‘Be embraced, all you millions!’ Since the earliest days of the Proms, Beethoven’s Ninth Symphony has had a special place in each season – and with its climactic choral ‘Ode to Joy’, it’s one of those works that takes on a new meaning every time it’s played. This year, it’s performed by Chineke! – Europe’s first majority Black and ethnically diverse orchestra, along with Chineke! Voices. BBC Cardiff Singer of the World Nicole Cabell leads a world-class team of solo singers, and opens the Prom with the haunting Lilacs, the heartfelt song-cycle with which George Walker became the first African American composer to win the Pulitzer Prize for Music. “A high-voltage performance of Beethoven’s Symphony No 9 that took off from the start and did not hit the tarmac again until the last bars. […] Beethoven’s Ninth should always be as exhilarating as this.” (Financial Times) / Program Walker: Lilacs; Beethoven: Symphony No. 9
BBC Proms 2017: First Night of the Proms
The BBC Symphony Orchestra and Igor Levit, conducted by Edward Gardner, follow the tried formula for the First Night of the Proms at London’s Royal Albert Hall, combining an exciting new work by a British artist, Tom Coult’s St John’s Dance, with a repertoire classic – Beethoven’s 3rd Piano Concerto – and a topical piece such as John Adams’s Harmonium, marking the composer’s 70th birthday. Igor Levit performs Beethoven “with rare grace and intimacy” (The Independent). For the grand finale, John Adams’s armonium receives “a glowing performance” (The Daily Telegraph) by ist gargantuan chorus: alongside the BBC SO under Edward Gardner, seven choirs, among them the
BBC Symphony Chorus and the BBC Proms Youth Choir, make up the choral forces, doing “a formidable job” in “this stratospherically high, rhythmically difficult, super-exposed
job.” (The Observer) PROGRAM Adams: Harmonium; Beethoven: Piano Concerto No.3; Coult: St John’s Dance
BBC Proms 2017: Barenboim conducts Birtwistle and Elgar
Daniel Barenboim and the Staatskapelle Berlin, returning heroes of the BBC Proms, give the UK premiere of Sir Harrison Birtwistle’s Deep Time at the Royal Albert Hall in London. They contrast the contemporary piece with the Second Symphony by Edward Elgar, thus reaffirming their special relationship with the revered British composer: “The Staatskapelle, driven by Barenboim, has become probably the world’s best Elgar-orchestra.” (Die Welt) They earn praise for playing his Opus 63, which is considered one of the greatest English symphonies, “with heroic sweep and heart-melting beauty” (Spectator) and “magnificent energy” (Daily Telegraph). Despite a five minute blackout during the recording of the performance, this unique concert of Barenboim and the Staatskapelle Berlin was captured in its entirety, with beauty shots compensating for any discontinuity. PROGRAM Elgar Symphony No.2; Birtwistle: Deep Time
BBC Proms 2018: Paavo Järvi conducts a Nordic Night
A concert with a Nordic flavour from Paavo Järvi and the Estonian Festival Orchestra (making its Proms debut) pairs music by Grieg and Sibelius with Estonia’s own national composer, Arvo Pärt. Celebrated Georgian pianist Khatia Buniatishvili performs one of the great Romantic piano concertos. Beloved for ist generous melodies and dramatic gestures, Grieg’s concerto is matched for sonic drama by Sibelius’s stirring Fifth Symphony. Arvo Pärt’s eclectic Third Symphony, with ist echoes of Renaissance polyphony and Orthodox chant, opens the concert.“One of this season’s special Proms!” (The Guardian) PROGRAM Pärt: Symphony No 3; Grieg: Piano Concerto; Jean Sibelius: Symphony No 5
BBC Proms 2018: Iván Fischer conducts an Hungarian Night
