Artistic director Christian Thielemann opens the Salzburg Easter Festival 2021 with Mozart’s Requiem. The excellent Bachelor Salzburg and a top-class quartet of soloists with Golda Schultz, Christa Mayer, Sebastian Kohlhepp and René Pape make the concert a dignified commemoration of the dead. “Mozart’s Requiem sounded at the highest level, with great balance and attention to well-dosed, rather restrained, even reverent sound architecture. Here one realised once again how wonderful it can be when conductor and musicians are so unconditionally attuned to each other.” Kurier. PROGRAM: Mozart Requiem K. 626
Salzburg Festival 2022: Gianni Schicchi
In Gianni Schicchi, with its playful levity, peals of unbounded, strident laughter ring out – albeit of the kind that can only be heard in hell. We are in Florence, in the house of Buoso Donati, who has just died. Once the will has been found, his assembled kinsfolk – degenerate aristocrats – discover they have been deprived of their inheritance. After initial reluctance they bring themselves to seek assistance from an unpopular newcomer, the cunning Gianni Schicchi. He sets to work, ruthlessly turning the situation to his own advantage – not for nothing does he rage through Dante’s Inferno as a kind of sinister poltergeist. “Great opera cinema!”
Kronenzeitung
Thielemann conducts Bruckner No. 1
For the first time in the orchestra’s history, the Wiener Philharmoniker have engaged themselves to a complete Bruckner cycle and have invited worldwide renowned Bruckner expert Christian Thielemann to take the podium. The performance of Anton Bruckner’s Symphony No. 1 is part of this large-scale Bruckner cycle, which extends to the composer’s 200th birthday in 2024. “Unheard-of luxury” Wiener Zeitung
100 Years Salzburg Festival – From Austria to the World
The world’s largest classical music festival attracts thousands of music and theater lovers from all over the world to the city of Mozart every year. Since Max Reinhardt, Hugo von
Hofmannsthal and Richard Strauss founded the Salzburg Festival in 1920, the Salzburg Festival has established itself as the world’s most important festival of the performing
arts. The film portrays the festival and traces its incredible rise: From its beginnings as a peace project after the First World War, through the myth of the Jedermann (Everyman)
to the present day. What makes the Salzburg Festival so special and unique? Answers are provided by the festival organizers and some of the most internationally renowned
festival artists – including Tobias Moretti, Daniel Barenboim, Teodor Currentzis, Anne-Sophie Mutter or Peter Sellars.
Salzburg and its Festival
A cinematic journey through time with the Austrian film and theater actor Florian Teichtmeister as the servant of a special dinner party at Max Reinhardt’s Schloss Leopoldskron. “A jewel! Historical accuracy with simultaneous emotionality. The film gives a sense of the atmosphere in which the festival was created” Helga Rabl-Stadler, President of the Salzburg Festival
Salzburg Festival 2017: Mozart Requiem
Teodor Currentzis and his Russian ensemble musicAeterna give their long awaited Salzburg Festival debut at the Felsenreitschule with an exhilarating interpretation of Wolfgang Amadeus Mozart’s Requiem. The Greek-Russian star conductor, “visually the rock star amongst all conductors” (Kleine Zeitung), is for many today’s most exciting Mozart conductor. The musicAeterna orchestra and its fabulous choir, completely dressed in solemn black cassocks and afoot throughout the concert, perform with full verve and complement each other perfectly: “compelling and in its greatness hardly comparable” (Kronen Zeitung). The young quartet of excellent soloists – Anna Prohaska, Katharina Magiera, Mauro Peter and Tareq Nazmi – is “smoothly blending in with the ensemble” (Salzburg.com). The “phenomen Teodor Currentzis sets Salzburg on fire!” (Kleine Zeitung)
Portrait André Previn – A Bridge Between Two Worlds
Sir André Previn is one of the most multi-talented and prominent musicians of our time. In this intimate portrait, we meet a composer of music of all genres, a conductor, arranger, pianist and jazz musician, and winner of four Academy Awards for his film scores. Among the musical and artistic personalities contributing to this documentary are the great soprano Renée Fleming, Previn’s ex-wife Mia Farrow, world-class violinist Anne-Sophie Mutter, playwright Tom Stoppard, Previn’s sons and others. In candid conversations with the versatile musician, they help capture the essence of an artist who is truly at home in the different cultural worlds of America and Europe.
Young People’s Concerts: A Copland celebration
Awarded three Emmys and hailed by Variety as “a rare moment in the symbiosis of the arts and broadcasting,” Leonard Bernstein’s Young People’s Concerts left their mark on television history. Aired on CBS from 1958 to 1972, these 52 onehour programs were written and hosted by Leonard Bernstein. With the New York Philharmonic and guest artists providing the live music, these programs brought musical concepts and music history to life for generations of viewers. “Lectures accompanying music might not sound like the formula of a hit kids’ TV program, but Bernstein was the secret ingredient who made it work” (Variety). Balancing scholarship and showmanship, Maestro Bernstein brings the full range of his magnetic personality to play in these programs. And he succeeds in infecting viewers young and old, connoisseurs and the uninitiated, with his overwhelming love of music.
Young People’s Concerts: Thus spoke Richard Strauss
Awarded three Emmys and hailed by Variety as “a rare moment in the symbiosis of the arts and broadcasting,” Leonard Bernstein’s Young People’s Concerts left their mark on television history. Aired on CBS from 1958 to 1972, these 52 onehour programs were written and hosted by Leonard Bernstein. With the New York Philharmonic and guest artists providing the live music, these programs brought musical concepts and music history to life for generations of viewers. “Lectures accompanying music might not sound like the formula of a hit kids’ TV program, but Bernstein was the secret ingredient who made it work” (Variety). Balancing scholarship and showmanship, Maestro Bernstein brings the full range of his magnetic personality to play in these programs. And he succeeds in infecting viewers young and old, connoisseurs and the uninitiated, with his overwhelming love of music.
Young People’s Concerts: Liszt and the devil
Awarded three Emmys and hailed by Variety as “a rare moment in the symbiosis of the arts and broadcasting,” Leonard Bernstein’s Young People’s Concerts left their mark on television history. Aired on CBS from 1958 to 1972, these 52 onehour programs were written and hosted by Leonard Bernstein. With the New York Philharmonic and guest artists providing the live music, these programs brought musical concepts and music history to life for generations of viewers. “Lectures accompanying music might not sound like the formula of a hit kids’ TV program, but Bernstein was the secret ingredient who made it work” (Variety). Balancing scholarship and showmanship, Maestro Bernstein brings the full range of his magnetic personality to play in these programs. And he succeeds in infecting viewers young and old, connoisseurs and the uninitiated, with his overwhelming love of music.