This early work of Gaspare Spontini, a composer once known for his grand operas written for the courts of Napoleon, Berlin, Vienna etc., is found at an antiquarian book dealer in England in 2006 and performed for the first time since 1800 at Festival Pergolesi e Spontini in Jesi. Corrado Rovaris and I Virtuosi Italiani, known for their historically informed performances on non-historical instruments, play “with great verve and joy” (Milano Finanza). Director Leo Muscato “transforms the typical Neapolitanstyle musical comedy into a shrill, irreverent, over-the-top spectacle” (Corriere della sera).
Verdi, La Traviata
This production from the sumptuous Teatro San Carlo in Naples has two elements that make it different from all Traviatas prdocutions before: It is performed in the full length as Verdi wrote it. Phenomenal young conductor Michele Mariotti disregards the traditional cuts and plays entire work, which allows for better understanding of protagonists’ motivations. Italo-Turk stage director Ferzan Özpetek makes a minor change in the second act, with a major impact: Germont père was once a client of Violetta’s. This casts her relationship with Germont fils in a new light and adds more drama to the narrative. The stage design by Dante Ferretti, winner of three Academy Awards for The Aviator, Sweeney Todd and Hugo, is quoted as “a visually opulent yet strictly conservative affair” (Financial Times).