Hungarian folk tunes run through the veins of Iván Fischer and the Budapest Festival Orchestra, while Gypsy rhythms set their pulses dancing. This concert – a true celebration of Hungary’s national music – traces the development of folk songs and dance, from their colourful, rough-hewn originals into virtuosic concert-hall reimaginings by Liszt, Brahms and Sarasate. In the second half comes Brahms’s dramatic First Symphony, whose darkness and drama eventually give way to an ending of transcendent musical triumph.“A masterclass. Oh, that concerts could all be like this!” (The Spectator) PROGRAM Liszt: Hungarian Rhapsody No. 1 & 3; Brahms: Hungarian Dance No. 1 & 11, Symphony No 1; Sarasate: Zigeunerweisen
BBC Proms 2019: Karina Canellakis conducts Dvorák and Janácek
Janácek’s monumental Glagolitic Mass, steeped in Moravian rhythms, is heard alongside Dvorák’s fairy-tale tone-poem The Golden Spinning Wheel and and a World Premiere by Zosha Di Castri, a new work that marks the 50th anniversary of Apollo 11’s mission to the Moon. Karina Canellakis conducts the massed forces of the BBC Symphony Orchestra & Chorus, BBC Singers and soloists in one of the 20th century’s great choral masterpieces. “The performance of the season” (The Times) PROGRAM Zosha Di Castri: Long Is the Journey – Short Is the Memory; Dvorak: The Golden Spinning Wheel; Janacek: Glagolitic Mass
BBC Proms 2019: Jakub Hruša conducts Dvorák and Smetana
Czech conductor Jakub Hruša returns with two popular masterpieces from his homeland. With its song-like slow movement and irrepressible, folk-infused finale, Dvorák’s Violin Concerto is one of the best-loved in the repertoire. American virtuoso Joshua Bell joins the Bamberg Symphony Orchestra as soloist. Journey through the Czech countryside in the second half with Smetana’s symphonic suite Má vlast – a colourful celebration of a nation’s landscape, castles and warriors, with the sweeping melody of ‘Vltava’ at its heart. “An absolute triumph” (The Daily Telegraph) PROGRAM Dvorák: Violin Concerto; Smetana: Má vlast (‘My Country’)
John Wilson at the BBC Proms 2019 – The Warner Brothers Story
Ten years since their first Proms appearance together, John Wilson and the John Wilson Orchestra present an evening of sumptuous technicoloured scores from the Golden Age of Hollywood cinema. With music from films including The Sea Hawk, The Constant Nymph, Calamity Jane, A Streetcar Named Desire and Harry Potter. “Audiences had a wonderful time, applauding wildly, stomping their feet” (The Times)
Simon Rattle conducts Sibelius
For the recent major London residency of the Berliner Philharmoniker at the Barbican Sir Simon Rattle has chosen music that means most to him, the complete cycle of Sibelius symphonies in honour of the 150th anniversary of the composer’s birth: “Sibelius is so concentrated and exact. With Sibelius you feel that if one drop touches your skin it would burn right through the bone.“ “High-voltage Sibelius kicks off Rattle’s London Residency” raved the press consequently over the opening of the cycle. The Telegraph agreed: “Sibelius’s symphonies sounded thrillingly new in the hands of Simon Rattle and the Berlin Phil”, in a way, that “a great orchestra and conductor can make familiar music seem the hottest thing in town”.
West-Eastern Divan Orchestra at the Proms
The orchestra’s London appearance, as part of the 120th anniversary Proms season, marked a significant date for Barenboim himself: he was celebrating 65 years (less a day) since making his debut in his native Buenos Aires. His programme cleverly contrasts the anti-Romantic terseness and crystalline beauty of Schoenberg’s Chamber Symphony – “a taut, rhythmic performance with a fine sense of dramatic momentum” (Evening Standard) – with the tempestuous emotionalism of Tchaikovsky’s opus, where “the orchestra rose to all technical challenges in an interpretation of overwhelming energy and power” (The Guardian), while Beethoven’s Triple Concerto could almost serve as a paradigm for the orchestra’s egalitarian ethos where Barenboim and his partners “offered urbane poise, ideally suited to this relaxed, airily melodic work” (The Telegraph). PROGRAM Schoenberg: Chamber Symphony; Beethoven: Triple concerto; Tchaikovsky Symphony No. 4