprano Sally Matthews and baritone Christopher Maltman. PROGRAM Brahms: German Requiem