Brahms, Symphony No.4 in E minor, op.98
To watch Carlos Kleiber conduct is to be reminded that the basic channel of communication between conductor and players is above all the body. This emerges with mesmerizing vividness in this concert, recorded live in the Herkulessaal of the Munich Residenz on 21 October 1996.
Carlos Kleiber – I am lost to the world
Carlos Kleiber, the eccentric and reclusive conductor par excellence, is remembered as much for the rarity of his appearances as for the brilliance of his interpretations. In marked contrast to his contemporary Herbert von Karajan, Kleiber refused to participate in the international music business – as well as in most interviews. Accordingly, Kleiber the Man and Kleiber the Musician have remained an elusive mystery that this new documentary, following extensive research amongst the conductor´s musical companions, collaborators and friends, sheds light upon. Featuring Riccardo Muti, Otto Schenk, Ioan Hollender, Sir Peter Jonas, Michael Gielen, Ileana Cotrubas and many more as interview partners as well as several musical excerpts of previously unseen footage. “What the film … conveys is the tremendous emotion that Kleiber produced in people or, rather, that he stirred up in them.” (Süddeutsche Zeitung)
Hélène Grimaud – Woodlands and beyond…
Together with photographer Mat Hennek, French star pianist Hélène Grimaud, comes up with a multimedia concert project at the Grand Hall of Hamburg’s Elbphilharmonie. Grimaud’s virtuous piano performance is accompanied by Hennek’s highly praised photo series “Woodlands”, which depicts genuine portraits of trees, Grimaud’s piano recital includes works by romantic and impressionistic composers. They are connected by seven “Transitions”, written exclusively for Grimaud by British composer and DJ Nitin Sawhney.
The motives of Hennek’s Woodlands series create an extraordinary visual backdrop, which in combination with Grimaud´s pianistic “impeccable clarity and articulation” (Hamburger Abendblatt) and the Elbphilharmonie’s splendid acoustics grants a concert experience of a special kind.
Bruckner Symphony No. 1
Christian Thielemann and the Staatskapelle Dresden already released the Bruckner symphonies Nos. 3, 4, 5, 6, 7, 8 and 9 and continue their Bruckner Cycle at the Philharmonie in Munich with a radiant performance of Symphony No. 1. Thielemann, widely regarded as the leading Brucknerian of our age, demonstrates his skill once more and shows a masterly control over his orchestra. Thielemann opted for the more lively early original Linz version of this symphony. Bruckner himself called it “a cheeky wench” and said about the finale: “Never again have I been so audacious and bold.” “How Thielemann elicits diabolical trills and how he puts emphasis on syncopation, no matter how small – that’s in a class of it’s own.” (Die Presse.com)
Stravinsky in Hollywood
Stravinsky in Hollywood explores the short-lived film career of this legendary musician, traces the account of his trials and tribulations with the Hollywood Studios, and narrates the story of an “old school” European artist coming to terms with a brash New World. Expecting to find lucrative employment composing for the silver screen, Stravinsky would eventually live and work in Hollywood from 1939 until shortly before his death in 1971. Using a combination of archival footage (some of it never seen before), interviews with the composer and several scenes from big studio films of the 40s scored by the Russian master, Stravinsky in Hollywood reveals what became of the man and the artist during
his some four decades in California.
Glenn Gould: The Russian Journey
The date is May 2nd, 1957. Stalin died only four years before and perestroika is still a long way off. However, the Canadian pianist Glenn Gould, who is just 24, arrives in Moscow for an exceptional tour: he is the first North American musician to play behind the iron curtain. This is the story that Glenn Gould in Russia tells by revealing documents from the Canadian Ministry of Foreign Affairs that had remained classified for years. Witness accounts from musicians such as Ashkenazy and Rostropovitch, parts of the original recordings of Gould’s concerts in Moscow and Leningrad, as well as a recording that had never been released before of his lecture-recital in Leningrad make this an invaluable documentary revealing an aspect of Glenn Gould’s artistry that few people are aware of.
Carlos Kleiber – I am lost to the world
Carlos Kleiber, the eccentric and reclusive conductor par excellence, is remembered as much for the rarity of his appearances as for the brilliance of his interpretations. In marked contrast to his contemporary Herbert von Karajan, Kleiber refused to participate in the international music business – as well as in most interviews. Accordingly, Kleiber the Man and Kleiber the Musician have remained an elusive mystery that this new documentary, following extensive research amongst the conductor´s musical companions, collaborators and friends, sheds light upon. Featuring Riccardo Muti, Otto Schenk, Ioan Hollender, Sir Peter Jonas, Michael Gielen, Ileana Cotrubas and many more as interview partners as well as several musical excerpts of previously unseen footage. “What the film … conveys is the tremendous emotion that Kleiber produced in people or, rather, that he stirred up in them.” (Süddeutsche Zeitung)
The Phoenix Dance Company
Phoenix emerged in the 1980s as one of the most exciting contemporary groups in Britain, made up of five young black men who were introduced to dance while at school in one of the poorest parts of Leeds. Their extraordinary story is told in documentary film and in a work called The Forming of the Phoenix. The programme’s finale is a performance of Edward Lynch’s Nightlife at the Flamingo, which fuses jazz steps with Phoenix’s own eclectic style.
La Fenice: A Death in Venice
In January 1996, the Gran Teatro La Fenice in Venice, considered by many to be the world’s most beautiful opera house, was destroyed in a mysterious fire. Made during the aftermath of this event, when speculation was rife as to the cause of the blaze, this documentary contrasts the past glories of the theatre with the devastation that remained. But La Fenice – named after the phoenix – was to rise from the ashes and plans for its rebuilding are scrutinised in this film.